No Hit Ever Dies: Cruella, Juno, Saw, Snowpiercer, and Capernaum

• Coming Soon Emma Thompson is in talks to join Disney's Cruella movie. No word on what her role is, though, since its Emma Stone playing the title character
• Playbill Leos Carax (Holy Motors) begins shooting a movie musical called Annette this summer. Marion Cotillard and Adam Driver star
• MNPP Rocketman photocall at Cannes. Fun suit, Taron Egerton
• Screen Daily how Nadine Labaki's Capernaum became a major hit in China's growing arthouse cinema market
• Variety ...and speaking of. Labaki is working on a documentary on the making of Lebanon's all time biggest hit film

More after the jump including Avengers Endgame, a reboot of Saw, recent Hollywood deaths, and the latest news from Broadway...

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Review: Capernaum

Please welcome new contributor Abe Fried-Tanzer

Two years ago, despite over a dozen submissions since 1978, Lebanon hadn’t had a film nominated for the Oscar for Best Foreign Film. Now, the small Middle Eastern country is looking at a likely second consecutive nomination. The Insult was a powerful portrait of two adult men divided by hate and behaving like children. Capernaum, equally compelling, spotlights the opposite: a child acting like an adult, seemingly far more capable of understanding the world for what it is than the actual grown-ups in his life.

The sensational description of this film’s plot focuses on its approximately twelve-year-old protagonist Zain (Zain Al Rafeea) suing his parents for giving birth to him. That summary may conjure up courtroom drama, but that’s far from the truth of the film which takes place on merciless streets. Instead, Capernaum provides a layered look at what it means to be responsible for another person...

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Oscar's Foreign Race Pt 7 - Famous Auteurs / Frequent Oscar-Seekers

by Nathaniel R

On Monday the 87 movie wide official list of Academy Award Foreign Film submissions will be whittled down to 9 titles. It's a merciless cull  -- why aren't their 15 finalists as in Documentary?  -- and even more ignominious is the knowledge that less that 50% of those that are deemed finalists will be discarded at the last second before they can taste victory. At least with a 10 wide list, just one more title, it would be kinder, giving you a 50/50 chance. That would feel like a toss of the die and thus more whimsical than unkind in the long run. 

But nevertheless, until that fateful cull on Monday, all the competitors in the huge foreign film category can feel excited about their prospects. Here's a last look behind the scenes at the field.  We've previously watched the trailers, broke the list down by genre, and discussed the female directors, first time filmmakers, and international hunks. 

Today we conclude the general field coverage with the 11 directors who ought to be the most familiar with the game at this point...

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Believe the hype: "Green Book" is a true crowd pleaser

by Nathaniel R

The final day and a half of the very short but very fun Middleburg Film Festival went by with a whirl. We've since received word on the winners. Though Middleburg is a non-juried festival, the audience votes for a people's choice style prize. The documentary winner was Biggest Little Farm, a film about the director and his wife trying to develop a sustainable farm on 200 acres in California. Farm has been making the festival rounds for the past two months and is aiming for an April 2019 bow in movie theaters.

The narrative feature winner, echoing the crowd-response at TIFF a month earlier, went to Peter Farrelly's Green Book. Green Book was the closing film of the festival and I was able to catch its first screening on Sunday before racing to the airport to return home. The crowd went wild for it and it's worth noting that Middleburg has a more diverse audience than a lot of festivals (that's probably due to the vast social connections of the founder Sheila C Johnson, co-founder of BET who is one of the nation's richest African-American women and very involved in the arts). Sadly I wasn't able to attend the Q&A though I did manage to snap this photo before racing to the airport as the star Viggo Mortensen, the composer Kris Bowers, and director Peter Farrelly entered to a wild standing ovation to discuss the movie... 

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Cannes Closing Ceremony - the Palme to "Shoplifters"

by Nathaniel R

The 71st edition of Cannes has ended. The closing ceremony started all fiery with Asia Argento reminding the audience that she was raped at the festival and Harvey Weinstein used to use Cannes as his "hunting ground" but after that impassioned speech, this settled quickly into the usual Closing Ceremony format of jury introductions, and strange presentation of awards in which "presenters" don't actually do the presenting but then turn to Madame President (in this case Cate Blanchett in a dress with a bow the size of her entire body on its back) to read out the winners.

So here's one last gif-heavy look at Cannes, which is really our first look (since the films have yet to open anywhere) at the winners from the closing ceremony. Many of these titles will go on to further glories at other festivals and hopefully in theatrical release in the US and some will definitely be Oscar foreign language film submissions. But even if this is the end of their awards run, winning prizes at Cannes remains a very big deal...

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