Aunt May and Link and the Dying World

Marisa Tomei earlier this year in LA. She is 50 years oldOnce the Rumor Spreads
I will not be linking to anything Marisa Tomei as "Aunt May" in Spider-Man related until it is "official" -- and with the internet nowadays that line is always blurred since people report "in talks" as official when in talks only means a role is being discussed and contracts might be signed. Until this is not official, though, I'll be over here weeping in the corner as this possible tragedy befalls one of my favorite actresses who should NOT be rushing her "last fuckable day" to play a famous part that has for 50 years in pop culture, or as long as Marisa Tomei has been alive, signalled grandmotherly love and worry. Marisa Tomei is as sexy as ever. When people say that anyone is aging well they might as well be saying "they look pretty good for their age. Not as good as Maria Tomei does at 50 but then who looks that good?!?" 

Links
429 terrific juicy interview with Jonathan Groff on Looking, celebrity, coming out, dating other actors, and more
Grantland Mark Harris on Jake Gyllenhaal's incredible artistic growth of late, really upping of his game as an actor
The Dissolve not sure why I didn't see this piece earlier but this a very heartfelt defense of Me and Earl and the Dying Girl, a film I did NOT respond well to, that is helping me see it a different light... though it sounds like the changes they made from the novel were unwisely reductive in terms of the film's reductive/protagonist's view
Matt Zoller Seitz says goodbye to The Dissolve. I love MZS
THR in terrible news Paramount and AMC collaborating on making theatrical window even shorter. It's like they want to kill moviegoing altogether 
i09 Elektra is official for Daredevil S2. The Greek assassin, easily the best of Daredevil related characters, will be played by Elodie Young who is of French & Cambodian descent 

Elodie Young is on twitter and while I type this she has 5,766 followers (or like 1,000 more than me to show you how unfamously few). By the time you read this her numbers have probably skyrocketed to god knows what.
Movie City News David Poland reacts with a partial history of the changes in the theatrical distribution model over the years
Matt McGorry wants to #FreetheNipple
PressPlay video essay on Shakespeare on the silver screen
Pajiba looks at Adrien Brody's strange filmography of late. Bet you you've only heard of like one or two of them!
NYT talks to Stephen Sondheim about Lin-Manuel Miranda's new Broadway musical Hamilton
Comics Alliance awesome 15" sculpture of Michelle Pfeiffer's Catwoman available for preorder -- sadly it's $270

Off Cinema
Slate fascinating disagreements out there on whether cats are domestic or wild animals

Finally...
I highly recommend checking out this tumblr "Every Single Word" which takes movies and reduces them only to lines of dialogue spoken by actors of color. I really hope they make more of these videos. Here are two examples: American Hustle and Enough Said... though I suppose Enough Said is more impactful if you've watched all of them.

Team Experience: Collective Emmy Ballot, Comedy

HIT ME WITH YOUR BEST SHOT: RED SHOES WILL BE UP IN THE MORNING. RUNNING LATE !

See Part 1 for Drama
Here's Part 2 of 2... COMEDY!

Eleven members of our team, those most excited by television, turned in full Emmy ballots. So here is what we communally hope for when the real Emmy nominations are announced. Nomination ballots are due tomorrow, June 26th so if you happen to be an Emmy voter, check out our FYC series (shameless plug).  The Emmy nominations will be announced on July 16th though who knows why it takes them over three weeks to tally the results. Slackers. 

Comedy Series and acting races after the jump...

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FYC: Lauren Weedman for Supporting Actress, Comedy

Team Experience shares their personal dream picks in multiple Emmy categories as voting begins. Here's Adam on an actress we're all hoping to see a lot more of... - Editor

Lauren Weedman was to the first season of Looking what Joan Cusack was to Working Girl. They each drifted in and out of the main narrative, never the primary focus, but neither restricted entirely to the background. Their sharply delivered lines punctured their scenes, dick-slapping the audience, demanding attention. While they may have been vital to their best friend’s stories, they couldn’t tell their own stories. 

During the second season, Looking realized the strength of Weedman’s performance, allowing the indispensable Doris to come into her own as a character. Adding another individual to their mosaic of souls wholeheartedly discovering who she was, searching for where she wanted to be, and loving the people that surrounded her elevated the show. We followed Doris as she dealt with the repercussions of losing a parent and revealing her childhood of abuse. We championed Doris when she reclaimed her autonomy by confronting an unhealthy codependent relationship. We swooned when she allowed herself the possibility of a romantic future by finally exposing her vulnerabilities without the masking of her humor.  

Lauren Weedman positively throttled me like a famished crocodile death-rolling a dehydrated antelope during the Doric-centric episode, “Looking for Plot.” That raw, acerbic wit, and melancholic longing Weedman was able to express with only the constricting of her chin muscles split my sides and welled my tear ducts simultaneously. Her fucking CHIN made me feel feels I didn’t even know I was capable of feeling. Jesus.

We will no longer be able to follow this group of friends and lovers around each week but when I reminisce on my times spent with the boys and gal of Looking, I’ll always cherish Lauren Weedman’s performance as Doris. I'll cherish it in much the same way I once, while at a funeral, devoured an entire Edible Arrangement centerpiece while fellow mourners shot me disapproving looks as I selfishly grieved. It may seem reductive to compare Lauren Weedman’s affecting, poignant, barbed performance to that of a gloriously displayed collection of sculpted fruit, but each supported me while I accepted circumstances I couldn’t change, and helped me move on. 

Previously:
The Americans
Jane the Virgin
Cara Seymour, The Knick
Lisa Kudrow, The Comeback
Jon Hamm, Mad Men
Ruth Wilson, The Affair 
Matt Czuchry, The Good Wife 
Gwendolyn Christie, Game of Thrones 

Coming This Week:
Ann Dowd, The Leftovers ...and more!

HBO’s LGBT History: The Beginning

Manuel here kicking off a mini-series of sorts focusing on HBO's decades-old commitment to telling quality LGBT stories. I spent much of this spring recapping Looking here at The Film Experience and as polarizing as many (both here and elsewhere) found the show, it remained the sole American television show centered on the gay male experience to air last year. As we all know, shortly after the season 2 finale, HBO understandably pulled the plug; the show garnered a mere 0.298 million viewers for that episode, a mere pittance when compared to their Westeros-set hit, but also nearly half of what Lena Dunham’s show metered that same evening. And so, to fill the void and build up to a very gay-friendly upcoming HBO film roster (Queen Latifah’s Bessie, that rumored Matt Bomer/Montgomery Clift biopic, the Looking wrap-up film), we’re diving headfirst into a crafting an oral LGBT history of the network that gave us Patrick, Richie, Kevin, Agustin, and Dom, but which had clearly paved the way for such a show with a long storied list of LGBT stories even before it became the ratings giant it is now.

To say HBO, as a cable provider, as a television network, and as an independent film producer, has changed the media landscape is perhaps a bit of an understatement. Its long-running tagline, “It’s not TV, it’s HBO” spoke to the core of what has made HBO such an institution. Despite various attempts at replicating its successes, HBO remains staunchly and idiosyncratically itself. Netflix and Amazon may be sniping at its heels but with a bucket load of Emmys, a gigantic and zeitgesty fantasy series on hand, and its new streaming service (anyone sign up for HBO Now, yet?), the cable giant is showing no signs of aging.

[Angels in America and Your Requested Participation after the jump...]

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Letting Go of "Looking" Has Not Been Easy

This article originally appeared in Nathaniel's column at Towleroad. It is reprinted here with minor adjustments. 

The first Sunday night without HBO's "Looking" came and went. Of course there would have been no "Looking" this past Sunday night even had the show been renewed, since the second much improved season had just wrapped. One of the funniest things I heard after the cancellation was this:

The good news is Looking thinkpieces are also cancelled."

Well, yes. Those are almost at an end, too.

The autopsy reports have to run their course and so does the mourning process. And if HBO makes good on its promise of a wrap-up movie (believe it when you see it), the cycle starts all over again in miniature even if the end point is still goodbye. Given all this finality, it's strangely apt that the second season's finest episode "Looking for a Plot" took places at a funeral (Doris's father) and sent Dom, Doris and Patrick spinning emotionally, even if they didn't quite realize it at first. But the mourning is real. At least for those of us who loved the show for what it actually was. More...

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