Linkinator

Awards Daily set pictures on the new film from James Marsh (Theory of Everything) this one starring Colin Firth & Rachel Weitz
Bloomberg Steve Wozniack love the Steve Jobs trailer
Slate Dana Stevens on the particular appeal of Channing Tatum, film star
The Dissolve on Ava DuVernay's hard pass on The Black Panther. I'm so relieved she's not doing this. Now she can make more movies like Middle of Nowhere or Selma. Why lose great individualistic directors to Marvel when what Marvel wants is journeymen to realize their Cinematic Universe goals?
EW Mila Kunis & Ashton Kutcher got married

Theater Mania has an interest piece on why so many musicals disappear in the development stages 
The Film Stage looks at MoMA's Scorsese exhibit of film one sheets
CHUD an editorial on why we need gays as main characters in mainstream blockbusters - written by a straight man 
Guardian Hilary Swank scaling back career to care for her ailing father. Best wishes to the family 

TV
Salon comprehensive list of booze consumed on True Detective S2 
Vulture thinks True Detective Season 2 owes a lot to David Lynch 
Empire Fatal Attraction to become a TV miniseries - good luck finding a Glenn Close replacement 
Birth Movies Death Marvel/Netflix may be struggling with how to do Iron Fist for the small screen. Whatever direction they go in, please make the character Asian as he always should have been considering his origins

Terminate the Terminator Franchise
Forbes on why Terminator: Genisys opened weak in the States -- curiously no one ever mentions that Emilia Clarke is not a strong actor and she's up against memories of Linda Hamilton's Oscar nomination worthy work!
The Daily Beast interviews Alan Taylor (who has not had much luck as a feature director after proving a hot commodity on TV) and he has curious "just go with it" opinions on how messy his movie is
NYT profiles producer David Ellison (Megan's brother) on his struggles getting Terminator Genisys going and building a multiverse like Marvel. This was a good read but the title is truly bizarre. How is investing solely in mainstream tentpole franchise moviemaking an example of 'not playing it safe.' That's exactly what playing it safe is. Not playing it safe is what Megan Ellison does with her risky art films. 

Look, I am one of the biggest Terminator fans that exists. I saw the first two a ton of times, and think they're veritable masterpieces of their form. They still play today and their action sequences are more exciting (still) even knowing every beat than anything in any of the ill-begotten sequels. Enough already. This franchise was already complete when James Cameron was finished with it twenty-plus years ago. Making money is perfectly fine as one goal but if it's the only goal when making a movie, you've already failed. Movies made solely for money (and for no other reason) are never good. 

Are you watching True Detective Season 2? Do you also wish Skynet would stay down after being defeated for the fifth time? 

Interview: James Marsh on (True) Storytelling from "Man on Wire" to "The Theory of Everything"

It's rare for acclaimed documentarians to make a dramatically successful leap into narrative features but with The Theory of Everything, a marital drama about Stephen and Jane Hawking, the 51 year old British filmmaker James Marsh (of Man on Wire and Project Nim fame) is finally doing just that. Man on Wire was one of the most successful documentaries of the past decade but his new affecting biopic, which is actually Marsh's fourth narrative feature, is already his most successful film having racked up an impressive $26 million and counting worldwide to date.

It's also been collecting plentiful Oscar buzz.  The Film Experience had a chance to chart with this articulate thoughtful Oscar winner so we jumped right in. Here's our conversation:

Nathaniel R: Given your filmography, both documentaries and features, The Theory of Everything is...

JAMES MARSH: Go ahead. You can say it.

Nathaniel R: Ha. Well, it's a much different direction for you. It's romantic drama and it's also old school biography. What prompted your interest?

JAMES MARSH: You’re right in terms of its scale for sure and perhaps its emotional spectrum. But it’s a true story and that’s my background in films I’ve done. It’s a story of a marriage as much as a biopic. That felt like an interesting challenge: to try and examine a relationship that evolves and changes over time given all the impediments and unusual and very difficult circumstances. It felt also that I could go somewhere that a documentary could not go in terms of the intimacy of the relationship. 

You're right that it's different but it does have curious connections with Man on Wire. [More...]

Click to read more ...

I Vant To Link Your Blooooog

Frankly My Dear what's behind the Dreamworks Paramount animation split? It is all the panda's fault?
Playbill God help us all. Suri Cruise is making her first movie appearance in the musical Rock of Ages (2012). 
Daily Beast Were Waiting For Guffman's Corky St. Clair and Marcus Bachmann "Separated at Birth". oh lol, good hearty life-affirming lol. 

Cinema Blend OMG first images from Amy Heckerling's Vamps with Alicia Silverstone, Krysten Ritter and Sigourney Weaver, though no one has fangs! Remember when we thought that movie might get Michelle Pfeiffer? Sigh. Good times. So glad SigWeavie got it if we couldn't have La Pfeiff. Speaking of vampires, if you haven't checked out the latest True Blood episode review, please do.

Old Hollywood Notable moments in pre code history: The Sign of the Cross
IndieWire wonders if James Marsh (Project Nim) is the new Werner Herzog, equally at home in documentary and narrative worlds.
Towleroad P.S. I really liked that film, the Nim documentary (and more links if you just can't get enough.)

Finally... thanks to Super Punch for pointing out this old proposal for a Batgirl costume (in the Alicia Silverstone days). The illustrator Miles Teves was proud of this.

I regret that my idea of the cut-out Bat symbol window on the chest, showing a little skin and cleavage, didn't survive into the final suit. I thought it was kind of clever, and added just the right amount of wholesome flirtiness to the character.

But he knew it wouldn't work for Silverstone's proportions. More at his website.