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Entries in Julianne Moore (195)

Tuesday
Mar052013

Tues Top Ten: Stars Without (Competitive) Oscars

Do you miss Oscar season or are you glad it's over? I'm feeling a little bit of both right now, which is why this image that a reader sent me is so great. It's Glenn Close & Michelle Pfeiffer on Oscar night in 1989, when they both lost for their roles in Dangerous Liaisons (1988). Michelle did take the stage as a presenter that night (alongside Dennis Quaid).

Who knew that the Merquise de Merteuil and Madame Tourvel could exhibit any such tenderness for each other? (Or maybe the Merquise is just looking for the softest spot on Tourvel's neck in which to sink her fangs?)

So the picture got me to thinking about stars who've never won Oscars despite multiple nods. (Of course the most egregiously mistreated stars in Hollywood are the great actors who've never even been nominated... but that's a different list.) For this Tuesday Top Ten, I thought we'd do things a little differently and the rank will be determined not by my opinion but by Oscar's through the number of nominations. I determine the order if stars have the same number of losing nominations.

TOP TEN WORKING FILMS STARS
WITH MULTIPLE NOMINATIONS WHO'VE
NEVER WON A COMPETITIVE OSCAR

Honorable Mentions: Mickey Rooney, Eleanor Parker, Kirk Douglas (yes, they're all still alive), Jane Alexander, Debra Winger, Diane Ladd and Marsha Mason each won three-to-four nominations but since none of these famous actors are working much or at all in features anymore, I decided to make this a list of top “working” stars instead. As for the bottom third of the top ten list, since there are a lot of stars who’ve earned three nominations without ever winning, I had to make judgement calls as to who to include. So my apologies to: Laura Linney, Joaquin Phoenix and Sigourney Weaver (and others with 3 nominations) who just-missed here.

Johnny Depp, The Dangerous Liaisons girls and more after the jump...

Click to read more ...

Thursday
Feb212013

I Linked a Link

Yahoo Movies Best Actress Roundtable - I chime in with Thelma, Peter Knegt and others
Buzzfeed Julianne Moore in Elizabeth Taylor's jewels. I'm glad she chose green
Playbill Shia Labeouf departs his intended Broadway debut. Apparently there were issues between him and Alec Baldwin. Drama!
Coming Soon the X-Men set is rebuilt for X-Men: Days of Future Past
LA Times Nominee Herbert Kretzmer on writing the Original Song nominee "Suddenly" 

The Guardian talks to director Joe Wright. "I go nuts if I'm idle." Oh if only some other directors felt this way (*cough Lynch/Luhrmann/Anderson)
Film.com Joe Reid picks the best Oscar acceptance speeches of all time. 
/Film Mark Hamill probably coming back to Star Wars. 
Movies Now that best director race sure is confusing
Pajiba shares their favorite casting notices from new pilots: Kyle Chandler, Tricia Helfer and more... 
Rebecca Rolfe has been studying body language of Oscar winners - huge chart! Everyone is into the art of acceptance speeches this year. I started a trend last year, I did.

Watch It
Gollum sings everyone's favorite precious song this year "I Dreamed a Dream"... but he changes up the words a bit.

 

Speaking of things I hold precious...

Have y'all heard that the glorious but not exactly movie-ish Kristin Chenoweth will be closing the Oscar ceremony with the host. Wild, right? I wouldn't have expected that but we loveses the Cheno.

Wednesday
Jan302013

SAG Carpet Pt 2: Classic Penguin & Effortless Amanda

previously on SAG Red Carpet, Kurt and I discussed the huggability of Sally Field and which Best Actress we preferred. Now we're on to other more varied cloth.

NATHANIEL:We move on now to Screen Actor Beauty Guild members who were not nominated -- I amend! Not nominated in categories I tend to obsess over. That's an important distinction. To some degree I find myself surprised with TV awards. It's not that I don't know who is nominated, just that I don't commit it to memory and on awards night I'm like "ohmygod Michelle Dockery!". I love so much as "Lady Mary" on Downton Abbey and I'm happy she emerged a winner (for Ensemble) but this dress was already a big win, modern and sexy enough to pull her away from that massive PBS estate in casting director's imaginations I hope. And speaking of winners, I'm as happy as anyone that Julianne Moore is finally struggling to climb steps in tight gowns in order to give acceptance speeches. That's been a long time coming. And I'm especially glad that she chose this dress at this moment. Juli has always been delicious in deep plunge necklines and at 52 years young, she's still definitely got it. She kept it tight.

 

KURT: What a terrific lineup! I'm mad for Michelle Dockery, and Lady Mary Crawley may just be my favorite female TV character since Carmela Soprano. I hear her icy-perfect British voice in my head all the time now. It's like my new conscience: "Oh, Sir Kurtis, don't be absuuurd!" This is the first time I'm seeing her SAG frock in its entirety, and I must say, I'm a little alarmed by that much boobage from the aristocracy. But I do like it, and you're spot-on regarding the message it sends--she certainly doesn't want to get pidgeonholed in Corsetville. 

To be honest, I've thought of you often this season as Julianne has repeatedly climbed the stage steps to collect her metal. I know we share the long-delayed thrill of seeing her so honored, even if it's for the circus-act dreck that is Game Change (each time, I just pretend it's for something else: Far From Heaven! Safe! Assassins!). I'm not really feeling this dress, nor do I usually admire her awards-show outfits, but I certainly agree about the neckline, and holy moly, that age defiance. Moreover, I think she falls just second to Naomi Watts in the sideswept hair department. 

I'm not quite sure what's going on with Melanie Lynskey (nor can I pinpoint what she was doing at the SAGs). I know she's close to TFE's heart, and we all adore her, but this green getup, while flattering at the waist, isn't quite doing the trick. The girls look trapped and even she seems anxious to remove it with that not-so-comfortable smirk. My gold medal here goes to Amanda Seyfried, who looks regal, and whose talent I believe in without reservation. Lovelace may not be the vehicle to bump her into a higher league, but I trust she'll get there. I even find her compelling in garbage like Gone, and if I were a young, female, Best Ensemble nominee, this is what I'd wear.

NATHANIEL: Every time I begin to doubt Amanda's talent -- it's hard not to because it seems she chooses projects with several shot glasses and a dartboard -- I think back onMean Girls or Big Love and all is forgiven. It's too bad she didn't play Eponine because that Les Mean Girls tumblr could have had a field day with all the 'my breasts know when it's raining' absurdist comedy. As a celebrity she somehow manages to exudes both total confidence and 'where am I?' nonchalance like fame is a natural fit but she's forgotten to make a fuss of it.

I actually really like Melanie's dress -- great color on her but I mostly included her in the lineup because I am always surprised/ delighted to see her and if you look back through the history of the red carpet lineups, i like to throw in curveball choices that other blogs aren't featuring in their same old same old stargazing. As for Juli in Assassins! LOL. I'm sure that sentence had readers doing a double take which is good since reading comprehension in the days of blogs and twitters - yeesh. But speaking of assassinations, figurative mind you!, here's my votes for people who killed the red carpet (it hides stains well)... not in the good way..

I don't understand what is happening with these massive unflattering front pieces like silk bibs that Sigweavie and Rose Byrne are wearing. I don't understand why the usually perfect looking Frieda looks so frumpy in such a loud color and with January Jones' paired with Nicole Kidman's hair from the previous lineup, maybe David Bowie was the unofficial spirit animal of the SAG nominees this year.

KURT: basically always hate January Jones's looks. She seems to believe that she moonlights as an edgy, avant-garde model, yet she always misses the mark. At least this one is uncharacteristically undersexed, unlike that one outfit a while back that was very Fifth Element. Rose Byrne is giving you real fish--sailfish, that is. And those fins are swallowing her, poor thing. I saw her in the flesh once at Bryant Park, and she certainly didn't look so...engulfed. I do like the pseudo-finger-weave coif, though. 

I was thrilled to see Sigweavie in attendance, as she is, if I'm not mistaken, a frequent no-show, but I'm not getting this slimmed-down homage to Missy Elliot's "I Can't Stand the Rain." She's in pretty good shape for her age, and needn't hide it behind a virtual breastplate of cheap-looking fabric. I like my Sigourney when she's working with what she's got, whether that's barely clothed in a Gigerian escape pod, or playing sexiness one-ups with daughter J. Love-Hewitt in Heartbreakers (remember the line when she insisted to Jennifer's character that she was as tight and toned as ever? "Feel my butt!" Love.).

And, yes, Freida looks afright. I generally believe that she is one of the most good-looking women on the planet, and she usually turns it out on the red carpet, but this oddballs. One might make an argument for Weaver covering up, but what on Earth does Frida Pinto have to hide? Beneath a neon smock, no less? She's my worst offender in this lineup, and needs that thing torn off of her. Where are Anastasia and Drizella when you need them?

NATHANIEL: i can always trust you to put me in a good mood by coming from a Ripley-Loving place.

Finally, I thought we'd sign off with some men since they never get their fashion due but I think there was slightly more going on than usual men's fashion wise at the SAG awards. This lineup is weirdly symmetrical and I'll tell you why: all of these men are over 6' tall? Aren't male movie stars supposed to be short?

Hugh Jackman and Daniel Day-Lewis went classic but they should since they're both true movie stars -- albeit in diametrically opposed ways. Bradley Cooper went blue (I wish he would chop off the hair but I guess he can't mess with The Hangover paychecks). Justin Timberlake went very slim tight in multiple patterned grays.I would never be brave enough to wear something like that but it looks great on him (though this isn't the most flattering photo). My choice for best dressed is totally 100% I'd-love-to-wear-what-he's-wearing is Eddie Redmayne. It's SO perfect for his coloring.

KURT: Yes, I've been very pleased with Eddie Redmayne's maturation on all fronts, and good style is certainly among them. I think he's one of the most appealing untraditionally-handsome male stars to come along in some time. And I agree, he gets best-dressed here by a mile. Not to imply any femininity whatsoever, but he takes after SJP--clothes just look good on him. I'd often say the same about JT, and this look is fine, but rather predictable. Very Timberlake-y. His best move next time would probably be to subvert his own hipness by going more traditional. 

Bradley Cooper makes me yawn in general, and here we are again. I suppose there's nothing wrong with a blue suit and a bowtie, but this just reads prom-ish to me, and while I don't begrudge Bradley any of his success, I just find him to be such an unremarkable entertainer overall. In Silver Linings Playbook, there was simply more volume and flailing about. I won't comment on the hair, as the "Hangover paycheck" point is a good one. Agreed completely on the apt simplicity of all-stars Jackman and Day-Lewis. The transcendant ones needn't get flashy with the rabble. I'm always taken aback by how dashingly handsome Hugh is, and, no offense to the other gentleman, that kind of magnetism tends to make accessories irrelevant. I suppose the big race really is down to these two gents. Will they dial it down and penguin it up again on Oscar night?

NATHANIEL: If they penguin it up, Jackman wins. He already played one. And a singing penguin no less. Not that Daniel Day-Lewis wouldn't be convincing as a penguin if he put his mind and method to it.

Readers, who was your best dressed penguin at SAG?
Could you pull off Justin Timberlake's suit and tie shit?
Do you hear Lady Mary's voice in your head?
Do you think Amanda Seyfried won the gown wars?

 

Sunday
Jan272013

Silver Live-Blogging SAG Playbook (The Show!)

Previously: THE ARRIVALS

8:00 The announcer just said Zero Dark Thirty Jessica Chastain is "Zero Dark Flirty". Regret to inform that his was not even the worst pun of the intro. This was not even in the bottom ten of worst puns. Yikes. "Argo Seat Yourself"??? (And you don't even want to know how much television pays writers for this sort of thing. Can I apply?)

8:02 I Am An Actor from Jane Krakowski, Chris Tucker, Helen Hunt, Hal Holbrook, Sofia Vergara. Followed by Nicole Kidman with some hot razor cut flat iron hair to announce... 

8:06 SUPPORTING ACTOR. I predicted Tommy Lee Jones because of the huge audience response he gets in Lincoln. But perhaps I'm too stuck back in November and the TLJ hoopla has ended. The award goes to... oh, wow. Tommy Lee Jones. Who is not there. His absence does him no favors in a possibly very tight Oscar race.

8:08 Bradley Cooper, whose hair is unusually light brown fluffy. (I'm reminded of Dustin Hoffman in Tootsie ...as both Michael Dorsey and Dorothy Michaels) and Jennifer Lawrence introduce their own movie. They use a clip of the "silver lining" monologue over images of the cast. 

8:10 SUPPORTING ACTRESS. Justin Timberlake arrives in his 'suit and tie shit, suit and tie shit ♫' (plaid pattern potpourri but quite fetching)... and tries to do a little dance to the piped in canned show music [more after the jump]

Click to read more ...

Monday
Jan212013

"I'm gonna make a cake. That's what I'm gonna do"

If you feel like Julianne Moore got short shrift in our 10th anniversary celebration of The Hours, check out this excellent piece on the actresses "insularity" by sometime TFE contributor David Upton at Victim of the Time.

Laura is possibly the most striking example of this [insularity] – much more self-aware than Far From Heaven’s Cathy Whitaker, and much softer and timid than Savage Grace’s Barbara Baekeland, Laura can often barely maintain the performance, often slipping sentences that reveal her true despair into otherwise guarded conversations. 

Moore’s voice is probably the most vivid part of her performance in The Hours; a soft, mousy whisper, wavering with indecision and reticence. When she puts on a front of confidence, it momentarily strengthens, a striking declaration of her uncharacteristic decisiveness – “I’m gonna make a cake. That’s what I’m gonna do.”

Read the rest @ Victim of the Time.