The Fault in Our 'TÁR'

by Nathaniel R

Cate Blanchett as "TÁR" © Focus Features

The world famous conductor Lydia Tár is breathing strangely in the wings. As she inhales and exhales forcefully with tiny staccato bursts of her facial muscles, the image of a rock star hopping in place, self-hyping before their concert is conjured. Will Tár's elite audience devolve into a hysterical screaming teenager at the first sight of her?

Conductor as rock star? It's a rare and incredulous notion. Gone are the days of monoculture when a "Maestro" like Leonard Bernstein (emphatically name checked) could become a household name. But in Todd Field's TÁR we believe it, surely in part because one of the most famous movie stars in the world is playing her. In the year of our lord 2022, Cate Blanchett needs no introduction; Lydia Tár is a different story, and her introduction -- an exhausting recitation of her many diverse accomplishments as she turns 50 -- is a doozy...

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"All the Beauty...", "Banshees of Inisherin" and "Bones and All" win big at Venice

by Nathaniel R

Cate Blanchett, Director Laura Poitras, and Colin Farrell all took home prizes

While The Whale and Don't Worry Darling hogged a lot of the press here in America, they weren't favourites of this year's Venice jury, both going home empty-handed. Julianne Moore presided over this year's jury which included Mariano Cohn, Leonardo Di Costanzo, Audrey Diwan (the Golden Lion winner last year -- our interview!), Leila Hatami, Kazuo Ishiguro and Rodrigo Sorogoyen. They gave the top prize to a buzzy documentary about Nan Goldin, All the Beauty and the Bloodshed. Though they didn't win the top prize both Martin McDonagh's The Banshees of Inisherin and Luca Guadagnino's Bones and All took home two prizes each...

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Venice Gowns (and Pants) '22, Round 2

by Nathaniel R

online polls

Tessa Thompson and Jodie Turner-Smith continued to bring the DRAMA (all caps intended) and rising star Taylor Russell (Waves, Bones and All)  joined them in boldness. Meanwhile Maude Apatow went classic, Chloe Sevigny went short, Aimee Lou Wood (Sex Education) was doing a polka dot theme all day including this gown. And last but not least, Timothée Chalamet and Cate Blanchett knew exactly what to wear to keep people talking. So which was your favourite?

Venice Diary #01 - Tár, White Noise, and Princess

by Elisa Giudici

Hello readers! It's Venice time again. As with previous festivals, I'll be reviewing the movies with some festival experience details on the side. I screened three and a half movies (we'll get to the half at the end) in the first Day of the Mostra. Both the official opening night film White Noise and Princess in the Orizzonti section were a bit disappointing though both are far from failures. On the bright side, Cate Blanchett really delivers in Tár.

But first something a little spooky as Venice starts off on the wrong foot. This year Sala Darsena (the main screening room for press and industry) appears to be …cursed? During the screening of White Noise a bat (a real, actual bat!) flew in front of the screen...

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Yes No Maybe So: "Guillermo del Toro's Pinocchio"

by Nathaniel R

This morning Netflix released the poster and teaser to Guillermo del Toro's Pinocchio so it's really happening. Del Toro always has so many projects in development that it's something of a surprise when any of the long gestating projects emerges, complete. They're being somewhat cagey about actual dates beyond "November in theaters / December on Netflix" but a month is good enough for now. The trailer poster and quick Yes No Maybe So thoughts are after the jump...

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