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Entries in Best Original Screenplay (60)

Sunday
Jan222023

Split Decision: "The Banshees of Inisherin"

Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Abe Friedtanzer & Eric Blume on one of the Oscar frontrunners...

ERIC:  Abe, here we are again with another split decision.  But unlike our discussion about The Whale, which you loved and I didn't, we're swapping sides for The Banshees of Inisherin.  I absolutely loved this film.  I'd go as far as to say it's close to a masterpiece.  It's a piercing and painful meditation on loneliness, a heartbreaking and lyrical stare in the face at death.  Martin McDonagh is tackling The Big Themes with ferocity and honesty, and I was deeply moved.  But let's start with why you didn't care for the film...

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Sunday
Jan082023

Team Experience Predictions Chart - Round 4 - Post Holidays, Pre Awards Shows

We're polling the Team Film Experience on where the Oscar race stands. This week Best Picture, Director, and the Acting and Writing categories.

It has been over a month since we’ve checked in on the directing, acting and writing categories. Since then, Avatar has soared at the box office, Babylon has flopped and both the Golden Globes and Critics Choice Awards have announced their nominations. Some categories look completely different than they did at the end of November. Others, funny enough, remain the same. One category has a contender who is unanimously on the top of everyone’s predictions… and it’s not the one you think. 

Check out our predictions after the jump…

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Thursday
Dec292022

Oscar Volley: The heat is with the "Original" screenplays 

Team Experience is discussing each Oscar category in the lead up to the nominations. Here's Nathaniel and Abe to talk Best Original Screenplay...

AFTERSUN

NATHANIEL: I feel like I say "my favourite category!" a lot when talking Oscar. So let me just tell you, Abe, that this is at least 'one of em' for me (with the Actress categories, Costumes, International Feature, and and and and and) Usually, the Oscar buzz centers on the Adapted screenplays since they come bearing automatic prestige. This year it is so pleasing that the heat is with the originals. The Banshees of Inisherin & Everything Everywhere All At Once feel neck-and-neck for the future win. Even if they both didn't have so much heat in Best Picture, they'd be formidable contenders in this category.

I want to start with the longer shots, though. One movie a lot of people are rooting for is Charlotte Wells' Aftersun. I love it too but I wonder if it's ineffable impact doesn't spring more from the fluid mystery of the direction, editing, and performances? I wonder if it can go the distance here. What longer shot are you rooting for?

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Monday
Nov282022

Team Experience Predix - Round 1: Post-Thanksgiving Snapshot

We'll be polling Team Experience biweekly to get their (collective) take on the Oscar race. This week, the 'Big Six' categories and Screenplay prizes.

THE FABELMANS

BEST PICTURE

Click to get expanded view.It’s a dangerous business to be an early frontrunner. However, if anyone can handle that title, it’s Steven Spielberg...

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Wednesday
Jun222022

Streaming: "Good Luck to You, Leo Grande"

by Nathaniel R

Here's one we absolutely meant to review at Sundance but didn't get to. We did you disservice. This must-see drama from writer Katy Brand and director Sophie Hyde, now streaming on Hulu, is a fine specimen in the increasingly endangered species of "character-based drama for adults". More rising directors and screenwriters should attempt low-budget premises like -- easier to get funding -- provided they can find and guide actors savvy enough to pull off something direct and delicate. Hyde and Brand have done just that even if they haven't attempted to make it very "cinematic". It's not based on a play but it does feel like a film version of a play. For the wisely economical 97 minute running time we're entirely focused on just two people in one hotel room. Nancy Stokes (Emma Thompson) is a lonely fifty something widow who hires a male escort "Leo Grande" (Daryl McCormack) to fill the void of human connection in her life. She also hopes to finally experience an orgasm...

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