FYC: "So May We Start" for Best Original Song

by Cláudio Alves

On December 21st, the Academy will announce their shortlists in several categories, including Best Original Song. As usual, some mainstream triumphs feel like locks already, maybe not for the final lineup but certainly the roster of 15 finalists. Even before the movie was released, Billie Eilish had already won a Grammy for her Bond theme, "No Time to Die." Beyoncé seems like an inevitable nominee thanks to King Richard's "Be Alive." As for Lin-Manuel Miranda's work for Encanto, it's never a good idea to bet against Disney. In the midst of it all, the weird glory of Leos Carax's Annette may be forgotten, despite its vast score of original songs by the Sparks (Ron Mael and Russell Mael). Please, dear reader, allow me to make the case for that musical's first and best tune…

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What's Encanto's best song?

by Cláudio Alves

Just as they did with their last animated musical, Disney has decided to focus their campaigning on a single song from Encanto. In total, Lin-Manuel Miranda composed eight tunes for the feature, but only "Dos Oruguitas" will get a chance to compete for Oscar gold. Considering the risk of hypothetical vote-splitting, it's an understandable move though Disney hasn't always been the best judge of their songs' quality. So who's to say they know which song would make the best contender? With 2019's Frozen II, not everyone agreed with the spotlighting of "Into the Unknown" to the detriment of "Show Yourself." Does history repeat itself with Encanto? As with Frozen II, let's settle the matter through some list-making fun. In other words, a ranking… 

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Stephen Sondheim (1930-2021)

by Nathaniel R

Back in the early days of the internet, when listserv discussions were the norm, I remember engaging in a robust discussion about what the best musical ever written was. Someone said "the one about the murderous barber and the meat pies" and online friends began riffing on that response. Answers followed like "fairy tale characters collide" "a commitment-phobe turns 35", "a French pointillist epic " and "the one about old showgirls reuniting / reiminiscing". It took a while before the spell was broken and a musical not written by Stephen Sondheim entered the discussion and even some of those, like "the rise of a burlesque star and her overbearing mother" and "two street gangs in New York City" had Sondheim's fingerprints on them. While the conversation began in a tongue-in-cheek way, the answers were genuine. It was hard to shake the realization that there were at least a half dozen shows by the same artist that could legitimately battle for the title of Greatest Show Ever Written. It was, quite frankly, awe-inducing.

I've never felt more spiritually transported in a Broadway house than during Sunday in the Park with George. And reverence is what everyone who knows what there is to know about musicals feels for Sondheim. Especially now. Nevertheless, a caveat: Reverence is not always the best way to approach art. Sondheim's work is complex and lively and varied enough to invite many moods in. Adjectives that are or should be frequently thrown at his work -- multi-faceted, polyphonic, panoramic, prismatic -- all suggest a difficult plurality...

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Thankful for... Lynn Lee

This year for our "thankful for" column we've been mixing it up by interviewing various team members (the ones that volunteered -- we love the other ones, too!). If you're just taking a break from family this holiday to peak around the web, please give it up for LYNN LEE.

We were first introduced to Lynn by her friend Nick Davis (of Nicks Flick Picks fame). It was yet another example of Nick's impeccable taste, not just in movies but in people. Lynn began as a contributor back in 2015 (with a Mad Men @ the Movies featuring Joan Crawford as Mildred Pierce) and given the long hours that come with the lawyer life we don't see her enough but when she's here we love it. Some posts to check out include takes on both 1994's and 2019's Little Women remakes and  a personal piece on Minari's grandma.

Other pieces she's written are linked from our mini interview that follows... 

When did you first fall in love with the movies?

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Will Smith is the Best Actor frontrunner. But who else is coming to that party?

by Nathaniel R

While the Best Supporting Actress race, discussed yesterday (and chart updated), is a little fuzzy and possibly volatile with major performances still left to screen, Best Actor is feeling more or less concrete in terms of available possibilities. Mind you, the cement is still wet.

THE FRONTRUNNERS
Two time nominee Will Smith (King Richard) and one-time nominee Benedict Cumberbatch (Power of the Dog) have the early lead. Both films are widely screened and well liked and both roles are actorly showcases.  Major stardom does a lot of footwork in building Oscar traction; they both have that advantage, too. But who will join them?

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