Beauty vs Beast: Dame Julie, If You're Nasty

Jason Adams of MNPP here with our last "Beauty vs Beast" until the New Year, and what better way to ring out an exhausting 2018 than with a spoonful full of sugar to make all that bitter medicine go down -- the according-to-me scrumdiddlyumptious Mary Poppins Returns is hitting theaters this week and so let's get our Dame Julie Andrews on with a show-down between her two top roles, a frisky Alpine nun and a nanny from the stars... 

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PREVIOUSLY Never underestimate the power of poetry, yall -- in our re-match between Shakespease in Love and Saving Private Ryan once again twas the Bard who came out on top, with 70% of your vote. Said par:

"The pen is mightier than the sword."

Beauty Break: Happy Mother's Day!

Michelle Pfeiffer with her daughter Claudia Rose early onHappy Mothers Day to any of our readers who are mothers and Happy Mother's Day to all of your mothers, too. Herewith some of our favorite actresses with their first born...

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Stage Door: "My Fair Lady" through the Years

by Nathaniel R

Tony season is (nearly) upon us so we're reviving the Stage Door column toward the end of March. But before we start reviewing shows, a history lesson.

Julie Andrews and Audrey Hepburn as Eliza Dolittle

My Fair Lady began its classic life in 1956 as a Broadway musical. No, that's not quite right. It began its life as George Bernard Shaw's play Pygmalion, which premiered way back in 1913, over a century ago! That play inspired the stage musical by Lerner & Loewe. On March 15th previews will begin for the latest Broadway revival. Lauren Ambrose (Six Feet Under) headlines as Eliza Dolittle, with Harry Hadden-Paton as Professor Henry Higgins, two time Tony winner Norbert Leo Butz (♥︎) as Eliza's father, and showbiz legend Dame Diana Rigg (The Avengers, On Her Majesty's Secret Service, Game of Thrones, etc...) as Higgins' mother. 

This will be the sixth major incarnation of the hit musical. Let's recap...

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RPDR All Stars 3: E2 - Divas Live!

by Chris Feil

After a phenomenal premiere last week, RuPaul's Drag Race All Stars retuned with a nod to it’s new VH1 home for a lipsync tribute to VH1 Divas Live.

For the children who may not remember this landmark televised event of living legends sharing a stage and its subsequent installments, this was the thunderdome of vocal runs and balladry. Some helpful context: last week Aja’s jawdropping performance snuck up on formiddable competition and Céline-d a stage of Aretha’s and Mariah’s. Morgan McMichaels was Carole King and didn’t stick around. Valentina Whitney Houston-d because everyone wondered why she wasn’t there.

Seriously VH1, it’s the 20th Anniversary of the first Divas Live. Be good to us and start a revival. And true to Divas Live, this episode delivered as much on personality as it did performance.

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The Furniture: Thoroughly Modern Millie

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

Thoroughly Modern Millie opened 50 years ago this week, in the spring between San Francisco’s Human Be-In and the Summer of Love. None of 1967’s Best Picture nominees, immortalized as the birth of the New Hollywood in Mark Harris’s Pictures at a Revolution, had yet opened, but there was already something in the air.

Director George Roy Hill capitalized on this countercultural moment with an extravagant show of concentrated nostalgia. Thoroughly Modern Millie leaps back to the Roaring 20s, America’s last moment of liberated sexuality and conspicuous consumption before the Great Depression. Its flamboyant, frenetic ode to the flappers and their world was a big hit, making more than $34 million and landing 10th at the yearly box office. The film was nominated for seven Oscars including Art Direction-Set Decoration.

Yet its portrayal is not without contradictions...

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