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Timothy Brayton took up the challenge and filled out our "Summer Report Card" (see previous posts right before this one). Well done, good sir
A Blogwork Orange is currently holding a Paul Thomas Anderson Appreciation Month
I Need My Fix Amy Poehler and Will Arnett are calling it quits *sniffle* 
MNPP JA tells us about a movie we haven't heard of called Blues for Willadean. Character Actress Bonanza! Dale Dickey in Daisy Dukes.
IndieWire The pilot for Revolution is available to watch. Have anyone of you watched this "all the powers gone out!" sci-fi tv pilot yet?
"Chloe" is back! Rejoice. This time Drew Droege is "Reading" 

The New Yorker has a lengthy profile on the Wachowski siblings prior to Cloud Atlas's release who, as you undoubtedly know, don't often get lengthy profiles since they're rather reclusive. Lana Wackowski, formerly "Larry" gets plenty of time and...
Gawker has a response and takes issues with the way Lana's "gender situation" is handled.
"Digger" by Ursula Vernon, a "very peculiar epic" starring a wombat and a dead god, just won the Hugo Award for best graphic story...
Hugo Awards things you've heard of like Doctor Who and Game of Thrones won the dramatic presentation prizes (aka film & television)
fuck the imperialist system "Tom Marvolo Riddle" Wow, I'm actually linking to something Harry Potter again. Something three months old even but it amuses

Vulture The CW is developing a Wonder Woman origins TV show titled Amazon. Ohmygod but I'm sick of origin stories. The dirty secret of them is even though we all know all these stories already Hollywood likes them because they can cast youngies.
Movie|Line Lana Del Rey writing a screenplay. Movies as happy place? We can relate. 
MNPP It's Daniel Radcliffe and Max Minghella for the film adaptation of Joe Hill's Horns 
Incidental Comics "Sketchbooks of the Pros". Hee
Empire Renée Zellweger is going to direct and act in a comedy called 4 ½ minutes. Johnny Knoxville leads the cast as a comedian who looks after the Zeéeeee's child.

Eeeep! Downton Abbey Season 3 Tease. 

 Very short but enough to remind that we love this show in all its soapy glory. People crying, kissing, arriving, looking worried, hostile or just deeply in love? Yes, please.

Oscar Updates: Rule Changes, Germany's Submission, Child Stars

Oscar, continually bewildering himself with rule changesRULE CHANGES & THE BIG SHOW
If you thought you heard paradoxical wild-mild applause at Oscar's new rule changes that was, uh, me. The Art Direction category will now be called Production Design which is all well and good since it's the Production Designer (aka the boss) that wins the prize, not the Art Director (who reports to him/her). The Best Original Song category finally gave up its horrifically unfair voting procedures where you could sabotage competitors rather than voting for them (yuck) by scoring them with low marks and now it'll be a simpler process with a standard five nominees and ranked nomination ballots like all the other categories. I'm going to pretend that this is The Film Experience's fault for our years of bitching about how screwed up that voting process was. Oh shush. It's possible we talked some sense into them... especially since every other site seems to have been asking them to just cancel the category already. I'd rather stick with history and keep the same categories, but treat them fairly. Too bad we can't use a time machine to get Cher her rightful performance time at the 2011 ceremony.

Meanwhile, I know you've heard that Craig Zadan and Neil Meron of Chicago and Hairspray fame will produce this year's ceremony. If they're true to their roots maybe they'll rescue the newly reformed Song category with big ass production numbers? Or maybe they'll hire Hugh Jackman to host again since they'll need a song & dance man to move the High Holy Night along. Yes, Jackman hosting might get awkward if Les Miz is in the (major) running but the Tonys do that all the time (nominees as hosts). Not that we approve...

Oh and while we're on the Oscar topic, I have finished updating the charts. Just in time to alter them again when film festival season [Venice, Telluride, TIFF and NYFF comin' atcha] give us more info on the competition to come.

BARBARA (2012). Germany's new Oscar submission

GERMANY'S OSCAR
The drama Barbara, from director Christian Petzold of Yella fame, will represented Germany in the Foreign Film competition. Can the drama about a doctor in trouble with the government in East Germany become their 17th nominee? Their 16th nominee last year was the 3D dance documentary Pina. Barbara stars Petzold's regular muse, the award winning actress Nina Hoss.

Ewan holds his family in the poster for THE IMPOSSIBLECHILD STARS FOR LEAD OSCARS?
Meanwhile Kris Tapley at In Contention weighed in on the somewhat suddenly buzzy tsunami family survival drama The Impossible and Summit's plan for a lead actor campaign for its 11 year old boy star Tom Holland (who plays the child of Ewan McGregor and Naomi Watts). With both Quvenzhane Wallis (Beasts of the Southern Wild) and Holland's camps planning lead campaigns, might it be time to reinstate the Juvenile Oscar?

Frankly, I don't much like it when children win acting prizes (I know Kris considers this objection "nonsense" but the world would be dull if we all agreed), for a variety of reasons. It's not because they aren't sometimes worthy but because they...

a) ...are usually fraudulently campaigned
b) ...often have an unfair advantage based on general cuteness (nothing wrong with voting with your heart so long as your head is allowed a word in edgewise)
c) ...accidentaly reveal Hollywood's ugly sexism since time and again the Academy has shown that they don't mind snubbing unOscared mature actresses for "thank heaven for little girls" moments but would never ever dream of giving an Oscar to a little boy when there are men who have paid their dues waiting -- don't believe me? Just look at how few little boys have won acting Oscars (i.e. never competitively) compared to little girls.
d) ...are unschooled in acting so it's hard to know how much of their performance we must credit to the director and how much they found on their own in the role.

I think the occassional juvenile Oscar for performances that are just too wonderful to ignore might be the way to go.

How are you feeling about the rule changes and the presence of child thespians in this year's race?

Jodie Foster is Wrong. On the Mandatory Price of Fame.

Though I'm late to this discussion -- damn that day job! -- I'm curious how many of you read Jodie Foster's piece at The Daily Beast on the pressures of stardom and her feelings about the current Kristen Stewart media witch hunt? I am, by no stretch of anyone's definition, a fan of Kristen Stewart's but I agree that the treatment she's getting in the press is hideous. While it's not directly comparable the obvious sexism of the whole thing reminds me of the Janet Jackson / Justin Timberlake "wardrobe malfunction" fiasco. The woman is blamed and the man in the equation emerges unscathed -- in this case the Snow White and the Huntsman director keeping his sequel job while the actress loses hers. Men we are free to "tsk tsk" for a couple of seconds before they get back to work but Women? Women have to serve time as Human Dartboards of Shame before they are publicly allowed to yank the Scarlet "A" from their garments and go on living.

Deplorable really.

Foster has a right to defend her former co-star and I'm glad she did and with so much spirit, too. But does this mean we have to start reinterpreting Panic Room (2002) as a metaphor of the insatibale media mob vs the trapped movie star? Damnit, I hadn't thought of that...

Click to read more ...

Moviegoing Diaries: "Bachelorette" is the Best

 [Editor's Note: Beau texted me this morning all tweaked out with "Bachelorette" pleasure so I asked him to be more specific and was he ever. - Nathaniel] 

Thank you, little baby Jesus. Last night, I was given a present. Unlike mirth, gold and whatever else you got, mine came running up, sweating, coke stains under her nostrils, blinking fervently and then yelled out:

‘I’m here. The FUCK you want?’

Lizzy Caplan and Isla Fisher misbehave in "Bachelorette"

I’ve been frustrated with the lack of quality in 2012 releases. With the exception of Moonrise Kingdom, Take This Waltz and Magic Mike nearly everything has disappointed. Even those with something to offer here or there commit some kind of strange habitual plot seppuku and just fucking die on the spot. 

I was not as taken with Bridesmaids as so many others. With the exception of McCarthy, its narrative, beats, notes and tones that were so familiar as to warrant a cliche moratorium. This is what I wanted Bridesmaids to be, and even to compare the two right now I feel, does Bachelorette a major disservice. You can already see the comments and stock quotes coming linking on to the other, and when I texted Nathaniel this morning, I purposefully avoided doing so.

What I felt and texted was this: 

Click to read more ...

Box Office Numbers. What's Yours?

I have important questions to ask Hollywood and you...

Chart via Box Office Mojo

To Hollywood:

• Who greenlit $125 million for a remake of Total Recall without a star as bankable as Ahnuld? 
• Why don't you make more smart but mainstream adult productions as cheap as Magic Mike and then actually promote them well so they become big hits instead of just releasing them in 5 theaters and hoping for the best? The profit margins are pretty big with this one. Consider that it's already earned 15 times its budget and that doesn't even include home video where it will be an even bigger hit or any foreign box office yet since it hasn't gone international.  

To You:

• How many of this week's top 12 have you seen?
• How much life does The Dark Knight Rises (reviewed) still have in it? It's $43 million behind The Dark Knight and $103 million behind The Avengers at this same 17th day point in their runs.
• What do you think the semi-success of Moonrise Kingdom means for Wes Anderson? It didn't reach Tenenbaums popularity but it sure held on with word of mouth and will be much bigger in ten years time the way so many "acquired taste" movies are.

Speaking of numbers... Last night I was in one of those crap movie moods. Do you ever get those? It was too hot to be outside and I just wanted to see something stupid while laying on the couch. So I watched What's Your Number?

Well, I did ask for stupid. It's my own damn fault.

I did not, however, ask for relentlessly sexist and offensive. Women who have slept with more than 10 men in their lifetime -- even if they're gorgeous urban singles in their early 30s who've been to college-- are apparently "sluts"? It's one of those movies where if you switch the genders in your head it makes absolutely zero sense. Nobody would ever understand a movie wherein the plot involves a guy who feels guilty about having had more than 10 girlfriends and his friends all think he's an embarassment because of it so he vows to give up sex because THAT'S FAR TOO MANY! 

The plot and politics were so terrible (and predictable) that it even made it hard to enjoy the otherwise good cast though I did laugh at Anthony Mackie's crude gesture as a closeted gay and Blythe Danner's exasperation of the high strung mother of the bride. I felt so bad for Anna Faris and Chris Evans while watching it but, then again, they did sign on so they can't not have known what they were getting into. So shame on them, too. 

P.S. Remember that bizarrely misguided moment in Chris Evans career wherein his management team announced that he was no longer going to take his shirt off? Ha! That didn't last long.

Maybe their numbers from commissions on his movie offers immediately dried up? 

You think?