Globe chaos: A deep dive into the Comedy or Musical nominees

By: Patrick Gratton

At long last, the second phase of the awards race is well underway. This past week we had Globe and SAG and Critics Choice nominations and then the Oscar shortlists. Normally all of this takes place earlier but this season is elongated and fragmented to. Originally, I though that the abnormality of this race would give way to industry groups following the critic’s leads and anoint, say, Riz Ahmed, Carey Mulligan, Paul Raci, and Youn Yuh-jung, as frontrunners following the critical tallies. Clearly I was wrong, The HFPA saw this possible route, and instead chose violence. 

First things first, let’s just contextualize the Comedy or Musical designation within the framework of the Golden Globes themselves. The drama/comedy division of Picture and Lead Acting awards by genre started in 1951, when the HFPA awarded both A Place In the Sun and An American In Paris as their "Motion Picture, Drama" and "Motion Picture, Comedy or Musical" winners. The HFPA would later divide Motion Picture Comedy and Musical into separate categories in 1958, only to reinstate the category as we know it in 1963...

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Review: Golden Globes surprise "Music"

By Abe Friedtanzer

Surely the biggest shock from any awards announcement last week was the inclusion of Music at the Golden Globes. I hadn’t heard of it at that point, and its unexpected appearance will definitely lead to far more people seeking it out than otherwise would have when it arrives on VOD this Friday after a one-night-only IMAX release today. What to make of Sia’s directorial debut? Well, that’s a complicated question.

Music (Maddie Ziegler) is the name of a teenage girl on the autism spectrum who is mostly nonverbal. The steady routines she has established are upended by the death of her caring grandmother (Mary Kay Place), which brings Music’s half-sister, Zu (Kate Hudson), back into the picture after considerable struggles with the law and addiction. Her kindly neighbor Ebo (Leslie Odom Jr.) and building super George (Hector Elizondo) look after Music as well as they can, but the premise here is clear: much as she seems unsuited for the task, Zu has no choice but to step up...

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Carol Channing Centennial: A Thoroughly Wacky Nomination

by Cláudio Alves

Carol Channing was a force of nature. The actress electrified the Broadway stages, originating such famous roles as Lorelei in Gentlemen Prefer Blondes and the titular character in Hello, Dolly!, but the husky-voiced sensation with a mega-wat smile went on to find success in front of cameras too. Whether acting or just being herself, there's effervescent energy to Channing's screen presence, a frenetic joy that made her both a camp icon and an entertainment powerhouse whose fame persists to this day, long after her heyday and even her death. Throughout her legendary career, Channing won four Tony Awards, a place in the Grammy Hall of Fame, a Golden Globe, and even an Oscar nomination. Since we're all a bit Oscar-obsessed around here, the star's centennial celebration feels like a good time to reminisce about that achievement, its inherent weirdness, and wacky charm…

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Cloris Leachman, "The Actress"

We're still thinking about Cloris Leachman (RIP) and we are thrilled to have been pointed at one of her Emmy wins last night (thanks StinkyLulu!) that we hadn't seen. Her fifth (of eight) Emmy wins came in the now defunct category of "Outstanding Individual Performance in a Variety or Music Program" The occassion was the Screen Actors Guild 50th Anniversary Celebration in 1984 and Cloris performs a mini-musical/play called "The Actress". It is very much worth your 10 minutes...

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Music Chart Break.

The Grammy Awards rescheduled their ceremony today only to choose the exact date that's been occupied by the Screen Actors Guild Awards for months now. RUDE. We'd say this will be a tough call for celebrities as to which to attend but given that there seems to be no end in sight to the pandemic with even the vaccine rollout botched (thus far at least), we imagine both will end up virtual even though they're not happening until March 14th.

But given that the world is in chaos once again we sought distraction today and noticed that both Billboard and Rolling Stone released their 2020 year-end charts for the top albums and top songs. A few notes of interest...

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