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Entries in gender politics (200)

Thursday
Jun292017

A League of Their Own, Pt. 1: Cow Girls & Charm School

25th Anniversary Four-Part Mini Series Event


Welcome sports movie fans. Or, in a pinch, actressexuals who will watch largely female casts do practically anything.

Twenty-five years ago on July 1st, 1992, Penny Marshall's period comedy A League of Their Own (1992) opened in theaters. It wasn't quite an immediate blockbuster but word of mouth was spectacular -- in its second weekend it grossed practically as much as its first, which as you know is exceedingly rare. The female led comedy proved another home run for the director of Big, eventually grossing over $100 million domestically. It ended 1992 as that year's tenth biggest hit, just behind Basic Instinct and shutting Clint Eastwood's Unforgiven out of the moneyed top ten.

For the next few days we'll be revisiting this beloved classic tag-team style like we did with Who's Afraid of Virginia Woolf (1966), Thelma & Louise (1991), Rebecca (1940), and The Silence of the Lambs (1991). Please join in the conversation if you love this movie (and who doesn't?). - Editor

Batter up...

Part 1 by Lynn Lee

01:22 Inside an old-fashioned cape-cod house, a tall, slender, elegant older lady with reddish blonde hair (Lynn Cartwright, but with Geena Davis’ unmistakable throaty voice dubbed) is packing a suitcase.  As we’ll learn, she’s Dottie Hinson, one of the (fictional) first women to play in the (real) All-American Girls’ Professional Baseball League, and is getting ready to attend a special event honoring the AAGPBL at the baseball Hall of Fame.  She seems oddly less than excited about it, even when her daughter turns up with her old baseball mitt...

Click to read more ...

Tuesday
Jun202017

Daniel Day-Links

• Vanity Fair the interrupted erupted into crazed outrage early today over fake news regarding Gal Gadot's Wonder Woman payday. Katey clears up the confusion

Time has a gorgeously written profile of Sofia Coppola by Stephanie Zacharek as The Beguiled heads to theaters.

• Meanwhile, though, not everyone is happy with the film. Our own Murtada thinks the film lacks tension and should've switched its setting away from the Civil War. Slate details the whitewashing of the source novel that happened in both the 1971 movie and to an even larger degree in the current film. I think a couple of the Slate article complaints are overdoing it particularly when it comes to the dialogue addressing the absence of slaves -- that feels absolutely authentic as to how that particular character (Nicole Kidman's stone-faced self-serving Miss Martha) would dismiss the topic but there are enough valid ones that now I'd love to see a third version that is actually more faithful to the book because it sounds, at least in this article, like its more fascinating than either movie version. I guess we should read it.

• THR Young Han Solo loses/fires (?) its hot directors Phil Lord & Christopher Miller under the typical "creative visions" disagreements. The worrying part is that they're already several months into production. Deadline follows up with the bad news that they want Ron Howard to finish the film

• GQ Joel Schumacher looks back on the reviled camp of Batman & Robin. Has no regret about the Bat Nipples.

• Village Voice Transformers: The Last Knight wrecks Bilge Ebiri. Perfect. This review is perfect. 

 • And you have probably heard that Daniel Day-Lewis is retiring...
The Wrap reminds us that he's announced his retirement before but Variety goes with the sensational misleading "Shocker!" headline even though Daniel Day-Lewis hardly ever works by his own choice and thus it was only a matter of time before he did this. Letters of Note shares a cool story about how hard he fought for his breakout role in My Beautiful Laundrette. I personally think it's fine that he's retiring. He's clearly not a "hungry" actor anymore and actors are better when they really want it (just as people in all professions are). Also Lucy Prebble, Clarisse Loughrey, and Teo Bugbee had amusing notes to comfort us on this topic on twitter.

Naturally this means that Phantom Thread, his next Paul Thomas Anderson picture opening in December, would theoretically be his last. Cynics will tell you -- and have already told you online surely -- that this means he's a lock for the Oscar yet again. But let's not get carried away. People will have to at least really like the movie and Oscar voters will have to really want him to tie Katharine Hepburn's record for that to happen. Will they? We'll see.

Thursday
Jun152017

Top Ten: Best Moments in "Wonder Woman"

by Nathaniel R

I've spent a bit of time this summer reconnecting with friends, many of whom are only casual moviegoers rather than cinephiles. Everyone has wanted to see or been talking about Wonder Woman. I think it's fair to say, after a second viewing and hearing similar enthusiasms repeated again and again, that it's a better cultural object than a  movie. It's shocking to realize that there just aren't any movies like it even though it's not very original. That's proof that a little (big) thing like a female lead and a female director can make an enormous difference. While the cinema has given us many strong female icons (to pretend otherwise, as some voices seem to be doing, is to be supremely ungenerous to the artform and/or to reveal either one's extreme ignorance of movies made prior to, say, 2004 or a very limited taste in film genres).

But, yes, the superhero genre has been shockingly non-representative of the real world where women make up half of all humanity. Nevertheless you can't be a great cultural object as a movie without having some true pizazz as a film so let's give Wonder Woman its due after the jump...

TEN BEST MOMENTS IN WONDER WOMAN

Click to read more ...

Tuesday
Jun062017

Wonder Woman at The Alamo Drafthouse

Please welcome guest contributor Shannon Fox with a report from the all female screening of Wonder Woman at the Alamo Drafthouse.

Photo Credit: Proma Khosla/Mashable (Right to left: Stephanie Barnes, Annemarie Mancino, Shannon Fox)

Be careful.”  

This was the general response by friends and family, both male and female, upon learning that I had secured tickets to the women-only Wonder Woman screening at my local Alamo Drafthouse.  And, I mean, sure, we live in a scary world nowadays-- crazy things happen.  But it’s a pretty atypical response to catching a flick, you know?  I mean, I don’t know about you, but I usually hear “let me know if it’s any good” rather than “please don’t get murdered” when it comes to going to the movies.

But if that isn’t telling of the female experience in today’s society, I’m not sure what is.  

Alamo’s women-only screenings have garnered quite a bit of press over the past week, thanks to the multitude of mostly-male detractors on the internet.  There have been lawsuits, threats of storming the theater, and demands of men-only screenings in the future (for the female-led The Last Jedi, inexplicably) to name a few. Because of that, I wasn’t quite sure what to expect this past Sunday...

Click to read more ...

Wednesday
May312017

Wonder Women: Geena Davis

We're cheering on Hollywood's super heroic women this week. Here's Lynn Lee!

Geena Davis at Sundance this past JanuaryIf they’d made a Wonder Woman movie back in the ’90s, Geena Davis would have been on the short list for the lead role.  Or if not, she should have been.  Statuesque beauty?  Check.  Commanding physical presence and natural athleticism?  Check and check.  A convincing don’t-fuck-with-me quality, tempered by a divine set of dimples that suggest she’s not taking herself too seriously? Check and mate.

Davis’s premature relegation to the sidelines of Hollywood is one of the great recent WTFs for movie lovers and actressexuals everywhere.  To be fair, maybe we should have seen it coming, given her string of box-office bombs, the fact that she passed up roles she probably shouldn’t have, and her reputation for not being the easiest to work with. Yet it’s pretty shocking, when you look at her filmography, to see how abruptly her movie career sputtered and stalled out round about the turn of the millennium.

She still does TV work, though, and continues to be an active force for improving women’s roles in the entertainment industry—including launching her very own Institute on Gender in Media a decade ago to help increase awareness of the issue...

Click to read more ...

Monday
May012017

There's a link in my soup

This is Just My Face is on sale nowNPR Gabourey Sidibe has a book out, now "This is Just My Face: Try Not To Stare" (great title). It's about her rise to fame, body image, and being confused with her fame-making character in Precious which she finds both frustrating and powerful
Time Out New York publishes its own TONY* nominations. Get it, their initials are TONY. Not to be confused with the actual Tony Award nominations which are due tomorrow to honor the best of Broadway. Consider this their "should be nominated" article
The Retro Set looks at the new documentary Mifune: The Last Samurai, narrated by Keanu Reeves, and now available to stream on Netflix. Can't wait to watch this. 

Deadline republished an interesting history of the making of Silence of the Lambs. I didn't know that the project started with Gene Hackman who was going to direct and star. 
Variety shared a really good interview with Geena Davis. I love what she says about the gender neutral movement with some awards bodies, combining male and female actors into the same category. It's a terrible idea and Geena eloquently explains why
Playbill Chita Rivera flashes back to her West Side Story audition in the 1950s, the show that put her on the map
Awards Daily looks at the prospects for Limited Series Actor... a far more shallow field than its Actress counterpart this year but at least that means its looking good for Riz Ahmed and Ewan McGregor
Playbill Come From Away, a new Broadway musical that's expected to do very well in tomorrow's Tony nominations, is getting its own documentary feature called Come From Away: From Gander to Broadway. It's the true story of a group of strangers diverted into a small town after the 9/11 terrorist attacks grounded airplanes.

Finally...
Interview has Kate Hudson interview her mom Goldie Hawn. It starts enjoyably silly and familial but gets deep into "mindfulness." Goldie is almost back onscreen (Snatched) after a 15 year retirement (that they're somehow calling a "hiatus"). Love this bit about how therapy (which she started around the time of Laugh-In) helped her keep sane despite becoming a household name in her early 20s:

I realized that the way people see me, as a star, has nothing to do with me. It's like a Rorschach test, like I am something they can identify with, learn to love, learn to hate, learn to resent ... but I gave it back to them. So if somebody said to me, "Oh, I love you!"—that makes me happy to see them happy, but I wouldn't take it in as something that builds my ego. And that's how I stabilized myself. 

Have a lovely Monday, everyone. How do you plan to "stabilize" yourself this week?