Happy Nicole Kidman Day !

Proposal: Since Australia (grew up there, family and friends) and the US (born in Honolulu, lives in Nashville) share the one and only Nicole Kidman with citizenship and residence, a national holiday won't do. We propose an International Nicole Kidman Day, each June 20th to mark the birthday of one of the big screen's bravest and best and most beautiful.

Herewith a few lists to mark the day...

SIGNATURE WORK
The roles with which she'll arguably always be most associated

1. Moulin Rouge! (2001) -which speaks to her bonafide movie-star charisma
2. The Hours (2002) -which boldly underlined her cool (divisive) persona and intelligence
3. To Die For (1995) -her breakthrough and which initially and ungenerously clung to her rapid rise as a star on another star's arm

BRAVEST PERFORMANCE

1. The Paperboy (2012) - the psychic sex, the skanky past her prime makeup, the death wish
2. Birth (2004) - "you're a little liar, aren't you?"
3. Dogville (2003) -Here are some chalk lines, hyper stylized dialogue, and precious tchotchkes. Action!

SEXIEST PERFORMANCE

1. Moulin Rouge! (2001)
2. Eyes Wide Shut (1999)
3. Batman Forever (1995)
4. To Die For (1995)
5. The Paperboy (2012)

FUNNIEST PERFORMANCE

1. To Die For (1995)
2. Moulin Rouge! (2001)
3. Herself... on talk shows

MOST AWARDS LOVE

1. The Hours (2002) - Oscar & Globe & BAFTA & Silver Bear wins, SAG nom
2. Moulin Rouge! (2001) - Globe & MTV win, Oscar, SAG & AACTA noms
3. To Die For (1995) - Globe & BFCA win, BAFTA nom
4. Rabbit Hole (2010) - Oscar, Globe & SAG noms
5. The Paperboy (2012) - Globe & SAG & AACTA noms

IT'S ALL IN A NAME 

1. "Grace" 3 characters: The Others (1995), Dogville (2003), Grace of Monaco (2014)
2. "Isabel" 2 characters: Bewitched (2005) and Portrait of a Lady (1996)
3. "Julia" 2 characters: Wills & Burke (1985) and The Peacemaker (1997)

BIGGEST GLOBAL HITS
*Movies that were far far more successful overseas than in the US

1. The Golden Compass (2005) $372* 
2. Batman Forever (1995) $336
3. Paddington (2015) $259*
4. Just Go With It (2011) $214
5. Australia (2008) $211*
6. The Others (2001) $209
7. Moulin Rouge! (2001) $179*
8. Cold Mountain (2003) $173
9. Eyes Wide Shut (1999) $162* 
10. Days of Thunder (1990) $157 

MOST COMMON ONSCREEN PROFESSIONS

1. Actress - 4 roles: Grace of Monaco, Nine, Bewitched, Moulin Rouge!)
2. Writer - 4 roles: Margot at the Wedding, The Hours, Hemingway & Gelhorn, Genius)
3. Reluctant Sexworker (or thereabouts) - 3 roles: Moulin Rouge!'s whore, Birthday Girl's mail order bride, Far and Away's temporary burlesque dancer)
4. Psychiatrist - 2 roles: The Invasion, Batman Forever
5. Boss Lady Who Moonlights in Kidnapping - 2 roles: The Golden Compass, Paddington

MOST FREQUENT CO-STARS

1. Tom Cruise (Marriage + 3 films: Far and Away, Days of Thunder, Eyes Wide Shut)
2. Colin Firth (3 films: Before I Go To Sleep, The Railway Man, and the forthcoming Genius)
   [tied with] David Wenham (3 films: Australia, Moulin Rouge! and the forthcoming Lion) 
3. Jude Law (2 films: Cold Mountain, and the forthcoming Genius)
   [tied with] Ben Mendelsohn (2 films: Australia, Trespass), Daniel Craig (2 films: The Invasion, The Golden Compass), and Dianne Wiest (2 films: Practical Magic and Rabbit Hole)

WHAT WE'D LIKE TO GIVE HER FOR HER BIRTHDAY

1. More of whatever makes her happy
2. One more classic as beloved as Moulin Rouge! or as Oscar-honored as The Hours or as widely argued over / prestigey as Eyes Wide Shut or as audience-friendly as The Others (we're not picky/greedy... any of those will do)
3. A project to do with her bestie Naomi Watts. It's been since Flirting (1991) c'mon... 
4. A project to do with Ewan McGregor (Moulin Rouge!) or Stephen Dillane (The Hours) because MY GOD THE CHEMISTRY in both of those cases. Why hasn't she worked with either again? 

Naturally, in the comments you'll want to share your five favorite things about this goddess and what you'd give her for her birthday

Inside Out My Mind

Manuel here sharing the funniest Inside Out Twitter thread around.

Nat and I inadvertently (though perhaps not surprisingly) went for Kidman-related images (it IS her birthday after all!)

Laurence suggested we begin a trending hashtag #InsideOutMyMind, so tell us, what do your Inside Out emotions look like?

Sydney Film Festival: A Second Take on 'Strangerland'

Glenn here offering some thoughts on films at the Sydney Film Festival including this second take on Strangerland after Nathaniel's initial negative review from Sundance.

Kim Farrant’s Strangerland is deeply, uncomfortably Australian. In many ways, it goes right to the heart of the country as a family infiltrate a place that is unfamiliar and even hostile to their arrival. A family, all of whom hold secrets and potentially criminal pasts. They could have been dressed up in Colonial costumes and set 150 years ago without much of a narrative alteration, which is probably much the point of Farrant’s debut feature. How our convict pasts have manifested as a society that turns on its own as much as the other.

Strangerland has a fairly simple premise, but one that allows for some fairly wide-ranging readings. After having left their last post due to an ambiguously alluded to crime, Matthew (Joseph Fiennes) and Catherine Parker (Nicole Kidman) find themselves in the remote outback town of Nathgari. He’s a pharmacist and she’s a housewife, neither of whom are able to handle their 15-year-old daughter, Lily (Maddison Brown). When Lily and young son Tommy vanish in the middle of the night, the town deals them with suspicion while Catherine becomes more and more emotionally unhinged at the thought their children may have deliberately abandoned her.

Peter Weir, Kidman and more after the jump...

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Q&A: May/December Romance? Actressy Titles? Streep Sans Sophie

This week's Ask Nathaniel session didn't get as many questions as usual -- you were intimidated by the request for donations surely which sucks because life ain't free and we work hard here -- but here are 9 questions anyway because I'm such a giver. Let's start with a trip back to 1995 and move on to smackdowns, actressexual directors, Nicole Kidman in Paddington, and Hollywood's love of pairing older men with younger woman... 

Golden Globe Comedy Wins Don't Always Lead to Oscar Noms

COCO: I'm in a very 1995 mood. Were you obsessing and predicting twenty years ago?

NATHANIEL: LOL. Yes, I was.  I've been obsessed since I first discovered the Oscars 82/83 (my family was mystified since none of them had interest) and started making list of "dream nominations" each year when I was a kid even though I didn't see most of the actual nominees since they were rated "R" (VERBOTEN!) so I was madly scribbling things like  "Best Actress: Daryl Hannah for Splash !!!" and such early on. But honestly I can't remember when I started "predicting" in the classic sense but it was definitely before The Film Experience.

We'll be discussing 1995 at length in the July Smackdown so I'll save most of my comments for then but my biggest nail-biter and raucous-cheering and breath-holding was for Elisabeth Shue in Leaving Las Vegas (who was my personal choice for the Oscar that year) since there were basically seven women with what seemed like actual traction for five spots. The oddwomen out were, of course, Jennifer Jason Leigh (Georgia) and Golden Globe Actress in a Musical or Comedy winner Nicole Kidman (To Die For).  Nothing against Leigh and Kidman but I knew there was only room for 1 of them since Sarandon, Stone, Streep, Thompson were locked up for various reasons some valid some not. That year's Best Actress race was so overstuffed and incredible which is why it comes up so often in Oscar circles as a point of discussion. 

On some posters (not this one) the tag line is "Raises screen acting to a new level of sexual knowingness" (!!!)PEDINHRO: What are your favorite movies with a female name in the title? My all time favorite is The Marriage of Maria Braun!

Well, you took the best one! Wait do you mean Best Title or Best Movie that just happens to have a female name in the title? If you mean best movie obviously I have to have things like Carrie and Annie Hall. But if you mean "Best Title" that's more fun so let's make it a whole top ten after the jump...

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Q&A Pt. 2: Rain Men, Paperboys, Oscar Greats

We had too many good questions last week to keep it all confined to one post. So now that you're read part one, so here's part two of the week's reader question roundup. I saved all the Oscar questions for this round to motivate me to update those Oscar chart this weekend. Ready? 

SONJA: Why do we mourn/rage about "undeserved" wins so often? In reality it doesn't change anything....

It's as useless as making your bed in the morning but we still make our beds, right? Or in my case throw the comforter haphazardly across the sheets - close enough! Listen, I consider it a sign of good character to mourn poor choices from awards bodies as long as one does so pointedly and briefly and doesn't allow it to become part of one's whole character like hating an actr- OH WAIT OOPS.  

People like to be dismissive about awards and say 'they don't matter!'  but it's simply not true. THEY DO. Awards permanently influence resumes and entire careers by way of their temporary affect on opportunities and, yes, praise (once considered a "great" it takes decades for the petals to fall off that rose... it took decades for people to start getting snippy about Al Pacino & Robert DeNiro's work!

Plus it goes in the history books. Baby cinephiles decades later still look these things up and watch the movies that were awarded to teach themselves movie history. I speak from experience. I know this to be true.

CASH: Dustin Hoffman's win for "Rain Man" baffles me...

more after the jump...

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