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Entries in biopics (299)

Saturday
Jan252014

Mr R Will Link You Now

Variety a filmmaker accidentally takes his parents to Nymphomaniac, the secret screening at Sundance
Cinema Blend 50 Shades of Grey gets one of those exceptionally lazy and ubiquitous 'back to camera in silhouette' teaser posters. THIS MUST END. Every time a studio releases one of these I fear a mass suicide by graphic designers. (This is all they ever get to do now?)
/Film Rupert Sanders to direct live action remake of Ghost in the Shell 


The Carpetbagger Oscar's track record with black filmmakers 
i09 images from the making of The Ten Commandments including oil painting makeup tests
The New Yorker 50 Years of Dr Strangelove 
Cinema Blend Attack the Block's lead actor gets a plum role: Olympian Jesse Owens in the biopic Race

Sunday
Jan052014

Have A Super George Reeves Centennial

One hundred years ago today, the second but arguably most famous pre-Christopher Reeve era Superman was born. George Reeves didn't rocket in from outerspace, landing like a meteorite in the backyard of some kindly adoptive farm couple in Kansas. He was born the normal way a few hours to the northeast in Iowa. But by the time he was 38, the struggling movie actor who had had minor roles in two Best Picture winners (Gone With the Wind and From Here to Eternity) was a national celebrity in Superman's trademark blue longjohns with red underpants... albeit in black and white on the telly.

Remember when Ben Affleck played him in Hollywoodland (2006)? 

I hadn't heard people mention this movie in years (here's a good review of it from Erik Lundegaard) until they announced that the sequel to Man of Steel would co-star Ben Affleck as Batman. At that point, pictures of Ben in the Supes suit resurfaced with a vengeance online.

I always thought George Reeves deserved a better biopic than the one he got in Hollywoodland. Not that it was a terrible movie but you have to focus to make an impression and Reeves somewhat controversial death (suicide or murder?) made that impossible. In there somewhere was surely a potentially universal and moving story about bad luck, personal demons and thwarted potential via typecasting (or as non-actors know it: being pigeonholed or underestimated). But the movie, if I recall it correctly, flattened out while trying to also be a costume drama about the tumultuous 50s in showbiz (when TV first truly freaked the movies out) and a romantic drama and a movie about Detective Adrien Brody (huh?). Focus, people!

I'm sympathetic to focus problems as anyone who reads the blog for more than a week will realize. So my mind is already wandering away but not before stopping at this pressing poll of imaginary consequence!  

 

 

Wednesday
Nov062013

Paging Lacuna, Inc. - Naomi Watts' 2013 is One She'd Rather Forget!

One of my favourite movie-going memories of 2013 was seeing the trailer for Adore play before a bemused sold out opening weekend audience at Blue Jasmine. Amongst the scattered laughs was one lady a row or two behind me who uttered to her companion, “What is Naomi Watts doing?” She, and the rest of us, are sadly still waiting for an answer. On the heels of that Oscar nomination for The Impossible, Watts has since appeared in two films that have literally been laughed off of cinema screens.

[Adore and Diana giggles after the jump...]

Click to read more ...

Friday
Oct182013

Two Graces at War

It's Julien your French correspondent to pass a bit of a contentious interview your way. After tampering with the ending of August: Osage Country and cutting 20 minutes off Snowpiercer, it seems Harvey Scissorhands is at it again. Grace of Monaco director Olivier Diahan spoke to French newspaper Libération (in an article published today) about his ongoing feud with Weinstein.

The disagreement is apparently the cause of the film's delay:

What’s complicated right now is to make sure that the critics will be able to judge my own version of the film, and not another one. But it’s not over yet, I haven’t given up. (…) There are two versions of the film: mine and his… which I found catastrophic.”

Quite a strong assessment from the guy who directed My Own Love Song, wouldn’t you say?

Click to read more ...

Sunday
Sep012013

Review: The Grandmaster

Dancin' Dan here with my take on one of my most anticipated films of the year.

It's often easy to forget that the martial arts indeed are art, despite the fact that the word is right there in their given name. Practioners of kung fu, or karate, or judo hone their craft just as intensely (if not more so) as any painter, dancer, musician, actor, or filmmaker practices theirs. And to watch martial artists perform (that is, to fight) is quite often just as much of an awe-inspiring spectacle as it is to, say, watch Cate Blanchett navigate the course of Jasmine's unraveling. Wong Kar-Wai's The Grandmaster, far more than any martial arts movie in recent memory, understands this.

One might expect no less from a film directed by Kar-Wai, cinema's premiere sensualist. And on this point, at least, he doesn't disappoint. [more...]

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