Split Decision: "Barbie"

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of this year’s Oscar movies. Here's the last discussion, between Mark Brinkerhoff and Nick Taylor on Barbie…

NICK: Hi Mark! We’re coming to you live and in color - but mainly in pink - from Barbieland for today’s split decision. This is the only one of these where I get to be on the side of positivity, so if the runoff of good vibes is Too Much, forgive me. Either way, I’m very excited to talk to you about Barbie. I’m not sure this makes it into my top 10 for the year, but it’s almost certainly the 2023 film I’ve watched the most, and I think it’s a total delight with as much on its mind as any of Greta Gerwig’s previous films, albeit in a very different key from Lady Bird and Little Women. I’d say more, but I don’t want to start our chat with a three-paragraph monologue. So, Mark, what’s keeping you from feeling the Kenergy?...

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Final Oscar Predictions!

by Nathaniel R

It's that time again. The Oscars are Sunday night so it's time to make those final calls. Oppenheimer is poised to win big but HOW big exactly? Clean sweeps have gone out of fashion in the past 25 years. The only "clean sweep" this century -- aka a movie nominated for a lot of Oscars that won ALL of them on Hollywood's High Holy night -- was 2003's The Lord of the Rings: The Return of the King. Even more interesting than Hollywood's turn away from sweeps is that it's become common the Best Picture winner to NOT win the most Oscars. We like it when they spread the wealth but the overperformance last year of Everything Everywhere All At Once suggests that Hollywood may be entering sweep-mindset again.

We expect that Chris Nolan's atomic biopic Oppenheimer will have the biggest Oscar haul since Return of the King on Sunday though it won't break any records...

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Jack Fisk: From "Badlands" to "Flower Moon"

by Cláudio Alves

Jack Fisk as "Man in the Planet" in David Lynch's ERASERHEAD.

From Malick to PTA, going through De Palma and Lynch, Jack Fisk's contributions to American cinema are enough to take one's breath away. This year, he collaborated with Martin Scorsese for the first time and earned his third Oscar nomination for Killers of the Flower Moon. According to the designer, his director wanted his film to be "wide, big, like a western," and Fisk delivered.

Working primarily from historical documents, he dove deep into Osage country records to figure out the reality of the characters' lives, including which houses they once inhabited. He also dug through old buildings in search of period foundations and used original plans of buildings like the train station to recreate them as faithfully as possible. For the oil derricks, he recycled research he'd done for There Will Be Blood. In total, Fisk and his team built over forty interior sets, plus entire houses like Hale's ranch, and two blocks of Pawhuska restyled to represent the town of Fairfax across a decade of bloodshed. It's impossible to overstate the scale of his achievement. And yet, what would be other artists' crowning glory is just one among many such triumphs in Fisk's career…

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Better Luck Next Time, Nathan Crowley

by Cláudio Alves

If Sarah Greenwood wins the Oscar for Barbie, Nathan Crowley will officially become the most nominated production designer without a single win. You may be familiar with his name from many Christopher Nolan pictures since he's worked on most of them. But most is not all, and this past year, the British production designer was absent from the Oppenheimer credits. Ruth De Jong did that job and is now up for an Oscar thanks to it. Crowley, however, was less fortunate. Instead of the blockbuster biopic, he was busy re-imagining the wondrous world of Roald Dahl for Wonka – new on PVOD if you want a taste of Chalamet…

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Oscar Volley: It’s Whimsy vs History in Production Design

Team Experience is discussing each Oscar category as we head into the precursors. Here's Nick and Cláudio to talk Production Design...

BARBIE sails to a sure nomination, but can it win?

CLÁUDIO: Last year, the trenches took gold, but what will even be nominated this season? The gloomy days of WWI behind us, Barbie shines a pink promise on the plastic horizon, with Killers of the Flower Moon and Oppenheimer providing some period seriousness. Maybe it'll be Wonka or Poor Things, colorful lunacy with a candied twist. There are other musicals to contend with, more biopics than your mind can process, sci-fi, diorama-land, and even a detour into mid-00s opulence. Yes, this is the Best Production Design race, where anything is possible until it isn't. May the odds be ever in your favor…

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