Maggie Gyllenhaal wins the Scripter for 'The Lost Daughter'

by Nathaniel R

Gyllenhaal at a screeing for The Lost Daughter in December

The USC Scripter Awards are an annual event that is a gala fundraiser for the USC Libraries. This year Maggie Gyllenhaal was the big winner in what some might regard as an upset over Jane Campion. We think it's less than surprising though since the Scripters also recognize the author of the source material and Elena Ferrante would hold much more appeal to current voters than Thomas Savage for a book that isn't as famous as its cinematic counterpoint. Whether Gyllenhaal can upset at the Oscars is a different story...

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Podcast: Being Macbeth's Lost Daughter (Who Has No Time To Die)

Nick and Nathaniel reunion part two (of three!). This past weekend we had a mammoth talk trying to cover everything we've been catching up with or watching again. So we've split this podcast into two. Apologies that it ends on an ellipses but we live in franchise culture so you're used to it by now!

62 minutes
00:01 Indie critical darling Test Pattern
07:40 The ensemble work in Mass with a shout-out to Martha Plimpton's revelatory work
15:50 Admiring The Tragedy of Macbeth ...especially Kathryn Hunter
24:20 Nick is obsessed with The Lost Daughter and tells us why. We particularly dig into Maggie Gyllenhaal's direction and how hot smart people are
42:00 An unexpected defense (albeit with several reservations) of Being the Ricardos. We both love Nicole Kidman in it (sorry haters) but we wish Aaron Sorkin would stop directing his own stuff
49:23 No Time To Die... franchise culture, changing times, and the Daniel Craig era.
1:01:30 To be continued...

You can listen to the podcast on iTunes, Stitcher or Spotify or download the attachment below. If you missed our previous recent discussion covering a full dozen 2021 movies, that's here. 

Being Macbeth's Lost Daughter

Oscar charts: The more interesting than we were expecting it to be "Best Director" race

by Nathaniel R

The annual competition for Best Director at the Oscars is in a very interesting era. The Academy has become increasingly international so, in theory, we can expect more international figures to pop up in this category rather than just the superstar auteurs. Though it's long had the same racial problems as the acting categories it's always had those in a much less visible way... until recently. And it wasn't all that long ago that people (or, more specifically, the media) didn't grouse about no women being up for the prize. The movement for equity behind the camera only went truly mainstream in the past decade. Female directors have always been around, of course, if not in the same numbers they are today it's a topic Juan Carlos is currently investigating as he moves backwards in time through the Oscar years in his series "Through Her Lens" (new episode drops tomorrow).

For the first time in history we could be looking at a second consecutive win by a female auteur since Jane Campion is currently the favourite for The Power of the Dog. But who else will join her in the lineup? 

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"The Lost Daughter" reigns at the Gotham Awards

by Nathaniel R

Peter Sarsgaard, Maggie Gyllenhaal, and Dakota Johnson at the Gotham Awards

Last night, while many film journalists were at one of the several West Side Story premieres, the Gotham Awards were held celebrating much less expensive but also captivating cinema.  Maggie Gyllenhaal's feature directorial debut, The Lost Daughter  reigned winning four of its five categories. This was bad news for Passing, another Netflix film (which we like even more though they're both fine films) which received 5 nominations but lost in all of its categories. Other multiple nominees who took home no prizes included A24 films like Red Rocket, The Green Knight, and C'mon C'mon, 

Outside of  The Lost Daughter the biggest awards season boost was definitely for CODA. The family drama about a child of deaf adults who wants to be a professional singer won prizes for both its leading lady Emilia Jones and her onscreen father Troy Kotsur. Kotsur really should be more competitive in Best Supporting Actor discussions so perhaps this will help!

THE WINNERS and more commentary are after the jump...

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Venice winners!

by Elisa Giudici

It's time to celebrate Venice Film Festival winners and comment on the choices of the Jury lead by Bong Joon-ho.

Golden Lion -Happening by Audrey Diwan

This year Venice and Cannes winners have lots in common. The most important prize of the both festivals went to young female French directors presenting their sophomore features. It's a good year for French cinema and a double victory of (deserving) female artists: let's hope we will never go back to decades of male-only director winners. One extra point to Venice: it is the second year in a row a woman has won: in 2020 Chloe Zhao - now a juror - won with Nomadland...

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