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Entries in movie posters (133)

Tuesday
Jan062015

Curio: Under Their Skin

Alexa here with your weekly film art and craft. Nathaniel is not alone in the way Under The Skin (his pick for the top film of 2014) slid into his consciousness: every day there are more and more indie posters cropping up celebrating the the film's special hypnosis.  It is second only to The Grand Budapest Hotel as the most posterized film of 2014 (but Wes takes that prize every year). Here are my favorite visual celebrations of the film so far; I'll be streaming it for the umpteenth time today to continue the mood (thanks to Margaret's Amazon Prime tip).

fan posters after the jump 

Click to read more ...

Sunday
Oct192014

Thoughts I Had... The "Big Eyes" Poster

We finally have a poster for Tim Burton's Big Eyes. Herewith some thoughts as they came to me.

• "Visionary Director" would be so much more impressive as a description if it weren't so overused.
• "Big Eyes" could well describe lots of celebrities: Emma Stone, Amanda Seyfried, Marty Feldman*, Heather Graham, Jake Gyllenhaal, Susan Sarandon, Anne Hathaway, Sailor Moon.
• Christoph Waltz and Amy Adams have Normal-Sized Eyes but that will never be a film title. The only person in this cast with gargantuan eyeballs is Krysten Ritter
The tag line is basic but it does cleverly have a double meaning with the last bit "... and everyone bought it" 
• A lot of people seem to be sure that this one won't be a major Oscar player but apart from test screenings (a notoriously unreliable source of info) no one has seen it so it's one of our mystery movies when it comes to the competition this year.
• The Big Eyes team, cast and crew, has been nominated for 37 Oscars and won 7 (most of those for Waltz & Colleen Atwood). 
• Why do they always make ginger movie stars blondes when the movies take place in the 1950s? There were actually more gingers back then statistically. (And I don't want any "Amy Adams isn't a natural ginger!" backtalk in the comments -don't be literal!)
• It's fun that the screenwriters Scott Alexander and Larry Karaszewski get such prominent yellow billing at the bottom. We'll pretend it's a retroactive thank you for Ed Wood (1994) rather than a contractual negotiation! 

*Just wanted to see if you were paying attention

Friday
Oct172014

Posterized: Naomi Watts

It's good to be Naomi Watts right now which is something of a surprise since last year it wasn't. But then the blonde Aussie's career has always been like that. Let's investigate.

Naomi Watts photographed by Mark Abrahams for More magazine

In the Posterized series, now beginning a new season so expect one each Friday, we look back at a star's career through their movie posters. Sometimes it's their giant sized faces and sometimes they don't appear on the poster at all. Such are the vagaries of stardom and advertisements.

In Naomi's film debut she didn't even get a name. The then 18 year old actress was billed as "Leo's Girlfriend" I couldn't find a movie poster of that one so we begin five years later when the actress, after a few TV stints debuted properly opposite her best friend Nicole Kidman in Flirting (1991) a terrific Australian coming of age movie you should seek out. A few random TV stints sprinkle her filmography but it's been mostly movies ever since. Out of kindness I'm not including Movie 43 (I'm assuming the hundreds of stars in that one want to forget it, right?) so let's look at the other 39 films. 

HOW MANY HAVE YOU SEEN? 

Click to read more ...

Wednesday
Oct152014

Thought I Had... While Staring at the American Sniper Poster


Careful where you point that thing, Bradley. 

 

Wednesday
Sep102014

New Posters (Now With Less Floating Heads)

Manuel here to whet everyone's appetites with some recently released posters.

Fall movie season can sometimes feel much more thrilling for the way it builds anticipation than for what it actually delivers. Every year we can count on plenty of films to entertain, amaze, and awe us, but I'd wager that that number is usually lower than the number of films you were looking forward to. This is partly a math game and partly an acknowledgement of how PR and marketing savvy distributors (both big and small) have become. 

Take, for example these new posters for, respectively, Jason Reitman's Men, Women & Children (as divisive after its premiere in Toronto as the film's trailer proved here), Justin Simien's Sundance sensation Dear White People, and Jon Stewart's first feature film Rosewater. I have to admit I love these posters not only because they aren't full of floating heads or beautifully lit silhouettes, but because they manage to signal the film's sensibility. Arguably, this is what we expect from movie posters, but it's not often we get artistic posters like these that embrace the expressiveness of the medium without resorting to distractingly obvious photoshop.

Men, Women and Children clearly works overtime to let you know that it is a Reitman joint what with the imagery evoking that opening credit sequence from Juno and placing Jennifer Garner front and center; yet it also (if a bit bluntly with that tagline) lets you know what the film's core problematic is, something the poster needs to do when the title itself, unless you know the source material, gives you little to no information. How many people do you think are reading The Film Experience on their phones in this poster? 

But if Reitman's poster goes for both quirky and serious, Dear White People openly goes for laughs in a way that is keenly attuned to the racial politics of the film, with Tyler James Williams' character's equally exasperated yet sardonically knowing look letting you know precisely where the film's humor lies. (You can actually read more about the poster's design over at Vulture; turns out a fan of the film went ahead and created this design only to find it becoming the film's official poster when he sent to Simien who loved it!).

The stark color scheme, the off-center image of Gael (covering up his entrancing eyes! the horror!), the prominence of that ever ubiquitous "Based on a True Story" tagline -- or is it more a disclaimer? a promise?; the poster is clearly wanting to associate "Jon Stewart" with something other than the comedic satire he's known for, going instead for a bleak poster that nevertheless bleeds into a hopeful light in the right hand corner. I particularly love the single bullet hole above the S.

What recent posters have nabbed your attention? Has any of them already secured a spot on your movie poster wall? If you could design a poster for one of your all-time favorite films, which one would it be? 

Friday
Aug292014

Thoughts I Had... on a bunch of new posters

We've neglected to share new posters so, let's do. A few brief thoughts, in the order they came, after each poster: Starred Up, Whiplash, The Seventh Son, Theory of Everything and American Horror Story: Freakshow.

Discuss!

Click to read more ...

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