It's a Linky Monday

Manuel here to offer you a news link roundup to kick off this week.

ComingSoon Is it really possible all press materials (save this offical photo) for Thomas Vinterberg's adaptation of Far From the Madding Crowd starring Carey Mulligan & Matthias Schoenaerts have gone unremarked here at TFE? Let's fix that by staring at this gorgeous poster.
Marvel In case you missed it last week, Marvel offered some more casting news for their ever-expanding universe, including Krysten Ritter as Jessica Jones in its upcoming Netflix series and Benedict Cumberbatch (officially!) as Doctor Strange in the eponymous film due November 2016.
SlashFilm In other franchise news, Roberto Orci will no longer be directing Star Trek 3 which I'm sure is good news for some other first time white male director looking to make his big break. I kid! But only sort of.
The Guardian “My whole career is always a roller-coaster. I’m so random and spontaneous and unusual in my choices – I never expect anything.” - Nicole Kidman, Queen of understatements at the Australian Paddington premiere.
Screen Crush writes up a list of The Highest Grossing Actors of 2014 though, as they note they used "an extremely liberal definition of 'actor' and 'appearance'" which explains its rather silly #1 spot.
The Hollywood Reporter Natalie Portman's troubled Jane Got a Gun got a new release date. No longer will the western be released next February; we'll have to wait until September to see it. I can't decide whether that's an improvement or not.
Dwayne Johnson We were just talking about Disney's upcoming Moana and it now seems the erstwhile Rock will lend its voice to the animated film. 

The Season Continues

BIFA It was a great day for TFE favorite Pride over at the BIFAs (the British Independent Film Awards) which nabbed the top prize while Imelda Staunton and Andrew Scott picked up supporting acting prizes for it as well. 
Mother Jones If you caught Jean-Marc Vallée's newest film ths weekend, check out this interview with Cheryl Strayed on having Reese Witherspoon play her in Wild. 
InContention David Oyelowo and the cast of The Imitation Game have been added to the increasingly exhaustive list of names to be feted by the Palm Springs Film Festival.
Time names its Top 10 Best Films (topped by The Grand Budapest Hotel but including some interesting titles like Lucy and Jodorowsky's Dune). 
EW meanwhile singles out Whiplash as the year's best. 

Videos of the Day

Check out A Most Violent Year co-stars Oscar Isaac and Jessica Chastain chat about acting while looking ridiculously pretty (of course), and below, find a video by yours truly focused on the way gay men are represented on screen, featuring clips from Brokeback Mountain, Angels in America, Skyfall, Rope and over 80 other films/tv shows.

Gay Men on Screen: A Place for Us (Supercut) from Manuel Betancourt on Vimeo.

Red Carpet: Governors Award Fashions... Let the Campaigns Begin

Jose here. As Nathaniel noted, the Governors Awards were held last night in Hollywood (yay Maureen O’Hara!). As usual they were pretty much a rehearsal dinner for the Oscars next year. While their red carpet is more subdued than Oscar’s - they’re there to pay tribute to legendary honorees, not to steal their thunder - there were a few exceptions to the rule. After all, if you want people to vote for you, you gotta make sure they remember you.

Let's take a look at what 16 of the Oscar hopefuls wore. What might it mean in the larger scheme of things?

 

Emily Blunt has worn this exact same thing to at least 10 other award ceremonies, color variations aside. Don't get me wrong, she's stunning etc. etc. etc. but will it help The Baker's Wife's Oscar cause, to look so every-year Blunt? The under-nominated actress should start experimenting and leave her go-to silhouette behind - wear a massive ball gown that tells people...

you've changed! you're daring! You're different in the woods!  ♪ ♫

Reese Witherspoon, too, looks the same, except it works to her favor. She's paying homage to Elle Woods, reminding voters how funny and cute she was in Legally Blonde, and how complex and dark she is in Wild by contrast. I rest my case.

Now two Best Actress dark horses, Gugu Mbatha-Raw has been in our minds all year long with her breakthrough performance in the sleeper box office hit Belle, and as she prepares to do the publicity rounds for Beyond the Lights it was delightful to see her attend. Perennial nominations-bridesmaid Marion Cotillard showed up with the Dardennes to remind people how terrific she is in Two Days, One Night, while I'm not particularly in love with her Dior dress (pretty much an altered version of what J.Law wore at the Oscars this year) I hope she talked to everyone at that party (it was 600 people) to convince them to vote for her.

 In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at this year's ceremony. I hope that helps her cause! Jessica Chastain was there too, as she always is nowadays and rightfully so, and of course she was campaigning for her three or four scenes in Interstellar because it's November and she has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick...I seriously don't.

In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at the Oscars. Will it help her campaign subliminally? Jessica Chastain was there too - where isn't she nowadays? -- and of course she was campaigning for her three or four scenes in Interstellar because it's November and she [ahem] has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick with Oscar Isaac in which she's giving us Michelle Pfeiffer in Scarface ...I seriously don't.

 Literally, every single person involved in Boyhood was there. All. Of. Them. Look!

Moving on...

If there was such a thing as prom king and queen of awards season red carpet, this year would continue to be a popularity contest by way of The Imitation Game vs. The Theory of Everything. (Cumberbatch may have won round 1 in Toronto but round 2 on the early campaign trail has gone to Redmayne.) Just look at how cute they all are! Will people who vote for Eddie Redmayne feel like they must vote for Felicity Jones too? Can Benedict Cumberbatch win without Keira Knightley? For now, all I can say is that not since Kate & Leo have I wanted two screen couples to get married like I want these Brits to do.

 All of these handsome men below are potential Best Actor spoilers, and all of them seem to have shown up primarily to remind voters "hey, we clean up nice too!" since none of them play particularly glamorous characters. I'm especially bowled over by Oscar Isaac's bold brown tux with Clark Gable mischievous mustache accessory. Which one is making you swoon?

About that not-stealing-honorary-thunder business...

When does Tilda Swinton not steal everyone else's thunder? At first it seems strange she was even there until you remember "Remember that weird lady in Snowpiercer !" She undoubtedly has to remind people many times that that was her, which makes her instantly praise worthy. From frumpy to avant garde, now that's how you get votes. Similarly David Oyelowo showed up in one of the only tuxes worth talking about. 

Which of these dazzling stars will we be seeing in every red carpet from now until Oscar? What were some of your favorite looks?

AFI Opening Night: A Most Violent Year Spawns A Most Excellent Party

Dear readers, though I have crashed a bit mood-wise (blame my Gemini nature) on this Friday the first 24 hours in Los Angeles for "The AFI Fest Presented by Audi - they expect everyone to say that since it rolls right off the tongue! -  were euphoric. It was surely a good omen that all the emails and tweets awaiting me once I was out of airplane mode were about The Fabulous Baker Boys 25th anniversary photo reunion. My favorite new compliment that I plan to use whenever I can think of a way to use it came from devout reader / awesome Canadian Cory who wrote:

Congrats on this existing".

In fact, that's exactly what I should have said to JC Chandor at the after party for A MOST VIOLENT YEAR's gala premiere. [More...]

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It's New Year's Eve for "A Most Violent Year"

It's the dread December 31st just-barely-Oscar-qualifying release for JC Chandor's curiosity A Most Violent Year. We had seen virtually nothing until today but now the poster, the teaser, a new website newyorkcity1981.com and the release date. We hear the acting is topnotch but then with that cast (Oscar Isaac, Jessica Chastain, Albert Brooks, David Oyelowo,  Catalina Sandino Moreno, Alessandro Nivola, Christopher Abbott, Elizabeth Marvel, etcetera), why wouldn't it be?

Here's the teaser. Let us hope releasing a movie called that on New Year's Eve isn't a horrific omen for the good health of 2015.

Review: The Two Faces of January

Michael Cusumano here to review the latest stylistic throwback based on the writing of Patricia Highsmith.

When people gripe “They don’t make ‘em like they used to” films like Hossein Amini’s The Two Faces of January are the kind of movie they mean. It’s adapted from the work of an acclaimed novelist whose books were the source of such beloved films as The Talented Mr. Ripley and Strangers on a Train. It features big stars in sumptuous foreign locales. It is made with a careful attention to detail. It doesn’t dumb things down or clutter the plot up with needless action. It is fair to say I was primed to love this movie, yet it never quite jolts to life. At some point my investment in the story passed from suspense to impatience. It never went so far as indifference, but I was pretty far from the edge of my seat. Rather, I was leaned back in my chair, head in my hand, thinking what a classy job everyone involved was doing and admiring the sumptuous visuals and thinking how this was going to end up being one of those reviews that used the word “sumptuous” a lot.

The key problem is that foreign intrigue of the Hitchcock variety requires storytelling that stays a few steps ahead of the audience, and it's easy to keep leaping ahead of January’s characters. Far too much time is spent with characters sitting in cafés, smoking, drinking, and eyeing each other suspiciously, when they should be trying to have sex with or murder one another, preferably both. [More...]

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