The Furniture: On Frida's Mirrors and Diego's Walls

Daniel Walber's series on Production Design. Click on the images to see them in magnified detail.

Nearly 20 years on, Julie Taymor’s Frida remains both breathtaking (those Quay Brothers puppets!) and befuddling (why isn’t it in Spanish?). It holds up better as a visual experiment than as a biopic, despite the richness of Salma Hayek’s performance. Filmmakers have long struggled to bring the lives of visual artists to the screen in dynamic, resonant ways. Some fail.

When Frida does succeed, it’s largely due to its Oscar-nominated team of art director Felipe Fernández del Paso and set decorator Hania Robledo. Their work doesn’t simply represent the art of Frida Kahlo and Diego Rivera, but interprets it. By transforming Kahlo’s paintings into the stuff of cinema, they directly engage with their meaning - or, rather, Taymor’s own interpretation of those meanings. The result is a film with a lot to say about materiality and identity, the value of brick and the value of life.

We begin with Frida’s bedridden journey to her first solo show in Mexico City. She is carried out of the house aloft, head resting on an embroidered pillow that reads “Amor” and “Tesoro Mio.” But then we see her through her eyes, as she looks up to the mirror into the canopy of her bed, the flowers reflected back at her.

Click to read more ...

The New Classics: Capote

Michael Cusumano here to celebrate a film that is so much more than just another "based on a true story" prestige pic. I have noticed that Bennett Miller’s Capote is often shoved into the biopic genre in a way that diminishes the film’s achievements. 

Lesser biopics bask in the glow of reflected importance coming off their subjects. Significance through osmosis. They value the flush of recognition over insight, and the accumulation of incident over meaning. Capote on the other hand is crafted with a stark, unwavering discipline. It has more in common with a portrait of artistic self-destruction like Black Swan than with Walk Hard inspirations like Ray...

Click to read more ...

You Will Be Linked

The Atlantic drive-in movie theaters are having a moment. Not that there are many of them around. 
Variety Anne Hathaway to star in the adaptation of the memoir French Children Don't Throw Food
The New Yorker "pandemics and the shape of history"
MNPP Dolly Parton will be reading to children every Thursday on YouTube
Variety in the land of stars getting creative during the shelter in place, Emilia Clarke is offering a virtual dinner for charity for coronavirus relief. You get to cook with her and eat with her if you're selected.
/Film Genius: Queen of Soul starring Cynthia Erivo as Aretha Franklin delayed til later this year (in related news Respect starring Jennifer Hudson is moving to 2021. I think we know who loses in an acting cage match between the two, even if they won't be competing at the same awards show.)
Boy Culture the last time various household name artists charted on the top 40
Coming Soon remember the days when Netflix never cancelled any of their shows? Those days are long gone. October Faction and V Wars are both cancelled after their first seasons (though Locke & Key gets to stay for a second round)
Deadline Sony moves all their big ticket 2020 movies to 2021 in one swoop. 
Deadline Oscar-nominated songwriter Adam Schlesinger ("That Thing You Do") of the band Fountains of Wayne in a medically induced coma due to coronavirus

Exit Music
James Corden gathered up Ben Platt and the current touring company of Dear Evan Hansen to sing "You Will Be Found". Lovely song. It starts around 2:30

The moment I fell for Kristen Stewart

by Cláudio Alves

Ten years ago, Floria Sigismondi's The Runaways was released. The film's a rock biopic and literary adaptation of Cherie Currie's autobiography - Neon Angel. It portrays her life in the late 70s when she became the vocalist for the all-female rock band for which the film is named. Influential and memorable, the Runaways burned too bright and too soon, dissolving after two years of fame, a modicum of success and a whole lot of controversy. Joan Jett, a rock icon and the Runaways' guitarist, helped produce the film and, maybe because of that, Sigsimondi's script makes her a coprotagonist.

Matters of shambolic narrative structure aside, I'm glad The Runaways is so entranced by the mythos of Joan Jett. Otherwise, I might have never woken up to the genius of Kristen Stewart…

Click to read more ...

Final Oscar Nomination Predictions

The 92nd annual Academy Awards are almost upon us. They're just 29 days away at this writing. We'll have the official Oscar charts back up for you as soon as is humanly possible once the potentially exciting event has occurred on Monday (they're coming down now to prep for Monday's unfurling). But until then, it's time to make final predictions.

BEST PICTURE

The sure things: Once Upon a Time in Hollywood, Parasite, The Irishman, Joker, Jojo Rabbit, 1917. That's six titles that we can't imagine missing on Monday morning given their success to date in precursor awards and with critics and the public. The extremely probable: Marriage Story. The only reason we've begun to worry is that there's been virtually no traction for Noah Baumbach in Best Director which suggests that people have reduced the movie to "an actor's showcase"... but then where was the SAG Outstanding Cast nomination? It's likely in but if there's a shock omission Monday morning...

Click to read more ...