Tim's Toons: Three Animated Oddities of 1954

Tim returning to duty.

August has been 1954 Month here at the Film Experience, and it now falls upon me to share with you the animation of that year. And man, it was a weird 'un. The important place to start is noting that in '54, Walt Disney - the man, not the multinational entertainment corporation - was massively obsessed with the creation of his brand-new theme park out in California, and the brand-new television show on ABC that shared its name and served as the new funnel for all his creative and commercial instincts.

With Disney - the multinational entertainment corporation, not the man - thus a bit rudderless, there was a void in American animation like there hadn't been since Mickey Mouse's 1928 debut, basically. Disney itself was beginning to experiment with form in ways that Walt did not approve of, since Walt wasn't paying attention anymore, and the result was things like the Oscar-nominated short Pigs Is Pigs, one of the very weirdest shorts in the studio's history.

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You Link Me. You Really Link Me!

The Wrap Sally Field (Lincoln) is the talk of the Palm Springs festival with her lively speech.
The Playlist has a clip of the new Pixar short The Blue Umbrella but be forewarned. It's really not much bigger than a new film still it's so short.
EW in another break with tradition Seth MacFarlane rather than an AMPAS official will be announcing the Oscar nominations on Thursday morning with the requisite actress (this year: Emma Stone)

Letterbox'd Vadim Rizov isn't terribly impressed with Zero Dark Thirty
Pajiba has amusing standards when it comes to red band trailers. (Hansel & Gretel: Witch Hunters)
The Advocate promises that actress Busy Phillips is as awesome as she appears to be. (Michelle Williams has always had such good taste!)
Slate's movie club beginswith Dana Stevens, Wesley Morris, Stephanie Zachareck and Keith Phipps talking up Zero Dark Thirty and Django and moral ambiguity in film
The Carpetbagger talks to Baltasar Kormakur about The Deep

It turns out that there is a reason most directors don’t film shipwrecks in the open water”

Ha.

Smash!
29 DAYS UNTIL "SMASH" RETURNS!'

I'll be recapping as I did last year. I'm not crazy about this sneak peek which sadistically continues to pretend that Megan Hilty is NOT the true star of Smash (LIES. ALL LIES). She's not even #2 anymore according to this trailer which seems to suggest a season all about American Idols Jennifer Hudson  and Katharine McPhee. Meanwhile the cast album of "Bombshell", the stage musical within the tv musical series, will be out in mid February. If Hilty doesn't get the Marilyn solo numbers on the "cast album" than they shan't have my moneys! 

Link Hunters

The Guardian Ken Russell was nearly finished with a new screenplay adaptation of Alice in Wonderland, to be made as a risque musical. Will it still be made with a new director?
Nullco Preorder The Girl With the Dragon Tattoo soundtrack and download a sampler
Rope of Silicon first look at Sam Worthington in Wrath of the Titans and a curious plot synopsis
Thompson on Hollywood talks to one or our favorite craftsmen, production designer Jack Fisk (of Terrence Malick and Mr Sissy Spacek fame.)
24 Frames Hugo steps up as a powerful Oscar contender.

Empire wonders if paranormal romance Smoke and Bone about an angel and a demon that fall in love will be the next big movie franchise? Have any of you read it?
Inside Movies Deliverance actor Bill McKinney has passed away. 
Wipe Your Feet "Watching Melancholia is like..." I love the movie but this is totally LOL. 
Pop Watch tries to imagine Buffy alum Michelle Trachtenberg as Bella Swan. Supposedly, it could have happened.
Hollywood News talks to Will Reiser about 50/50 and the power of Anjelica Huston. 
IndieWire Mike Leigh will head the jury at February's Berlinale. (This year's jury picked Oscar buzzing Iranian film A Separation as the best of the fest. Good luck topping that one!)

Finally, EW has released the first photo of Hansel & Gretel: Witch Hunters.

I don't want to be bitchy about it since we've seen so little -- the trailer hits next week -- but doesn't it seem like revisionist fairy tale revisions and dark leathery bad-ass costuming are getting a little, shall we say, generic these days? How will this distinguish itself?

And when will Jeremy Renner star in a drama again after all this time spent Bourne Avenging Impossible Missions With Witch Hunters ? Does he want to be Samuel L Jackson that badly? Seems like a waster after his dramatic brilliance in The Hurt Locker.