Tom Hanks on 'La La Land'

Over the weekend at the Telluride Film Festival, Tom Hanks was on hand to support Sully (which was received positively). At a screening Q&A he got off topic to get effusive about our most anticipated festival player La La Land. The diversion began from discussing the difficulty to in getting an adult drama with no franchise potential like Sully made and how audiences are only craving new experiences at the movies. He went on to praise the boldness of its original songs and unfamiliar characters even though he's completely unassocatied with the film. (We just knew he was a musical man at heart!)

Hanks said:

When you see something that is brand new that you can’t imagine, and you think "Well thank God this landed"... This is not a movie that falls into some sort of trend.

We all understand the business aspects of it. It’s cruel and it’s backbreaking and take-no-prisoners. But there’s always that chance where the audience sees something that is brand new that they never expected, and embraces it and celebrates it... I don’t take anything away from [the studios] and there are some good movies that come out of that. But we all go to the cinema for the same thing, that is to be transported to someplace we have never been before.

Movies stars, they're just like us sometimes. Indeed, this is high praise for the film and its potential to provide a much needed unique cinematic experience to the masses. Aside from the commentary Hanks makes here, it's a reminder that one of the tinier treasures of Oscar season is hearing what movies filmmakers are taken with (apart from their own) - whether it's the commonplace 'actors on actors' pieces or the like.

Aren't you just dying to hear Emma Stone's thoughts on Sully now?

Best Picture Updates: La La Land Up, Birth of Nation Down

It's the final blind read Oscar charts update... after Venice/Telluride/Toronto each year things clear up a lot which is both fun because "the Oscar race has begun" and horrible since it's nice to hold on to multiple impossible dreams. After festival season is over you have to winnow the impossible dreams down since so many of the films have shown their faces and people get to decide how attractive they are and if they want to keep talking and thinking and looking at them for the next five months. 

At the very current moment La La Land is enjoying a deluge of ecstatic responses at Venice which makes us feel good about having predicted it from moment one. At the very current moment, The Birth of a Nation is reminding everyone that being a "frontrunner" a year before the actual ceremony is usually an untenable situation for a variety of similar reasons each time (boredom, hype backlash, "that ol' thing?" annoyance, etcetera) and also for specific unique reasons each time.

In the case of The Birth of a Nation we're dealing with the very unsavory business of a past rape incident. It feels grotesque to view such things through the lens of "what does it mean for Oscar?" which is largely why we've stayed relatively mum on the topic at The Film Experience. Nevertheless we should note that this is not necessarily the end for the movie. History is filled with bad press situations overcome and Hollywood is forgiving when they want to be. There are still four months left until Oscar nominations - plenty of time for more hot takes and backlashes against backlashes and so on. Nate Parker's willingness to talk at length about this is probably a good sign for both his future and the picture's, like this candid must-read interview with Ebony magazine. We can debate about how sincere and/or ignorant he is /was about consent (yes, yes, cultural understanding around sensitive topics does evolve over time but it was never okay to invite your friends to have sex with a passed out woman;  you didn't need modern understandings of "consent" to know this in the 90s) but I think we can all agree that rape culture is a very forgiving place for accomplished men, however awful that sounds. 

On the other hand once voters realize how much diversity there is in front of and behind the camera in 2016's movie offerings (Fences, Loving, A United Kingdom, Queen of Katwe, and Moonlight are all still to come) they might be eager to run far afield of the icky Birth of a Nation situation without worrying about any #OscarsSoWhite fallout because they can run right into the arms of less troubled filmmakers and warmer films. 

It's all so gross. So on to something more fun. Did you know that Alicia Keys, Tori Amos, and Sia all wrote Original Songs for movies this year? They did. See it on the music chart. 

CHART UPDATES Pre Festival Edition
INDEX |  BEST PICTURE | BEST DIRECTOR 
FOREIGN | FOREIGN A-F | FOREIGN F-N | FOREIGN N-Z
SCREENPLAYS | VISUALS | SOUND & MUSIC |  ANIMATION & DOCS
Acting chart updates tomorrow!

La La Land Razzle Dazzles Venice

Classic musicals from Singing in the Rain to An American in Paris to The Umbrellas of Cherbourg are being invoked to praise La La Land. There are comparisons to golden age stars like Shirley MacLaine, Grace Kelly and Gene Kelly. The Damien Chazelle film, starring Emma Stone and Ryan Gosling, has critics at Venice falling in love and believing in the magic of cinema again. La La Land just topped our most anticipated fall film list and it looks like the excited anticipation was proven correct just a day later.

Here is an assortment of what is being said...

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Venice Film Festival Lineup Announced

What do Spotlight and Birdman have in common? Apart from being Oscar Best Picture winners starring Michael Keaton that is. They both debuted at the Venice Film Festival, that's what. The 73rd annual Venice Film Festival line-up has been announced, with the potential of another Best Picture winner in its midst.  As was previously announced, La La Land is opening the festival, and if you've  been watching the trailer on loop like us, it’s hard to get excited about anything else. But let’s take a shot...

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Yes, No, Maybe So: La La Land

During the Oscar campaign for Whiplash (2014) I was able to meet its breakthrough writer/director Damien Chazelle a few times and he even dropped hints to me about his plans for La La Land. I couldn't believe my ears that we would get a real musical from him. Given that both of his first two films centered around musicians, it shouldn't have been such a surprise. 

Here we are nearly two years later with the first teaser trailer and what sounds like a surefire Best Original Song nominee in "City of Stars" (now available to download) have emerged and we're already yes yes gimme.

The film's synopsis (which we hope is just an excuse to hang swoony scenes and musical numbers on) goes like so:

Jazz musican Sebastian and his girlfriend, aspiring actress Mia, struggle to cope with the pressures of trying to make it big in Hollywood. 

Let's talk about the teaser after the jump, breaking it down with our Yes No Maybe So system.

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