YNMS: The Glorias

From guest contributor Matt St Clair...

Oscar Winner Julianne Moore stars in the latest entry of what’s suddenly become the Gloria Cinematic Universe. Mrs America starring Rose Byrne as Gloria Steinem is still fresh in the memory (and competing at the Emmys on Sunday). And after playing the titular heroine in Gloria Bell, Moore now plays the iconic Gloria Steinem in the upcoming biopic The Glorias, which once again has Moore playing a Gloria in glasses, and has a “glorious” new trailer. Let’s give this preview the Yes No Maybe So treatment and see whether you think it’s bound for “glory.” (Sorry)

The official IMDB synopsis:

The story of feminist icon Gloria Steinem's itinerant childhood's influence on her life as a writer, activist and organizer for women's rights worldwide.”

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"Night of the Kings" is our third International Oscar submission

by Nathaniel R

Director Philippe Lacôte and a still from "Night of the Kings" his second feature

We have our third reported Oscar submission for Best International Feature at the 2020 Oscars and this one is a rarity. Ivory Coast, a West African country, has only ever submitted two previous films to the race. Though Ivory Coast, a former French colony, became independent in 1960, their first submission Black and White in Color (1976), which won the Oscar, was the debut of French filmmaker Jean-Jacques Annaud who was quickly snapped up by Hollywood. Ivory Coast didn't submit again until they had their own debut director, Philippe Lacôte. His first film, a crime drama called Run, was submitted to represent the country in 2015 and his sophomore feature will represent the country again. Screen Daily recently spoke with the filmmaker about why there are so few African films at A-list festivals and how this new film came into being.

Night of the Kings which premiered this past week in Venice, is a Scheherazade-like story about a thief (Bakary Koné, pictured above) who becomes a storyteller in order to survive in the infamous MACA jail in the city of Abidjab (Lacôte's home town). The story the thief is telling is a true one about a crime lord called Zama King but  Lacôte wasn't interested in making a traditional biopic (bless him!). French actors Steve Tientcheu (from last year's Oscar nominated Les Miserables) and the always incredible Denis Lavant (Holy Motors) co-star.

Previously
Poland selects Never Gonna Snow Again
Switzerland selects My Little Sister

"Elvis" gets back to work

by Ben Miller

Elvis and his manager Colonel Parker in 1958

Though the coronavirus is still raging in the US, the rest of the world is starting to get back to normal, and that means the restarting of international film productions.  One of the most noteworthy of those productions,  restarting in Australia, is Baz Luhrmann’s (as of yet untitled) Elvis Presley film, starring Once Upon a Time…in Hollywood’s Austin Butler as the King of Rock and the world’s most famous COVID patient, Tom Hanks as Colonel Tom Parker.

The project itself is relatively unknown, but we do know Luhrmann, so don't expect the typical biopic treatment...

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Showbiz History: Way Down East, Valerie Perrine, Kalifornia

8 things that happened on this day in history as it relates to showbiz...

1838  Legendary abolitionist and orator Frederick Douglass escapes from slavery. Where's his biopic? Seriously.He shows up briefly as a supporting character in both the miniseries North and South and the feature film Gloryin the 1980s but since then, no films or TV about him, apart from documentaries?  

1920 Way Down East starring Lillian Gish as a wronged young woman premieres...

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The New Classics: Lincoln

By Michael Cusumano 

Abraham Lincoln abilities as a writer probably would have earned him a place in history even without his accomplishments as a statesman. He is surely the best writer that has ever occupied the Oval Office. Capable of expressing complex ideas with remarkable economy, he had a deft hand with allusions and was responsible for many evocative turns of phrase that resonate far outside the political context of their time, “The better angels of our nature” or “The dogmas of the quiet past”.  Hell, simply opting for “Four score and seven” over “eighty-seven” reveals a writer’s ear for the musical potential of language.

It's a fitting tribute then, that the most prominent film about the sixteenth president, Steven Spielberg’s Lincoln, with a screenplay by Pulitzer prize winning playwright Tony Kushner, exudes that same love of language. There’s scarcely a scene without some memorable linguistic spin. There's much to admire in Spielberg’s film from the beautifully worn production design to the momentous performances, but the real reason I’ve returned to it repeatedly since 2012 is simply because the characters are such fun to listen to. All of the film’s dramatic peaks involve the spectacle of verbal fireworks, particularly my favorite scene, where Tommy Lee Jones blasts his way out of a political trap firing off ornately worded insults like cannonballs... 

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