Oscar Chart Updates: Supporting Categories

by Nathaniel R

While both Best Actress and Best Actor (recently discussed here and here) appear to have furious volatile competitions for the anxiety-provoking fifth slots, is the same true in the Supporting categories? 

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Team Experience SAG Reactions: Happy Thoughts, Outrageous Snubs, and Table-Lust

by Nathaniel R

After the SAG nominations I polled the team on six questions about the SAG nominations. One of them gets its own post (being a big topic we'll be discussing for some time still). But here are the general reactions to the other five questions from love to loathing to which OUTSTANDING CAST table we'd like to sit at...

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SAG Nominations - Movies

We'll have a separate post for the TV nominations a little later today but first, the MOVIE nominations. 

OUTSTANDING ACTRESS

• Jessica Chastain, The Eyes of Tammy Faye
• Olivia Colman, The Lost Daughter
• Lady Gaga, House of Gucci
• Jennifer Hudson, Respect
• Nicole Kidman, Being the Ricardos

Instant Impression: The morning's biggest shock -- no Kristen Stewart in Spencer. I'm okay with this but the internet won't be...

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Almost There: Cate Blanchett in "The Talented Mr. Ripley"

by Cláudio Alves

Guillermo del Toro's Nightmare Alley is now in theaters, bringing Cate Blanchett back to the big screen where she belongs. Playing a manipulative psychologist who proves herself a femme fatale, the Australian actress is sure to bring glamour to the part, dazzling audiences as she's been doing for decades. To commemorate the occasion, this week's Almost There entry revisits one of Cate Blanchett's best performances. In fact. It might be her greatest. In any case, it's my favorite from her sterling filmography, a supporting part she injects with life and patrician heartbreak. The Academy ignored her in 1999, but Blanchett may have come close to a second nomination for her work as Meredith Logue in Anthony Minghella's adaptation of The Talented Mr. Ripley…

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Review: "Nightmare Alley" only in theaters

by Matt St Clair

Nightmare Alley, Guillermo del Toro’s anticipated follow-up to The Shape of Water, is quite a risk for the Oscar-winning auteur. Del Toro ditches the phantasmic monsters he’s known for in favor of human monstrosity, the beasts within all of us that drive our carnal needs. As with the original 1947 noir, Nightmare Alley is an exemplary exercise on the folly of man and what happens when the line between man and beast becomes blurred. 

The main anti-hero who toes that line is Stan Carlisle (Bradley Cooper), a carny with a knack for manipulating people. His subjects include fellow carny and eventual love interest/accomplice Molly Cahill (Rooney Mara), Paul Krumbein (David Strathairn) and his fortune teller wife Zeena (Toni Collette), and a wealthy fearsome widower Ezra Grindle (Richard Jenkins). Cooper's piercing eyes and bewildering smile make him a perfect casting fit for the manipulative con man. He is a man of few words which is just as well; the words when they come are lies and deceit. It is in Cooper’s expressive face where we see Stan’s constant fear of his troubled past resurfacing...

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