Through Her Lens: 2019 (The 92nd Oscars)

A new series by Juan Carlos Ojano moving backwards through time looking at female-helmed films. Here's the full introduction if you missed it.

The biggest story of the 2019 awards season was Parasite breaking the language barrier and becoming the first non-English language film to win Best Picture at the Academy Awards. Another story also gained prominence during that season: despite the considerable number of films directed by women that had awards buzz, none of them were nominated in the Best Director category yet again.

This was disappointing since the eligible films coming from all continents displayed the diversity of the work that women directors produced that year. Out of the 344 films included in the Reminder List of Eligible Films in 2019 (92nd Academy Awards), 78 of them (or 22.7%) were directed/co-directed by women...

Click to read more ...

Through Her Lens: An Introduction

A new series by Juan Carlos Ojano

Will any female directors be nominated this year at the Oscars? It's too early to say but sexism has been a long-standing problem in the history of cinema and the Oscars -- that's often reflected in who is invited to enter the canon and who is not. Year after year, films directed by women have been routinely ignored. Seeing five men in Best Director lineups during awards season has long been a given. Only seven women have been nominated for Best Director. Ever. Last season, though, featured what we hope will prove a turning point.

In this series, we will share an alternate list of five films directed by women per Oscar vintage, based on what was eligible. This is not to say that the films we'll cite will always be better than the ones nominated. Take this list more as a reminder that the work by women has always existed. That should be reason enough for celebration. This is Through Her Lens...

Click to read more ...

Oscar Chart Updates: Picture, Director, Screenplay, and more...

Jane Campion's new film Power of the Dog has been named the Centerpiece for the New York Film Festival. Perhaps it's wishful thinking (we've loved Campion forever) but we're betting big on it for the Oscar race. The film is set in 1920s rural Montana and stars Benedict Cumberbatch and Jesse Plemons as brothers who are at odds. The rift between them grows wider once the younger brother brings a new wife (Kirsten Dunst) home. The novel by Thomas Savage has been compared to works like East of Eden and Brokeback Mountain and if the film can live up to either of those classics' screen adaptations it will be something special.

We've been working hard on the first Oscar charts of the year.  The four acting categories and international film have yet to be posted, but the rest of the charts are now up...

• PICTURE - Will streamers like Netflix or Amazon prevail or will more traditional distributors like MGM/UA, Searchlight, Focus, A24, and SPC rise up? So many films sound exciting but we won't know which deliver on their promise until later in the year.  
• DIRECTOR - Jane Campion could become the first woman ever nominated twice in Best Director
• SCREENPLAYS  - Numerous brilliant writers have new films coming but however will they choose between Asghar Farhadi, Joel Coen, Tony Kushner, Pedro Almodóvar, Mike Mills, and Paul Thomas Anderson?
• VISUAL CATEGORIES - There's (presumably) eye candy aplenty in Dune, Last Night in Soho, House of Gucci, and Nightmare Alley
• SOUND CATEGORIES - Can it finally be Nicholas Britell's year or will he split his support with three movies (Carmen, Don't Look Up, Cruella)?
• ANIMATED FEATURE - Will Disney's musical Encanto be the frontrunner? Will Flee and Belle be the more adventurous citations?
• PREDICTION INDEX - the overview snapshot

Other women who should have won Best Director

by Cláudio Alves

At this year's Oscar ceremony, Chloé Zhao became only the second woman in Academy history to conquer the Best Director prize. The second one in 93 years. She follows in the steps of Kathryn Bigelow, whose Hurt Locker, like Nomadland, also won the Best Picture trophy. As a longtime proponent of the importance of women directors in film history, I rejoice at this result. However, the victory is bittersweet, a reminder of the chronic lack of recognition for these filmmakers. Many other women have deserved to win the Best Director Oscar across the years…

Click to read more ...

Directing Acting Winners / Nominees - The Updated List

By Ben Miller

The Oscars are so stat heavy, it’s difficult to keep up with the bevy of information.  One of those stats that gets lost in the noise is the more complicated numbers around acting nominations by director. If you’ve read my previous piece last year, I am somewhat of an expert in this field, and this year’s set of nominees provides some interesting stats...

Click to read more ...