Barbenheimmer and "Killers of the Flower Moon" are all over the BAFTA longlists

by Cláudio Alves

Even at the BAFTAs, these three are inescapable.

Since its 2020 overhaul, the British Academy has been changing its rules, aiming for more diversity within its ballot. So far, the effort's been relatively successful, though last year's choices were too Oscar-y for some people's tastes. I tend to prefer when BAFTA maintains a certain idiosyncratic identity, honoring less-seen national gems along the way. Judging by the just-released longlists, it seems we're heading down a similar path to last season's, with three Oscar frontrunners scoring in fifteen categories. That doesn't mean the Brits have lost their uniqueness. Look at the love for All of Us Strangers, including listings for all its principal cast…

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SAG Predictions

 by Nathaniel R

Randolph and Giamatti both feel like sure things at SAG.

With SAG currently in the midst of their nominating process and just two weeks until SAG announces their nominees (January 10th), we have to wonder how “set” the acting fields are at this point in awards season. SAG has been known to throw one (sometimes two) curveballs in the traditional categories and year to year the “Outstanding Cast” award is always a mystery as there are no real precursors for it and general individual Oscar traction can only take you so far in a broader category, even if the traction is assumed to be related to the closest Oscar parallel (Best Picture). Let's look at the six film awards from the Screen Actors Guild Awards and predict....

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Friday Awards Wrap-Up: Toronto, Dublin, and so much more

by Cláudio Alves

At long last, Danielle Brooks has won something for her performance in THE COLOR PURPLE.As the holiday break looms large on the horizon, a veritable tsunami of critics groups decided to announce their winners. It was a busy week, extending past the US regional prizes, and some consensus is forming. Killers of the Flower Moon has won almost a quarter of Best Picture honors, while Christopher Nolan is favored in Best Director. For the actors, Gladstone, Murphy, Randolph, and Downey Jr. are the critics' preferred quartet. However, one should note that, at long last, the Holdovers' hold on Best Supporting Actress has been broken. Both Danielle Brooks and Rachel McAdams managed some victories. Finally, some variety…

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Oscar Volley - Adapted Screenplay

For today's Oscar Volley, Lynn and Elisa discuss the Oscar race for Adapted Screenplay.

LYNN LEE: Let’s start with the elephant giant doll not in the room: Barbie is out!  Assuming, that is, the Academy agrees it’s properly competing for Original rather than Adapted Screenplay.  Personally, I think Barbie does belong in Original even if it is technically based on an existing “property.”  And whatever the calculus behind the decision to compete in that category, I’m not convinced it has an easier path to victory than if it had opted for Adapted.  Be that as it may, its absence means that in stark contrast to last year, this year’s Adapted Screenplay slate may be composed entirely of adaptations of books, glorious books!

But which ones?  Oppenheimer and Killers of the Flower Moon are the two obvious frontrunners, and I’m bullish on American Fiction getting a nod based on how enthusiastically it’s been received by early audiences.  Poor Things is probably also in, even if the film proves too outré for the more conservative segment of the Academy. The last slot is hard to predict, but it’s still most likely to be something derived from a book – whether it’s The Zone of Interest, All of Us Strangers, or Priscilla. (Though I feel like Priscilla has faded from the conversation.)  Or The Color Purple, which is adapted from the musical but still derived from the Alice Walker novel...

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Friday Awards Wrap-Up: Critics, Documentaries and Top Ten Fever!

by Cláudio Alves

Lily Gladstone started strong, but Emma Stone takes the lead in Best Actress this week.
Another week, another slew of critics awards and top 10s from some of the world's most prestigious film publications. Though Killers of the Flower Moon continues to lead the Best Picture race, it's not a consensus pick. Indeed, a wide variety of titles have taken top honors, making for an exciting season. Well, at least it's like that in the most important category. Da'Vine Joy Randolph continues to sweep the Supporting Actress prizes, having won every single one in the season so far, while Emma Stone has taken the lead in Best Actress over Lily Gladstone. The men's categories are more chaotic, while Nolan is ahead among directors. All in all, it's been a busy week…

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