Interview: Kingsley Ben-Adir on playing Malcolm X in "One Night in Miami"

by Murtada Elfadl

Kingsley Ben-Adir is having a breakthrough year. In fact that’s the award he won at the Gothams on the same day I talked to him over zoom. He acknowledges that his performance in Regina King’s One Night in Miami is one that brought him more attention than any previous role. You may remember him as Zoë Kravitz’s ex- boyfriend in the short-lived Hulu series High Fidelity or from the Netflix series The OA. But it’s his performance as Malcolm X that’s being talked about this season for a possible best actor nomination at the Oscars.

One Night in Miami, adapted by Kemp Powers from his play, imagines a historic night in which four Black icons Cassius Clay (Eli Goree) before he changed his name to Muhammed Ali, Sam Cooke (Leslie Odom Jr.),  Jim Brown (Aldis Hodge) and Malcom X (Ben-Adir), come together in a Miami motel room in 1964 and debate their roles as leaders and celebrities at that moment in the Civil Rights Movement. Malcolm X is the one who set up the meeting and the one who has an agenda that becomes apparent as the night goes on. He’s at the center of the film giving Ben-Adir a marvelous opportunity to showcase his talent.

[The following interview has been edited and condensed for clarity.]

Murtada Elfadl: This film lives and dies by the interplay between the four actors. Can you talk about your relationship on set with Aldis, Leslie and Eli? There is passion to the performances and I think you're feeding off of each other. 

KINGSLEY BEN-ADIR: I think Regina very carefully hand-picked each of us. I chemistry tested with Leslie before I was cast...

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The Oscar-worthy kids of 1987

by Cláudio Alves

The kids of Best Picture nominee Hope and Glory

It's not often that we see child actors recognized in the film awards race. In many regards, that's understandable. Kids aren't known for being the most disciplined of performers and it seems unfair to expect them to deliver complex characterizations, or to embody concepts and ideas that they're still learning. Furthermore, while every acting job is a fruit born out of several people's labor – the actors themselves, directors, writers, editors, sound mixers, etc. – when the performer is as lacking in agency as a child, it's easier to attribute excellence to those other folks' craft.  Nonetheless, good work is good work, and we should celebrate the greatness we see on-screen, regardless of how it came to be.

That brings us to 1987, the year of the next Smackdown, and a rare vintage that's stock full of brilliant performances by young artists. Curiously enough, the three Leading Actor performances paid special homage in this write-up all come from films about boys facing the harsh realities of World War II. First up, we have: 

Christian Bale, EMPIRE OF THE SUN

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Ethan Hawke at 50: An Appreciation

by Lynn Lee

If I had to pick one actor who most perfectly embodies the spirit of Generation X, the choice would be a no-brainer.  With all due respect to other 40 and 50something stars (Leo, Brad, Johnny, Keanu) or dead icons (River, Heath) in his peer group, it could never be anyone other than Ethan Hawke.  Not because—or not only because—of Reality Bites, which made him the poster child for cynical, disaffected (but secretly vulnerable) Gen X slackers everywhere.  Rather because his career exemplifies the quiet independence and under-the-radar achievements of that not-quite-lost, but certainly liminal, generation.  He’s been working steadily since his debut, at the age of 14, in Explorers (1985), yet like any good Gen Xer, has successfully eluded easy characterization.  He reaches the half century mark today having assembled one of the most intriguing and eclectic bodies of work of any currently living actor... 

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Chadwick Boseman Oscar Chart Switcheroo

I got my time comin' to me.

You've surely heard that Chadwick Boseman's people have made the (correct) decision to place him in the Best Actor category for Ma Rainey's Black Bottom. Less category fraud makes the world a better place. And usually campaigns err on the side of fraud to make things easier for the big stars, so we couldn't applaud them more for it. While it's true that this considered a "featured" role on Broadway, so was Ma Rainey herself (so clearly Broadway sometimes has its own issues with "categories") and they're the two obvious big characters of the show. So we've updated both the Best Actor and Best Supporting Actor chart as a result. We still think the late beloved actor is likely to win (though it's so early, we must remind) only now that posthumous honor will be in the correct category. People who've seen the film think he's special in it. 

Chadwick Boseman will almost certainly win the Oscar for Best Actor, now that Netflix has officially decided to campaign him as a lead performer for MA RAINEY’S BLACK BOTTOM. He’s so good in his final film performance that it feels undeniable.

— Kyle Buchanan (@kylebuchanan) October 21, 2020

Almost There: Michael Fassbender in "Shame"

by Cláudio Alves

With the films of Steve McQueen's anthology, Small Axe, earning critical raves as they traverse through the festival circuit, it's a good time to remember some of his previous projects. While 12 Years a Slave was a great success that conquered acclaim and many awards, the rest of the director's filmography has been more polarizing and arguably underrated. It feels wrong, for instance, that his recurring muse, Michael Fassbender, got the first of two Oscar nominations for his least impressive contribution to McQueen's oeuvre. He was much more deserving two years before that best Picture winner, in 2011's Shame...

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