We Cant Wait! #12 "The Dressmaker"

Team Experience is counting down our 15 most anticipated for 2015. Here's abstew...

Who & What: Writer/Director Jocelyn Moorhouse adapts Rosalie Ham's 2000 novel about a 1950s Australian dressmaker named Myrtle "Tilly" Dunnage (Oscar winner Kate Winslet) who returns to her rural Outback home to care for her ailing mother (Oscar nominee Judy Davis). Tilly has not been home since she was 10 years old and forced to leave when she was accused of murder. With her return, she plans to bring the power of haute couture to the village...and seek revenge against those that wronged her.

Moorhouse has described the film as "Unforgiven with a sewing machine" and in addition to Winslet and Davis, stars an impressive Australian cast that includes Liam Hemsworth as Tilly's love interest, Hugo Weaving as the town's police officer, and Sarah Snook and Sacha Horler in supporting roles originally cast with Isla Fisher and Elizabeth Debicki. Creating the film's '50s fashions are Emmy nominated costume designer Marion Boyce with Margot Wilson in charge of Tilly's clothes and 2 custom-made gowns by French designer Sophie Theallet.   

This is apparently what she wears to a rugby game...DIVAWhy We're Excited About It: We love Kate Winslet here at TFE, but just last year I wrote about how Winslet was in need of a career comeback. Divergent was a hit with its built-in YA popular novel source material, but it was hardly her involvement in the project that made it so. (Can you even remember anything she did in it?) This year, on paper, is looking much more promising: the Divergent sequel is a likely hit; she has a supporting role in the all-star cop drama Triple Nine; and then there's a potential awards-buzzy role in Aaron Sorkin's Steve Jobs (directed by Oscar winner Danny Boyle). Her lead role in this film is most intriguing and will hopefully be a return to form for Winslet who hasn't received an Oscar nomination since her win. 

What If It All Goes Wrong? The fact that director Jocelyn Moorhouse hasn't directed a film since 1997's failed awards contender A Thousand Acres doesn't seem like a good sign. And she never really lived up to her exciting breakthrough with 1991's Australian film Proof. And it could be a tough balancing act tonally as a comedic revenge drama (those seem like 3 different genres). But at least one thing is certain - the clothes will be to die for! 

When: The film finished shooting back in late 2014 and this past February had footage shown to potential European distributors at the Berlin Film Festival. No US date is confirmed yet, but Universal Pictures International has already confirmed an October 1st release date for Australia. If buzz is strong, expect it at fall film festivals in time for awards season.

Previously...
#13 The Hateful Eight
#14 Knight of Cups
#15 Arabian Nights
Intro Pick a Blockbuster

First Look: Chastain & Winslet, Ladies in Dresses

Manuel here to get your Friday started with some to-die for shots of two of our greatest working actresses. We’ve had behind the scenes looks at Kate Winslet’s The Dressmaker (see more of rugby-playing Liam Hemsworth and Kate in Australia here) and of Jessica Chastain’s Crimson Peak (see more of Chastain and Tom Hiddleston shooting in pseudo Burtonian drag here) but this week we finally got to see some polished official photos from their respective films.

Here is Kate looking ravishing as Myrtle “Tilly” Dunnage in The Dressmaker (which just wrapped production). The film follows Tilly’s return to her rural Australian town where she uses her haute couture skills to help exact revenge on those who wronged her (or so the plot description tells me). Sounds gothic and lurid and gorgeous and precisely what I’d get from this pic. Anyone read the novel? Directed by Jocelyn Moorhouse, the film co-stars Hugo Weaving, Judy Davis and Hemsworth. I love this image, mostly because I love seeing well-coiffed and polished Kate. Also, in my head she’s saying “Gather!” so that helps)

Costumes for the film by Marion Boyce. Costumes for Kate by Margot Wilson

Costumes by Kate Hawley who did "Edge of Tomorrow" this year

Looking just as ravishing in the just-released first look at Guillermo del Toro’s Crimson Peak, is Chastain. Details are still scant on the film but here is the plot description: “In the aftermath of a family tragedy, an aspiring author [Lady Lucille Sharpe] is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds…and remembers.” The film co-stars Mia Wasikowska, Charlie Hunnam and Tom Hiddleston. Love the look of this; may this be the followup to Pan’s Labyrinth we’re still waiting del Toro to deliver?

Which ensemble is, in RuPaul parlance, giving you life?

 Clearly both actresses have charisma, uniqueness, nerve and talent to spare, and are giving us great face, but if you had to choose from these two pics, which frocked lady would you say “Shantay you stay” to? Your choice, Sophies!

TIFF: A Little Chaos

TIFF 14 doesn't actually wrap until tomorrow night but my adventure in Toronto has come to an end. There are still a few writeups to come but here, for you, is my take on the Closing Night Film as I zip up the suitcase and head to the airport.

How to describe that thing where you thoroughly enjoy watching something that is neither objectively good, nor enjoyably bad? I imagine anyone who has an inordinate fondness for an entire genre or subgenre, quality be damned, will understand. Sci-fi and horror fans will line up nodding, I'm sure. But for me that genre is the costume dramedy.

Those with allergies to "light" costume period pieces should give this trifle from actor/director Alan Rickman a wide wide berth. For me, prone to enjoy both famous thespians playing dress-up and royalty porn as long as it neither are weighed down by the self-seriousness of Oscar-seeking biopics, this obscure fanciful tale flew by. Alan Rickman plays the King of France who wants a brand new something-he's-never-seen-before as new attraction for the gardens of Versailles. He's about to move the entire court there and the unveiling must be magnificent. A fountain it will be then and his royal gardener Andrè Le Norte (Matthias Schoenaerts in walking romance novel cover form with long luscious locks but broad shouldered manliness) hires the widow landscape designer Sabine De Barra (Kate Winslet) to create it because he recognizes that she's actually a visionary immediately though he can't quite admit to it as he weighs her proposal.

Complicating matters is that the King doesn't handle failure well and Le Norte's future hangs in the balance and he wants things quicker than they seem possible. Also: Le Notre and De Barra are, SURPRISE! (just kidding), falling for each other.

There's a bit of proto-feminism wishfulfillment happening and a bit of romantic melodrama but the movie never totally commits to any one thread. Its paper thin, really, with nothing much in the way of thematic interest that's actually explored or depth of characterization. All hangups aside it was just great to see Kate Winslet on the big screen again but she could've done this in her sleep while blinded by silly hats and short of breath from a corse---oh, wait. But better light and unchallenging than embarrassing which is how things go in the movie's most obvious bid at self-seriousness with a "twist" flashback about Madame Barra's tragic past that the movie teases ad nauseum from early on.

The movie suffers from what looks like underfunding since it skimps on anything that might back up the central subject matter which is meant to convey and continually references about how lush, overgrown, and imaginative De Barra's work is. But again, an easy sit, especially if you're costume inclined. Winslet and Schoenearts work fine together though their romance feels more talent-based than physical. Since their work is dramatic they sometimes feel like they're in their own film. It's not unlike those classic Disney fairy tales, really, where the leads are drawn as "beautiful" realistic-ish humans while the side characters are from another species, with oversized heads or comic limbs. Among the ensemble, most of the actors are delightful even if no one is remotely challenged (oh look Stanley Tucci doing his fun gay sidekick schtick again!). Jennifer Ehle (far on the periphery) and Helen McCrory (near the center of the action as Schoenaerts shady wife) both manage to play into the movies preference for types and caricature while also slyly suggesting actual individual character. As a result their scenes feel like whole new films sprouting up like weeds inside the one we got but that's okay since this garden is wilted. C+

Also at TIFF: Wild, The Gate, Cub, The Farewell Party, Behavior, The Theory of Everything, Imitation Game, Foxcatcher, Song of the Sea, 1001 Grams, Labyrinth of Lies, Sand Dollars, The Last Five Years, Wild Tales, A Pigeon Sat on a Branch Reflecting on Existence, Force Majeure, Life in a Fishbowl, Out of Nature, The Kingdom of Dreams and Madness, Charlie's Country, and Mommy

Chart Feedback & Mystery Movies

ICYMI over the weekend, I finally unveiled the first round of Oscar charts and pontificating and naturally Best Actress generated the most commentary from you though I readily admit I expected a little more discussion than we got on Screenplay (wah-wah). But maybe that's because I find that topic inherently interesting.

When I'm working on reviews or charts or any topic that involves opinion-making (*cough*) I tend to avoid reading other people on the same topic until I'm finished. Naturally this approach has drawbacks because I forget things. For instance, Sasha Stone recently talked up Best Actress and threw out some names that aren't on my chart (like Diane Keaton in And So It Goes...)  and Kris, Guy, and Gregory at In Contention also talked up '20 movies that aren't on your radar' and my biggest miss there from the Oscar charts is surely the civil rights drama Selma from Ava DuVernay which stars the formidable young actor David Oyelowo as Martin Luther King Jr. I loved their last collaboration Middle of Nowhere and I'd be thrilled if this film was a) as good and b) made a bigger dent come awards time. Tom Wilkinson co-stars as President Lyndon B Johnson. If that film is finished in time it could rock the boat in more than a few categories.

The next chart updates will hit on June 22nd so we have a few weeks to mull over the field.

One movie that I can't stop thinking about is Alan Rickman's A Little Chaos. I expect this curiousity is due to the very vague info that's floating about. We know that Alan Rickman is directing and plays King Louis XIV. We know that Kate Winslet is the lead as a landscaper trying to design a fountain for the King. We know that the talented as he is hunky Matthias Schoenearts (who must have cloned himself he's in so many movies now) is Kate's love insterest. But not much else though it wrapped filming last year. It's an odd premise that sounds comedic but most vague reports list it as a drama or a romance. But the cast is marvelous. The film also features character actors like Stanley Tucci, Helen McRory, Jennifer Ehle and Emma Thompson's mom Phyllida Law. 

Which under the radar movie are you most curious about?

Wet Hot Linky Monday

Things That Are Not Cannes-Related
Vanity Fair Leonardo DiCaprio in space: the auction! I love it whenever Katey Rich's inner Titanic fangirl comes out.
Coming Soon Wet Hot American Summer to be a series on Netflix now. And, much better news: its now middle aged original cast members will all be playing high school versions of themselves. Love it. Can't wait to see Paul Rudd's sloppy french-kissing again. That movie is such a scream
Playbill oooh, here's a fun unexpected list. Ten artists that are a Tony Award short of the EGOT  from Kate Winslet through Julie Andrews and on to um... Martin Scorsese?

Comics Alliance on how Quicksilver, not a major fan favorite superhero, was suddenly a hot property with two major motion pictures in the space of a year
Star-Ledger interviews Dan Callahan on that Vanessa Redgrave book we told you about a couple of weeks ago
Playbill Jim Parsons on coming out and how The Normal Heart affected his life
Vanity Fair Emma Thompson gives her usual great interview promoting her new comedy with Pierce Brosnan The Love Punch

I’d rather have root canal treatment FOR THE REST OF MY LIFE than join Twitter"

Cannes -Cannes-Cannes
though everyone's flown home
Notebook Miriam Bale on her Cannes experience, David Cronenberg's Map to the Stars and Jean Luc-Godard
In Contention best and worst of the fest 
Critic Wire averages out the grades for this year's slates at Cannes. Highest grades go to Leviathan, Foxcatcher, The Tribe, Whiplash, Two Days One Night, Force Majeure, Wild Tales, Tu Dors Nicole and A Hard Day (the last two of which I haven't previously heard a peep about online.) 
The Telegraph Leila Hatami (A Separation) had to apologize for a public kiss on the cheek at Cannes which angered some Iranians. This world is madness and so wretched to women time and again.
Variety the 7 biggest surprises at Cannes Parties from Leonardo DiCaprio (all business even when peeing) to Lindsay Lohan getting kicked off a yet (um... how does the latter qualify as a 'surprise'?)

And the sales...
The Tribe the tough Ukranian picture The Tribe (the one in sign language without subtitles) has three major European countries nailed down (+ Japan) for distribution. Will we get it in the US? Pretty please? 
The Wonders, the Grand Jury Prix winner is also selling briskly to multiple markets

And a final P.S. on the sales. Sony Pictures Classics who got three of the buzziest Sundance titles early this year were also buying at Cannes. I guess they want a handful of Oscars and not just to dominate the foreign film and documentary again. At this writing here's their upcoming slate:

• Land Ho! - Sundance comic hit about two old pals vacationin in Iceland [July, review]
• Magic in the Moonlight - the latest from Woody Allen, which we just discussed [July]
• Love is Strange - if it's handled delicately and smartly and the critics rally it could be a dark horse Oscar player. Either way, it's going to become a classic down the road. [August, review]
• Whiplash - Sundance and Cannes hit a father and son drama with Miles Teller as a drummer with a tough dad [October]
• Foxcatcher - a good bet for multiple Oscar noms but is it too chilly to win statues? [November, review]
• Mr Turner - this handsome art biopic could be a major player for Mike Leigh [December, review]
• Infinitely Polar Bear - their only purchase that baffled me at Sundance. But it's got recognizable stars [Opens TBA, reviewed]
• The Salt of the Earth - buzzy Cannes documentary [Opens TBA]
• Red Army -another Cannes doc about the Soviet Union hockey team during the Cold War [Opens TBA]
• Jimmy's Hall - the new Ken Loach from Cannes [Opens TBA]
• Saint Laurent - YSL biopic from Cannes [Opens TBA]
• Wild Tales - the Argentinian comedy won major raves at Cannes [Opens TBA]
• Leviathan - this Russian film from the director of The Return and Elena was expected to win big at Cannes had to settle for Screenplay. I always worry when these things happen post-buy that the distributor will then put them on the backburner. Hope that isn't the case here. [Opens TBA]

Today's Watch
Mutant super powers aren't just for human anymore. Kittens!