10 Takeaways from the SAG Awards

Two handfuls of moments from last night's SAG Awards have stuck with me. How about you?

All Politics Are Personal
Julia Louis-Dreyfus early win and a speech that got political, her father being an immigrant, set the tone and politics never went away. It was there in every speech, sometimes awkwardly, sometimes poignantly. People who scream "no more politics" are always forgetting that all politics are personal. The laws that are made, the character of the country we live in, the rights we enjoy or can't, the laws that goven our workplaces, the type of healthcare we get, the size of the paycheck. All of these things affect every single person personally whether they see that it connects to D.C. or not. If there was any doubt that Mahershala Ali was going to win the Oscar next month for his terrific work in Moonlight (and also, yes, as a symbolic win for the film itself which often happens in the supporting categories) it surely vanished last night. Ali was deeply touched at the prize, humble, but also upset given T***'s unconstitutional Muslim ban. He brought up his own conversion to Islam and the initial conflict it raised with his mother. Touchingly he revealed that they're both long since over the conflict since. A bonus of Ali winning is we got to see shots of the Moonlight table and they unfortunately didn't get another chance to shine. 

Lily Tomlin, Denzel Washington, Winona Ryder and more after the jump...

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The Oscar Week: Denzel, Adam, and Issey

 In this weekly feature from Murtada we follow Oscar contender appearances and interviews.

This week was quiet for Oscar buzz. Most of the stars are in hibernation, since the big push comes next week when Oscar balloting opens. Still best actor hopefuls Adam Driver and Denzel Washington and one possible Supporting Actor dark horse were out promoting their late releases.

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The Magnificent...Two

Movie Stars still matter. As long as they're real movie stars and not just "leads". Denzel Washington and Tom Hanks both became famous in the 1980s and they continue to be two of the most reliable leading men thirty-ish years after their first hits. So nothing about the success of The Magnificent Seven and Sully is complicated or surprising. Congrats to those perennials. Here are the weekend box office charts:

TOP TEN WIDE
01 The Magnificent Seven $35 NEW Review
02 Storks $21.8 NEW 
03 Sully $13.8 (cum. $92.3)  Review
04 Bridget Jones's Baby $4.5 (cum. $16.4) Review
05 Snowden $4.1 (cum. $15.1)
06 Blair Witch $3.9 (cum $16.1) Review & Remembering Blair Witch (1999)
07 Don't Breathe $3.8 (cum. $81.1)
08 Suicide Squad $3.1 (cum. $318.1) Review & Worst of Year
09 When the Bough Breaks $2.5 (cum. $26.6)
10 Kubo and the Two Strings $1.1 (cum $45.9) Review

TOP TEN LIMITED
(Excluding Previously Wide)
01 No Manches Frida $740K (cum. $10.3)
02 The Beatles: Eight Days a Week... $397K (cum. $1.4)
03 The Queen of Katwe $305K NEW 
04 The Hollars $273K (cum. $729K)
05 The Dressmaker $180K NEW
06 Don't Think Twice $132K (cum $4) Review 
07 Hunt for the Wilderpeople $78K (cum. $5) Review
08 Cafe Society $57K (cum. $10.9) Review 
09 Greater $55K (cum. $1.8)
10 Indignation $25K (cum $3.3) Review

While the inspirational drama Queen of Katwe didn't exactly sell out its shows this weekend at 52 locations, word of mouth has been so strong on that picture that we can expect it will expand well once that word of mouth has a chance to be heard. The Dressmaker wasn't quite as big a draw in select cities but Kate Winslet and the movie's wackiness (anyone longing for the days of hit Australian comedy imports of the 1990s should run to the theater) should help keep that one afloat for a bit.

What did you see this weekend?

Review: "The Magnificent Seven"

by Chris Feil

Drawing on the original iterations of Akira Kurosawa's Seven Samurai and the 1960 American remake by John Sturges, Antoine Fuqua's The Magnificent Seven arrives as another attempt to reanimate the American western.

Denzel Washington leads this bursting cast as Chisolm, corralling a ragtag mini-militia to help protect a small town from a violent and overbearing tycoon (Peter Sarsgaard). There are familiar faces (Ethan Hawke, Chris Pratt, Vincent D'Onofrio) and emerging talents (Byung-hun Lee, Manuel Garcia-Rulfo, and Martin Sensmeier) rounding out the Magnificent bunch with more shared attention to each player than you might be anticipating...

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The Best Actor Competition... What is Going On Here?

Only two men seem to have even remotely locked up their positions in the current Best Actor race and one of those only on reputation / material alone since no one has yet seen Denzel Washington's adaptation of Fences. So is it really Denzel for this third Oscar versus Casey Affleck for his first or is there more going on? There had better be since there are five nomination slots. Ten if you think of it in terms of Golden Globe excitement come year's end.

Since romantic male leads have historically had a tough time finding Oscar nominations from the male-heavy Academy body (romance is for girls. ewwwww, cooties) I know it looks weird to suggest that both Joel Edgerton and Ryan Gosling are looking likely but at this stage the field is what the field is. Gosling in particular, an actor whose work I've always deeply loved don't misunderstand, would seem like a clear miss. Think about it. He's headlining a musical which relies heavily on his effortless dreaminess, vibrant musicality, and physical grace. Not that those aren't award worthy attributes but Oscar is very gender-rigid about which adjectives are award worthy and if you say "dreamy, musical, and graceful" they'll think Best Actress. Which is why Emma Stone is much more locked up as a competitor at this stage, even though, musically speaking, she isn't as natural a dancer or musician. (Please note: Gosling also plays piano like a pro or can fake it better than pretty much any other actor I've ever seen.)

Edgerton & Gosling's chief competition looks like very young men (in terms of Oscar-voter tastes) in the form of Miles Teller (if his movie's a success), Dev Patel (if they don't do something fishy with the campaign), and Joe Alwyn (if he's tremendous in his debut and people love the movie). I know some are banking on Matthew McConaughey in Gold or Andrew Garfield in Silence (both sight unseen) but I'm suspicious in both cases. Just a hunch. 

That's where we'll find the gold.

The lack of heavy competition in this race means that Tom Hanks will finally be back after missing so recently for his arguably best work in Best Picture nominees. We can hope that the lack of excitement in this race (to date at least) will inspire more passion votes, too. If voters aren't feeling the leading men this year they could always look at off center giants like Viggo Mortensen in Captain Fantastic. I'd be shocked if there's five stronger leading male performances than his this year -- not that "deserves" got much to do with it. 

The New Best Actor Chart - Thoughts?