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Entries in Oscar Trivia (677)

Thursday
Feb212013

Posterized: Oscar's Well Loved Losing Dozen

"And the Oscar DOESN'T Go To..." The following dozen films are historically the biggest losers in Oscar history. All of them had 8 or more nominations and won zip on Oscar night. But, please to note, "loser" is a tongue-in-cheek title here. If you're well regarded enough to win nearly two handfuls of nominations as "best of the year" you're already a winner, even if you "lose".

How many have you seen?

The Little Foxes (1941) 9 nominations
Quo Vadis (1951) 8 nominations
Peyton Place (1957) 9 nominations 

THE NUNS STORY (59) - 8 noms
THE SAND PEBBLES (66) - 8 noms
THE TURNING POINT (77) 11 noms *tied for most noms without any wins*

THE ELEPHANT MAN (1980) 8 noms
RAGTIME (1981) 8 noms
THE COLOR PURPLE (1985) 11 noms *tied for most noms without any wins*

REMAINS OF THE DAY (1993) 8 noms
GANGS OF NEW YORK (2002) 10 noms
TRUE GRIT (2010) 10 noms

Trivia Puzzle: It happened most often in the 50s (3 films) and 80s (3 films) though I couldn't tell you why!

SPIELBERG NOTE: You'll notice that Steven Spielberg's The Color Purple still shares the title for "biggest loser" (with The Turning Point). Unfortunately, though he has been enormously well rewarded over the years, this weird notion that Oscar doesn't like him continues in the rhetoric you hear online sometimes particular in regards to Saving Private Ryan's loss and Lincoln's probable loss on Oscar night. If you ask me if you are among the ten most nominated directors in history (tied for fifth) and you already have two directing Oscars and a possible third on its way (which would put you in tied for second place of all time with director wins!), there's no chance in hell that they don't like you. (The internet is such a sweaty hysteric sometimes!)

THIS YEAR: If Hathaway (Les Miz) and Day-Lewis (Lincoln) are mortal locks in their respective categories this year than the only films that might break into this top (bottom?) twelve this year are Silver Linings Playbook (8 noms) if Jennifer Lawrence mysteriously fumbles at the finish line for Best Actress which some people think is more possible than others (I personally think she's way out front unfortunately) or The Life of Pi (11 noms) if Lincoln and other films mysteriously dominate in all the technical races which is HIGHLY unlikely. So in other words: this list of 12 Oscar Favorites That Had No Hardware To Show For It is unlikely to change this year. Basically abundantly nominated films that win nothing are rare beautiful creatures. 

Wednesday
Feb202013

Jesse Unleashed. And Other Links

i09 the best critical responses to Safe Haven's batsh*t ending (spoilers, obviously)
Natasha VC the Boogie Nights premiere photos are debilitating. (amen)
Cinematic Corner expresses disatisfaction with The Master. I think the qualms expressed here are very imply put the problem a lot of people have with the second act of Paul Thomas Anderson's career. I wonder if he'll change again?
Awards Daily salutes the hard working Oscar publicists as ballots close
MNPP Judy Garland's A Star is Born even wins over JA! She's just brilliant in that film. One of the worst Oscar losses ever. 

Coming Soon on a new Bruce Lee biopic in the works. I read a few articles on this last night and not one of them mentioned that there already is a Bruce Lee biopic, Dragon: The Bruce Lee Story which came out in the 90s and starred the hotness that was Jason Scott Lee (no relation)
Playbill Les Misérables will be returning to Broadway in 2014, just 11 years since the original long running show closed. Meanwhile the show has never closed in London and has now been playing for 27 years
Jesse Williams the actor (the hottie from Cabin in the Woods) doesn't pull punches detailing his issues with Django Unchained's treatment of race and slavery
Advocate Kelly McGillis will reminisce about Top Gun generically but she won't talk about Jodie Foster's coming out!
Lainey Gossip checks in with the pre-Oscar gingers Jessica Chastain & Nicole Kidman
In Contention looks at Sound Mixing which I personally think is terrifically hard to predict this year 

Finally... if you believe that math can predict the Oscars check out Ben's Oscar Forecast. He's a Harvard student who's trying to predict them with formulas. He's predicting the usual suspects that have been winning everything for acting but for best director... Ang Lee (!?!)

Tuesday
Feb192013

Me, Elsewhere. Talking Oscar

I was a special guest star on two different sites today. So I have to send you away; come to me by going away! 

First, I was one of two guest stars on the latest edition of the fine podcast OpKino which stars my friend Katey Rich and her harem of movie besties Matt Patches, David Ehrlich and Da7e Gonzales (all of whom are infinitely worth following on twitter if you don't yet). I'm one of two guests. Not the one talking up The Amazing Spider-Man 2 rumors (i.e. Spider-Man 5) although I have nothing against Spidey. (Oh wait, I do now. Damnit.) I'm there to talk Oscars. Are they important? Why should people who don't like them learn to appreciate? And more...

Second, the fine folks at Slate and I have revamped last year's Acceptance Speech Analysis Essay and Interactives to bring it to the right now. I was so proud of this last season so if you missed it please read. Or read again. I spent DAYS researching it - fun filled eye strained days of watching actresses and actors stutter, cry, freak out. Now of course every site is writing about acceptance speeches since Oscar went and made it easy for them, transcribing all the actors acceptance speeches from somewhere in the 70s onward. They did it a year too late to save me those days and days of research but I like to think that I gave AMPAS the idea with my Slate thesis last year! They can thank me by inviting me to the Dolby next year. I'll be a lowly seat filler, bathroom attendant, or janitor, I don't care. 

P.S. Before you click away, as instructed, why not like the Film Experience on Facebook?

 

Sunday
Feb032013

Making Peace With "Argo". How Many Oscars Will It Win?

When Best Picture locks up each year -- which usually happens sooner than February 2nd so we should count our blessings that this year had more drama! -- the best thing that one can do is find a way to make peace with it. I've followed the Oscars long enough to know that when your absolute favorite in a category wins you should feel rapturous but treat it like its as rare as Brigadoon since you might never see it's like again. The trick to staying sane (not that I've actually mastered this, mind you) is to enjoy the annual awards festivities without caring about the winners so much as the journey to crown them. In its better moments the awards season circus provides plenty of entertainment, delectable star-gazing, and even the occasional conversational or critical insight into what makes particularly movies great or what makes people love particular movies despite their unfortunate lack of greatness.

I've learned to enjoy it when anything in my top ten each year wins something since, in most years, actual favorites are not crowned. It's harder though to enoy your non-favorites winning when they're solidly in the middle of the pack or when a particular forthcoming win defeats something clearly masterful.

Which brings us to Argo...

 

Click to read more ...

Friday
Jan182013

Re: Ben Affleck

I would like to go on record... as saying that this hideous idea of a "write-in" vote for Ben Affleck which is making the webrounds should not be humored by any Academy member or Oscar pundit who respects that the votes are what the votes are come what may. We all have disagreements each year. I mean I think it's ludicrous / embarrassing / etcetera that Crash won best picture but I haven't demanded a recount or a retroactive do-over. The Oscars are what they are: a historical document of a given moment in time and what an elite group of people in Hollywood in those fields valued at the time. 

To deny the directors their ability to choose the five Best Directors is tantamount to overthrowing the entire system in which the nominations come from their own branch of expertise. What's next, actors being able to choose which 5 sound engineers should be up for awards? Documentarians choosing which 5 costume designers should be nominated because, they themselves understand so much about character and clothing?

If I were Ben Affleck I would shut this down immediately somehow. No one likes a sore loser.