Charlize Theron in "The Curse of the Jade Scorpion"

by Tim Brayton

As part of our celebration of the career of Charlize Theron, I'm revisiting the performance of hers that first made me clearly aware that here was a woman whose career would be worth keeping an eye on. Unfortunately, it's a crap film, one of the worst she's ever been in: I speak of the 2001 Woody Allen project The Curse of the Jade Scorpion, a sluggish, mirthless throwback to the screwball comedies of old that is, by some reports, Allen's own least favorite of his career. I can't quite bring myself to agree with that assessment, but it's certainly right down there near the bottom.

In fact, Theron's performance as bored, spoiled rich society woman Laura Kensington is easily the best thing about the film, if not indeed the only good thing about it, period. I'm very happy to report that her work holds up, even without the sense of newness...

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10 Favorite Moments in the Emmy Drama Actress Roundtable

THR's exciting tradition is upon us. They've released the full roundtable of Emmy Drama actress hopefuls. Well, hopefuls at the time. Oprah Winfrey was not nominated as she was expected to be for The Immortal Life of Henrietta Lacks. The same thing happened to her when she was on the Oscar-seeking roundtable for The Butler. Despite being the former queen of talk, perhaps this format is a curse for her? The other women present were nominated: Reese Witherspoon and Nicole Kidman (Big Little Lies), Jessica Lange (Feud: Bette and Joan), Elisabeth Moss (The Handmaid's Tale), and Chrissy Meitz (This Is Us).

The Roundtable in full, and ten favorite moments therein after the jump...

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"Being There" -- Essential Viewing For the Right Now

by Nathaniel R

Hal Ashby’s Being There (1979) is a fortune teller. And the future it foretells isn’t rosy. The classic film about a TV-loving cypher who Forrest Gumps his way into history is approaching its 40th anniversary, but its essential viewing for the right now.  Don't wait until 2019 to see it.

Among the film’s many queasy previews of life in the early 21st century is the proliferation of screens. Here that takes the shape of television, with Ashby frequent crosscutting to whatever is on the TV in a given scene. Though the content we see is recognizably dated, its intrusion is evergreen. 

Hidden within the prophecy of multiple screens replacing actual experience, is an even sharper notion of the screen as a mirror...

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Posterized: Edgar Wright

Who knew that you could take a coffee break on the red carpet? by Nathaniel R

After the unfortunate "creative differences" on Marvel's Ant Man (2015) which Edgar Wright abandoned despite years of passionate development of the project, isn't it nice to see him bounce back so definitely with Baby Driver? That heist-comedy-wishitwasamusical-thriller opened this Wednesday to mostly stellar reviews (alas, our own Chris Feil wasn't a fan). I saw it at a packed screening on its preview night and the crowd ate it up; the movie tasted more delicious than my stale popcorn. That might seem like meager praise but please note that I have a high tolerance for stale popcorn and a low tolerance for heist films which are the single most overplayed action subgenre.

The witty director came to fame with UK comic sitcoms (my best high school girlfriend forced me to watch the first season of Spaced one visit and it was a delight). Wright then won a new round of fans on the big screen with the zombie comedy Shaun of the Dead (2004) which launched the loosely connected fan favorite "Cornetto Trilogy". He's just 43 so there's much more filmography to come. Hooray! 

How many Wright's have you seen and which is your favorite? 
It's too early to say definitively but I think he just might have topped his own best with Baby Driver. It's a goofy stylish and mechanically precise blast. 

A League of Their Own, Pt. 1: Cow Girls & Charm School

25th Anniversary Four-Part Mini Series Event

Welcome sports movie fans. Or, in a pinch, actressexuals who will watch largely female casts do practically anything.

Twenty-five years ago on July 1st, 1992, Penny Marshall's period comedy A League of Their Own (1992) opened in theaters. It wasn't quite an immediate blockbuster but word of mouth was spectacular -- in its second weekend it grossed practically as much as its first, which as you know is exceedingly rare. The female led comedy proved another home run for the director of Big, eventually grossing over $100 million domestically. It ended 1992 as that year's tenth biggest hit, just behind Basic Instinct and shutting Clint Eastwood's Unforgiven out of the moneyed top ten.

For the next few days we'll be revisiting this beloved classic tag-team style like we did with Who's Afraid of Virginia Woolf (1966), Thelma & Louise (1991), Rebecca (1940), and The Silence of the Lambs (1991). Please join in the conversation if you love this movie (and who doesn't?). - Editor

Batter up...

Part 1 by Lynn Lee

01:22 Inside an old-fashioned cape-cod house, a tall, slender, elegant older lady with reddish blonde hair (Lynn Cartwright, but with Geena Davis’ unmistakable throaty voice dubbed) is packing a suitcase.  As we’ll learn, she’s Dottie Hinson, one of the (fictional) first women to play in the (real) All-American Girls’ Professional Baseball League, and is getting ready to attend a special event honoring the AAGPBL at the baseball Hall of Fame.  She seems oddly less than excited about it, even when her daughter turns up with her old baseball mitt...

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