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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in musicals (192)

Tuesday
Nov262013

Is Frozen the Closest We Will Get to 'Wicked: The Movie'?

Glenn here, asking you to consider, if you will, a fantasy movie about two young women in a magical faraway kingdom, one of whom was born with a severe affliction. When her “powers” go wrong, everybody in their homeland believes she’s a monster. Wicked, you could say.  

That’s the plot to Disney’s new musical, Frozen. It could, of course, easily be the logline for Wicked: The Movie if the powers that be had been smart enough to get the film adaptation of the massive Tony-winning Broadway musical off the ground. The failure to do so remains baffling and there's been just too much other Oz-related product on the market lately that it would risk brand-damaging saturation to make it now. At least Les Miserables showed that film versions of famous musicals can still be hits decades after the fact so maybe we will get one someday. Until that someday occurs, however, at least we have Frozen. A film that feels so obviously indebted to Wicked (yes, despite being loosely adapted from Hans Christian Anderson's The Snow Queen), so much so that they even cast Idina Menzel and got her to sing a big mid-film song about embracing the dark side that could have been called “Defying Gravity Part 2”.

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Friday
Nov082013

Cate's Campaign, Jackman's Pipes, Thor's Hammer, Katniss' Ride

Today's Linkage
a mix of things we haven't found time to talk about and things slightly more hot off the presses

Harpers Bazaar Cate Blanchett and Woody Allen talk Blue Jasmine and more. (The untold backstory of this cover story is 'how the hell did Cate rope Woody along for her Oscar campaign. He doesn't do that!)
In Contention revisits the complicated journey of The Assassination of Jesse James by the Coward Robert Ford
Claire Danes in Interview all the headlines are like "Claire Danes goes topless"... which basically means she crosses her arms over her boobs. But glammy photos for the win

Yahoo Movies Hugh Jackman casually name drops new musicals he might do! I just about died reading "Drowsy Chaperone"... love that one so much (although it's very much a stage piece so who knows how it might transfer)
Playlist the first still from Mojave with Oscar Isaac and Garrett Hedlund
The Dissolve explains why a Hunger Games theme park is a REALLY bad idea. You'd think corporate America wouldn't need this explained to them but you'd be wrong. 

While we're on the topic of Hunger Games: Catching Fire (upon us at any moment, gird your loins) I'm sure you've already formed an opinion of Jennifer Lawrence's new haircut without me. Finally she looks old enough to play most of the roles Hollywood's been using her for!  

Gotham Audience Award I was disappointed that my Short Term 12 didn't make it but go and vote on your favorite finalist. 
Happy Nice Time People sums up our feelings about Carrie Underwood's televised Sound of Music nicely
PopWatch Alanis Morrissette jukebox "Jagged Little Pill" musical? Sure, why not. Everybody else is getting them 
Grantland with another take on that Alanis Morrissette musical

and just for exit giggles
...my two favorite Thor related tweets today 

 

 

 

Sunday
Nov032013

Tomorrow tomorrow I luv ya tomorrow. You're only 411 days away

Quvenzhané Wallis strutting to playback

Sounds tinny? And what do you need that much oxygen for "a (breath) day (breath) a (breath) wayyyyyyyyy" but set footage always looks/sound chintzy so I shan't judge. Things look sound/different onscreen. Annie arrives for Christmas (December 19th to be exact) 2014.

Monday
Oct282013

Monologue: "As Long As He Needs Me"

[This article was originally published in 2010 but we're adapting/rewriting it a bit for our celebration of the 1968 film year as we march towards the latest Supporting Actress Smackdown.]

1968's Best Picture Oliver! is commonly disparaged these days as an Oscar blunder and a typical example of the bloat that eventually derailed the musical genre. Musicals were big business back then and like animated family features now or action films roughly a decade ago, the running times got more and more padded. It's a common hubris problem for whatever genre is the reigning box office champion. 1968 featured at least four big ticket musicals -- Funny Girl, Finian's Rainbow, Star! and Oliver! -- and they all clock in well over 2 hours with all but one of them tipping over to be closer to 3 hours in length.  Combine this problem with the critical endurance of 2001: A Space Odyssey's legend and add in that six Oscar haul and what do you get? Critical animosity. Oscar enthusiasts are familiar with this phenom and they know that winning the big prize isn't always good for your place in film history. 

So Oliver! will have to settle for its place in personal histories and in mine it looms large. (It's weird that as a child I had such a long attention span. As an adult I get antsy once you've past the 110 minute mark but wee Nat couldn't get enough of all 153 minutes of this musicalized Oliver Twist whenever it played on television.) It probably won't surprise you to hear that literally every one of my favorite scenes was focused on Nancy, the prostitute with the heart of gold (Shani Wallis). 

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Thursday
Oct242013

Kate, Barbra, and Oscar Part 2: The Diva

Anne Marie with the second half of the two-part post on the Best Actress tie for 1968. Part One is here if you missed it.

The audience of the 41st Academy Awards roared its approval when Ingrid Bergman announced that Hollywood newcomer Barbra Streisand had tied Katharine Hepburn for Best Actress in a Leading Role. But though Streisand has since achieved immense popularity and icon status, this win is still questioned by some. After all, Hepburn was a giant among giants, giving the performance of her career in The Lion in Winter alongside a stellar cast with a sizzling script. Barbra was certainly the best part of an otherwise unremarkable musical. As a highly fictionalized version of famous vaudevillian Fanny Brice, Stresiand packed a ton of charm, chatter, charisma, and chutzpah into one role. But is that enough to warrant an Academy Award?

Actually, yes it is...

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