Prime & Hulu: Wonder Wheel, I Tonya, Bull Durham, Etc.

Time to play Streaming Roulette. Each month, to survey new streaming titles on the various services, we freeze frame the films at random places and whatever comes up, that's what we share, no cheating!  Today, we're looking at Prime and Hulu (which often have the same titles for some reason). Which of these will you be streaming this month for the first time or as a rewatch? Which would you most to see covered at TFE? Please do tell us in the comments. 

Ready? Let's go...

I am NOT obsessed with it!

Burnt Offerings (1976) on Prime and Hulu
Karen Black alert! We were just talking about her. I think this movie is famous but I'm not sure why exactly. It's of the supernatural horror genre but horror is one of my weakest genres in terms of knowledge.

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Smackdown '17: Allison, Laurie, Lesley, Mary and Octavia

Presenting Oscar's Chosen Supporting Actresses of the Films of 2017. 

THE NOMINEES 

Two mothers with combative relationships with their daughters (Janney and Metcalf). One sister/business partner (Manville). One mother struggling with oppressive farm life (Blige). And one cleaning lady (Spencer) whose coworker/friend is mute and in love with a fish crea... listen, it's a long story!

But here's a beautiful thing that's too little remarked on this season: they're all actually supporting characters. No leads masquerading as support for once! 

THIS MONTH'S PANELISTS  

From top left: Andrew Carden, Chris Feil, Candice Frederick, Erica Mann, Kevin O'Keeffe, and Nathaniel R

Here to talk about these five nominated turns, are in alpha order: Andrew Carden (Awards Connection / Gold Derby) Chris Feil (The Film Experience), Candice Frederick (Reel Talker), Erica Mann (NYC Film Chick), Kevin P O'Keeffe (Into) and your host Nathaniel R (The Film Experience). And now it's time for the main event... 

2017
SUPPORTING ACTRESS SMACKDOWN 

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Blueprints: "I, Tonya"

Jorge continuing to look at the screenplays of this year's Oscar crop... 

All through this year’s awards campaign, the team behind I, Tonya has repeatedly stated that the movie came to be because of screenwriter Steven Roger’s interviews with Tonya Harding and Jeff Gillooly, in which he realized that they both had widely different recollections of their relationship.

The movie that came out of those interviews decided to play with perspective, memory, and point of view to give an unreliable retelling of this story, and playing with biopic tropes. Let’s take a look at how Rogers used various formal devices in the script to convey that we all remember things differently...

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Doc Corner: 'The Price of Gold' Brings Clarity to 'I, Tonya'

By Glenn Dunks

The defining trait of I, Tonya that has separated it from a glut of biopics is that darkly comedic tone achieved significantly through fake direct-to-camera interviews by an assortment of ghoulish villains and anti-heroes. One could argue that with its cast of monstrous characters and flamboyant yet true-to-life costumes and wig-work, the film’s mock documentary device was entirely unnecessary at achieving its desired laughs.

Yet while I saw the value of its method as a sort of short-hand directorial device used to wrangle the story’s many real life contradictions and he-said-she-said-he-said-she-said-he-said narrative, having watched Nanette Burstein’s sublime The Price of Gold, it comes off as actually just lazy...

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FYC: Allison Janney in "I,Tonya"

by Seán McGovern

First things first: Lady Bird hasn't been released over here in the UK yet.
Secondly: Are you really going to begrudge Allison Janney an Oscar?
Then this FYC, by all accounts, is an unbiased endorsement of Allison Janney for Best Supporting Actress.

Allison Janney, as Tonya Harding's mother, in any other year, would have Film Twitter and Gay Twitter right behind her, and yet we hesitate. Janney is razor-sharp as LaVona Golden, whose love is more brutal than merely just tough. But as we have determined, this year there's a problem, and it's the problem of parallels..

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