Friday, March 26, 2021 at 8:00AM On this day, March 26th, in Oscar history only...
1938 Jezebel opens in movie theaters. We discussed it in the Smackdown of '38. The movie will win Bette Davis her second and sadly final Best Actress Oscar.
1958 The 30th annual Academy Awards are held honoring the Best of 1957...
Monday, May 11, 2020 at 10:00PM 
Colin Farrell is a fascinating actor. Early on in his career, he got good notices for his work in Joel Schumacher's Tigerland, but his following movies did little to build on that promise and make him a respected up and coming star. Instead, he became a mainstay of action movies of the early aughts, gaining popularity but not being much respected as an actor. On paper, 2004's Alexander looked like his big Oscar bid, but the Oliver Stone historical epic crashed and burned most spectacularly. Still, Farrell has always shown a keen eye when it comes to working with prestigious directors. He's collaborated with Stone, Terrence Malick, Woody Allen, Peter Weir, Liv Ullmann, Sofia Coppola, Steve McQueen, and Yorgos Lanthimos, among others. His work with Lanthimos has been particularly revelatory.
An actor so game to challenge himself and with such a résumé seems like someone who should have left a mark in the awards game. However, Farrell has very rarely been a contender for acting honors. Regarding the Oscars, he came closest in 2008…
Thursday, January 11, 2018 at 1:35PM by Nathaniel R
This year's 70th annual DGA Awards will be held at the Beverly Hilton Hotel on February 3rd a month before the Oscars. The winner for Directing in Theatrical Features usually goes on to win the Oscar though historically there's about one exception a decade (Ben Affleck for Argo, Rob Marshall for Chicago, Ron Howard for Apollo 13, etcetera-- basically don't have the "oh" sound in your movie title!-- did not repeat their wins at the Oscars and some of them weren't even nominated for the Academy Award).
This year's lucky five nominees -- statistically you can expect four of them to pop up again with Oscar -- are:
THEATRICAL FEATURE
Monday, January 8, 2018 at 1:36PM 
Jason from MNPP here with this week's post-Globes edition of "Beauty vs Beast." And let's just get this out of the way right up front: Frances McDormand is, in the wise parlance of Groundhog Day, if not The God, A God. Every second she's on screen at any awards show ever is a gift - for the lovers, the memers, and me. I'm one of the ones who kind of can't with Three Billboards (although I fall more in the middle than most) and I don't even think Franny's doing anything near her best work in it, but trot her out in a stately pilgrim sack and have her scowl at the camera-man and my heart sings. I'll just pretend they're still giving her awards for Olive Kitteredge (while pouring one out for Sally Hawkins).
All of that is to say that if we're going to do Three Billboards for this series we can't possibly use Fran's character of Mildred because any and every one is gum on that woman's shoe. But since the film took over the night let's tackle it anyway, and with a real good fight if you ask me - Woody Harrelson gives in my opinion the film's best performance as the cancer-stricken Chief Willoughby. Sam Rockwell meanwhile is steam-rolling the awards nominations as dancing racist Dixon, giving a performance I truly cannot stand. (Oh am I biased in my introduction here? Whoops.) As problematic as the writing of Dixon is I don't think Rockwell helps it at all, leaning into his worst hammy instincts. But perhaps that is just me! What about y'all?
PREVIOUSLY Our last contest was way back before the holiday break, where we asked you to choose between Bob Clark Holiday Classics, and the "Leg Lamp" of A Christmas Story kicked the "Crystal Unicorn" of Black Christmas' butt, but in the comments kermit_the_frog singled out the latter's owner for some much-deserved love:
"Brian De Palma's "Sisters" and "Black Christmas" in consecutive years cemented Margot Kidder's place in my heart. One of the most underrated actresses of the 70s."
Friday, September 15, 2017 at 6:30PM by Chris Feil
Three Billboards Outside Ebbing, Missouri unfolds in typical fashion for writer/director Martin McDonagh: unspeakable violence provides a backdrop to profanity of everyday people. Here McDonagh provides us one of his most righteous heroes in Mildred Hayes, a mother grieving the brutal murder of her daughter and the local police’s inability to bring justice. Verbal fireworks and bloody consequence is to be expected.
