Globe chaos: A deep dive into the Comedy or Musical nominees

By: Patrick Gratton

At long last, the second phase of the awards race is well underway. This past week we had Globe and SAG and Critics Choice nominations and then the Oscar shortlists. Normally all of this takes place earlier but this season is elongated and fragmented to. Originally, I though that the abnormality of this race would give way to industry groups following the critic’s leads and anoint, say, Riz Ahmed, Carey Mulligan, Paul Raci, and Youn Yuh-jung, as frontrunners following the critical tallies. Clearly I was wrong, The HFPA saw this possible route, and instead chose violence. 

First things first, let’s just contextualize the Comedy or Musical designation within the framework of the Golden Globes themselves. The drama/comedy division of Picture and Lead Acting awards by genre started in 1951, when the HFPA awarded both A Place In the Sun and An American In Paris as their "Motion Picture, Drama" and "Motion Picture, Comedy or Musical" winners. The HFPA would later divide Motion Picture Comedy and Musical into separate categories in 1958, only to reinstate the category as we know it in 1963...

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More film critic prizes: Chicago, Indiana, GWNYC

by Nathaniel R

With over 30 critics groups now in the US (and *still* literally more each year) and many of them now doing two rounds of announcements we don't give everyone two posts or even one here at TFE (we need time to actually write about movies!) but we do like to check in once in a while. Chloe Zhao continues to be a literal sweeper in Best Director (with no one else ever winning) while Maria Bakalova continues to dominate in Supporting Actress though some, including the upcoming Golden Globe Awards argue it's a leading role.

Here's a few more prizes, the most famous being the Chicago Film Critics Association...

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Three Golden Globe "controversies" that shouldn't surprise anyone

Apologies for not addressing this earlier today but of the three Golden Globe rulings that have the internet's collective tongue wagging, only one of them surprised us and only in a very mild kind of way. Perhaps this is why we didn't jump to discuss figuring that people would respond with a shrug. How wrong we were! If you're like 'what the hell are you discussing, Nathaniel?' here's a quick survey.

The three controversial rulings:

1. Minari will not be eligible for Best Picture at the Globes but instead compete for Best Foreign Language Film. Our surprise level: 0%. The Globes have never allowed pictures that weren't in the English language to compete in Best Picture and we just assumed everyone knew this but we were quite wrong. The same exact thing happened as recently as last year (The Farewell, 2019) and as recently, before that, as the year before (Roma, 2018)...

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Oscar Chart Updates: Are the critical leaders in "Supporting" Oscar bound or not?

by Nathaniel R

Is there a stranger 'big eight' Oscar category situation this year than the Supporting categories? Both of them appear to have a weird dearth of mainstream contenders. Meanwhile the critics awards or "precursors" have (thus far) been laser-focused on upping the Oscar viability of just two (or three if we're being generous) arguably non-traditional options in those categories: Maria Bakalova's comic improv genius in Borat Subsequent Moviefilm, Paul Raci's weary mentor in the hard-edged indie Sound of Metal, and Youn Yuh-Jung's spirited grandmother in Minari. 

Which brings up the natural but loaded question of what part critics do or don't / should or shouldn't play in the televised awards races. There are no doubt complicated reasons why critics all across the nation vote so uniformly in some years but we'd argue that it's never from a lack of good options as hundreds of movies starring plentiful gifted actors come out each year...

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Borat's return in "Subsequent Moviefilm"

by Eric Blume

Borat Subsequent Moviefilm, the sequel to Sacha Baron Cohen's 2006 smash hit, has arrived on Amazon, and just within the first days of its arrival, the film has the country buzzing on whether or not Rudy Guiliani thought he was going to get laid by a teenager, plus registered a hateful tweet from Trump (and a hilarious comeback from Cohen to Trump).  When is the last time a movie provoked that kind of high-level anxiety?

The original Borat movie was revelatory at the time, an extension of the mockumentary style we'd seen since the Spinal Tap days, but roping in the clueless general populace to create a brutal takedown on American stupidity, racism, and sexism.  But the approach from the Borat creative team felt fresh...

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