Nathaniel Gives Thanks

While it's not quite time for end of the year list-making shenanigans, it is EXACTLY the time to give thanks. As you all prepare to stuff your faces with family and friends (or friends who are family which are the very best kind of people) we know as Film Experiences readers that you'll also be thinking about the movies. In fact, you're probably catching up on movies this long holiday weekend. I'm hoping to revisit A Beautiful Day in the Neighborhood myself and I'll probably squeeze in a screener or two. But this morning I thought I'd share a very random list of ten things I'm grateful for and I hope you'll spread more love in the comments.

This thanksgiving I am particularly grateful for... 

- movie theaters which can (and should) be visited weekly. The year would have been so much duller without the bonkers earnestness of Serenity in January, the visual spectacle of Alita Battle Angel in February, the creepy twinning of Us in March, Rocketman's jubilant musical bravado in May, Emma being so boss in Late Night in June, and so on. Will these movies make anyone's top ten lists? Who cares! There's more to the movies than awards season... 

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FYC: Lulu Wang for Best Director

by Cláudio Alves

With the advent of Awards Season, we have to contend with the disappointment that always comes hand-in-hand with the excitement and the joy. No matter how much great work is nominated and rewarded, there's always a snub to point out and cry over. The recent Independent Spirit Awards nominations perfectly exemplify such dynamics. This year, they decided to spread the wealth and ignored the Siren's call of just nominating Oscar-viable titles. All in all, it's a wonderful collection of honors and achievements, but even here there is cause to complain about the dreaded snubs.

Why didn't Lulu Wang score a nomination for Best Screenplay or Best Director? How can The Farewell be up for Best Feature and not for either of those awards?...

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The Farewell: Where personal and universal meet

By Lynn Lee

Coming out of The Farewell, I jokingly asked my husband, “Any of those family dynamics ring a bell?”  It was a double-edged joke, as one of the most challenging differences between us is our night-and-day attitudes towards our respective families, which we attribute to our different backgrounds.  He’s white and can trace his American lineage back to the Mayflower, but feels no particular responsibility to his immediate family and rarely sees his extended family; I’m a second-generation Korean American, born to naturalized U.S. citizens who, despite having now been here far longer than they ever lived in Korea, have maintained strong ties to their birth country and culture.  As such, they regularly remind me of my obligations to my immediate family, my extended family, and even my husband's family - something that both amuses and bemuses my husband.

No surprise, then, that The Farewell was a must-see for me.  True, it’s not “my” story: I’m not Chinese, after all, and as far as I know no one in my family has ever lied to anyone else in the family about their health.  But the film’s broader underlying themes – the feeling of being caught between the values of East and West, and not fully belonging to one or the other – spoke to me at a gut level...

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New this weekend: "The Farewell" and "The Art of Self Defense"

The alligator thriller Crawl and the buddy comedy Stuber are the new wide releases this weekend but let us now direct your attention to the new films in limited release today, as we reviewed both during their festival runs...

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Interview: Lulu Wang on 'The Farewell' and why it's important to declare she's American

by Murtada Elfadl

When I meet Lulu Wang at the A24 offices in Manhattan, she looks really cool despite the hot weather and despite the fact that she has “not been part of the world since January because I've just been traveling.” Perhaps it’s the effect of Headspace, the meditation app she uses. “It has all of these five or ten minute meditations. I listen to in the car ride between going to screenings. It just helps me breathe.”

January was when her second feature film as a writer and director, The Farewell, premiered at Sundance to ecstatic reviews, including one from this writer. Since then Wang has been flying around the world as the film played at many other film festivals. Wang has drawn on her own family’s history to tell a warm, funny and poignant tale about a young Queens artist, Billi (played by Awkwafina), and the tender relationship she has with her grandmother, whom she calls Nai Nai or "grandma" in Mandarin, and who lives in Changchun, China. When Nai Nai (Zhao Shuzhen) receives a terminal cancer diagnosis, the family decides to hide the news from her and instead concocts a scheme to marry off a cousin, so that they have an excuse to gather around the grandmother one more time before she goes. This lie doesn’t sit well with Billi and the film shows us the friction and love as the family grapples with this. This interview has been edited and condensed for clarity.

 Murtada Elfadl: There were reports last week that you turned down a big payday from a streamer and chose to go with a theatrical release. Why is that important to you?  

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