Mickey @ 100: From "National Velvet" to "The Black Stallion"

Here's Baby Clyde to conclude our brief Mickey Rooney Centennial celebration

Many years ago, as a Golden Age Hollywood obsessed tween, I dragged my poor brother up to London with me so we could stand outside the stage door of the Savoy Theatre. The West End debut of the smash hit Broadway revue Sugar Babies was playing and it starred the legendary Mickey Rooney and Ann Miller ...from actual HOLLYWOOD!!!

As a little kid from a decidedly un-glamourous council estate, who spent all his spare time poring over books about old movies stars, this was too good an opportunity to miss. It didn’t turn out quite as I’d planned. We arrived at the stage door with plenty of time before the show began to find a handful of like minded saddos also waiting. They informed us that Miss Miller was already inside which was of course unfortunate, but Mickey was still to arrive. A little while later he did...

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Almost There: John Cazale in "Dog Day Afternoon"

by Cláudio Alves

On March 13th, 1978, John Cazale died of lung cancer at the age of 42. Before his untimely end, the Massachusetts-born actor had amassed an impressive list of credits, both on stage and onscreen. His filmography, as far as features are concerned, is of particular interest and amazement. He appeared in five films, six if you count The Godfather Part III, all of which were nominated for the Best Picture Oscar (a record!). Not only that, but his quintet from the 70s (The Godfather, The Conversation, The Godfather Part II, Dog Day Afternoon, and The Deer Hunter) represents a list of era-defining classics.

Of them, 1975's Dog Day Afternoon was surely the closest the actor ever came to a much-deserved Oscar nomination…

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Emmy Review: Supporting Actor in a Comedy

Please welcome new contributor Christopher James to continue our Emmy analysis/review...

The new eight-wide field Supporting Actor in a Comedy field brought in some old and new faces. The incumbent Tony Shalhoub hopes to win his fifth Emmy (he won three times for Monk and once previously for The Marvelous Mrs. Maisel). However, there are plenty of people standing in his way. Both Harper and Levy contend for their show’s series finales. Oscar winners Ali and Arkin hope to add an Emmy to their respective trophy cases. Meanwhile, Emmy regulars Brown, Braugher and Thompson are hoping to be the David to Shalhoub’s Goliath.

Without further ado, let’s dive into a look at each of the nominee’s submissions (mild spoilers to come)...

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Emmy Review: Supporting Actor in a Drama

By Abe Friedtanzer

There were a staggering 455 men on this particular ballot, the most in any category this year (and ever). It’s a wonder that five shows are still represented by eight nominees. The question is whether actors whose costars are nominated – like the boys from Succession or Critics Choice winner Billy Crudup – can distinguish themselves like Peter Dinklage managed to do last year with his fourth trophy for Game of Thrones. Or will having no internal competition propel someone else to the win?

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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The New Classics: Lincoln

By Michael Cusumano 

Abraham Lincoln abilities as a writer probably would have earned him a place in history even without his accomplishments as a statesman. He is surely the best writer that has ever occupied the Oval Office. Capable of expressing complex ideas with remarkable economy, he had a deft hand with allusions and was responsible for many evocative turns of phrase that resonate far outside the political context of their time, “The better angels of our nature” or “The dogmas of the quiet past”.  Hell, simply opting for “Four score and seven” over “eighty-seven” reveals a writer’s ear for the musical potential of language.

It's a fitting tribute then, that the most prominent film about the sixteenth president, Steven Spielberg’s Lincoln, with a screenplay by Pulitzer prize winning playwright Tony Kushner, exudes that same love of language. There’s scarcely a scene without some memorable linguistic spin. There's much to admire in Spielberg’s film from the beautifully worn production design to the momentous performances, but the real reason I’ve returned to it repeatedly since 2012 is simply because the characters are such fun to listen to. All of the film’s dramatic peaks involve the spectacle of verbal fireworks, particularly my favorite scene, where Tommy Lee Jones blasts his way out of a political trap firing off ornately worded insults like cannonballs... 

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