"Nomadland" wins TIFF's People's Choice

by Nathaniel R

This year's TIFF has wrapped. Normally we cover it extensively, as you know, but they cut out a big swath of press this year including us... *cries*. Hopefully we'll return next year and if not we'll have to find a new favourite festival to obsess over. Herewith the winners and some Oscar stats, and if we've already discussed the movies, there's a link...

AUDIENCE PRIZES

People's Choice: Nomadland dir. Chloé Zhao.
(First runner up: One Night in Miami... dir. Regina King; Second runner up: Beans dir. Tracey Deer.)
People's Choice, Documentary: Inconvenient Indian dir. Michelle Latimer. 
People’s Choice, Midnight Madness: Shadow in the Cloud dir.  Roseanne Liang. 

That's right ALL of the audience prizes this year went to female filmmakers! Even the runners up were directed by women. The People's Choice Award is major bragging rights since it often signals kind Oscar fates down the road. Basically it would be a shock if Nomadland misses the Best Picture nomination at this point afterwinning TIFF and Venice though One Night in Miami has less convincing stats on its side. The stats go like so... 

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On "Nomadland" and other Venice winners

Please welcome guest contributor Elisa Giudici. She saw all the Venice competition films and she brings us this special report!

By Elisa Giudici

The oldest Film Festival of the world was the first to roar back from the pandemic. Venice International Film Festival president Francesco Ciccutto and artistic director Alberto Barbera worked hard to organize this year's edition. At first, it played like a fever dream: an international film festival in one of the nations that lived through the most severe lockdowns and highest death count just a few months ago?

Hollywood majors and newer realities like Netflix, which in the recent past Venice would coddle with attention, betrayed the Venetian Mostra, and didn't send a single movie. Old friends rallied, though.  Pedro Almodóvar, Luca Guadagnino, Ann Hui, and Abel Ferrara wanted to be in Venice to help the Mostra. They were supported by European festivals early on in their filmmaking and didn't forget them in their time of need... 

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NYFF Lineup: Art films, gay romances, female directors, and more...

by Nathaniel R

The gay romantic drama "I Carry You With Me" will play at NYFF

Most film festivals seem to be trying to soldier on with smaller lineups and virtual screenings. NYFF is no exception. Today they've revealed the full lineup after previously announcing their opening, centerpiece, and closing films. So let's dig in to the lineup shall we? It includes several female directors, two major Oscar hopefuls, a new anthology series from Steve McQueen (12 Years a Slave), and two gay romances...

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Podcast: Emmy Nods & Oscar Worries

with Nathaniel R and Murtada Elfadl

Hey, it's a wee break from our smackdowning for an old school podcast of rambling conversation!

Index (68 minutes)
00:01 We're back talking about what we've been watching
08:13 Emmy nomination theories and viewing habits. The Mandalorian and more
19:13 Comedy series nominees: Insecure, What We Do in the Shadows, etc...
27:20 Limited Series is what we're both most invested in: Little Fires Everywhere, Unorthodox, Normal People, Mrs America and various acting categories
49:00 Emmy's "creative arts" - why not televised? 
53:00 What kind of an awards season and Oscar race are we heading into? Fall festivals are announcing but not really happening. The movie calendar is in disarray
01:05:00 Critics groups will also postpone their awards

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Emmy Reactions and Oscar Worries

April Foolish Predictions #5: Visual Categories

[drumroll] Our annual April Foolish Oscar Predictions continue

"Nomadland" was shot by the cinematographer of "The Rider"

We always mention at the start of all this that we call them April Foolish predictions because it's foolish to assume we know anything at all quite yet. Oscar buzz begins the day of announcement for projects with "pedigree" but the reality of the Oscar race is much more complex than that as the quality of films, size of campaigns, box office results, media pets, and public perception all end up weighing in later in the year. So consider these early bird predictions as "what ifs"... we do not pretend to have the year figured out just yet as we're going on hunches...

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