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Entries in Oscars (12) (290)

Saturday
Aug042012

Yes, No, Maybe So: "The Paperboy"

I know you've been waiting to discuss this one or spent all your discussion energies elsewhere. But do it again. Humor me! You know how bad I want this movie, even if it's terrible. Let's break it down quickly since I'm all YESSSSSSSssssSSSsssS Gimme.

YES

 

  • "That man is dangerous. Lovin' him is dangerous ♫" - perfect music choice
  • Speaking of dangerous Pt 2 Nicole Kidman trashy, sweaty, in character, on fire. If she were a man people would bow down like they do with Daniel Day-Lewis.
  • Speaking of dangerous Pt 3 Precious director Lee Daniels. Generally you can't achieve genius unless you're willing to risk looking ridiculous. Reviews suggested the latter but still. Brava for taking chances.
  • Zac Efron's wet underwear contest and Nicole Kidman's gawdy costumes, Two great looks that look great together.
  • The cast. Matthew McConaughey has been on a roll and Macy Gray is always welcome. She was just inspired in her cameo in For Colored Girls and memorable in Lee Daniels' Shadowboxer, too. 
  • "These your paperboys? What are they gonna do for me." // "They're gonna save you" Chills.

NO


  • This trailer verges on the totally incoherent. "What the hell is going on?" can be a good future ticket buy question spurred on by a trailer but generally not in the "what the hell is going on within the trailer itself!?" kind of way. I think it's the overlapping sound editing. It's just cacophonous. 

MAYBE SO 

  • John Cusack. I admit I am nothing like a fan. Very occassionally I'm intrigued but there are more misses than hits if you ask me.

the trailer in case you're also running late...

Are you a Yes? a Hell Yes? or a Gimme Now Before I Spontaneously Combust? no? maybe so? 

I know I'm not supposed to think that Nicole has an Oscar shot for something this pulpy and outre but damn this looks like a killer part. Will she kill it?

Friday
Aug032012

MIFF 1: Battle of the Aussie Pop Stars

[Editor's Note: Glenn of Stale Popcorn fame, pictured left, will be covering the Melbourne International Film Festival for us. Yay!  He'll hit titles we're interested in because we've definitely perused his plans. -Nathaniel]

Glenn checking in. As I type this it is August 2nd, opening night of the 61st annual Melbourne International Film Festival. With the festival proper beginning tomorrow, I have 32 films booked (whether I get to them all is another thing altogether...) but I've caught a few biggies beforehand.

You have probably heard about Wayne Blair’s The Sapphires, what with its rapid ascent from unknown Aussie musical to full blown Harvey Weinstein pet project. While I can’t see this chintzy sixties-set musical garnering much in the way of Academy buzz – unless the music branch’s “no end credits original songs!” attitude suddenly changes for the swingin’ original tune “Gotcha” – I can’t see how its light-as-air sensibilities can’t turn it into a pretty money-maker for The Weinstein Company and net itself a couple of those eternally in flux “Musical or Comedy” Golden Globe nominations in the process. 

Musical Madness, Kylie Minogue and Holy Motors after the jump...

The Sapphires

 

Click to read more ...

Wednesday
Aug012012

Linker Come Back to Me

My New Plaid Pants pic of the day, first image from the set of Steven Soderbergh's Liberace bio Behind the Candelabra with Michael Douglas and Matt Damon as lovers
Movie City News 29 Weeks To Go until Oscar! Wooo
Cinema Blend apparently they're going to reboot The Brady Bunch
i09 pretends that 10 upcoming remakes / reboots aren't going to suck. Hey, someone has to stay positive.

Hollywood Elsewhere Dark Right(Wing) Rises... People can't stop talking about the politics of Chris Nolan's Batman trilogy.
Hollywood.com interviewed me and other pundits on The Dark Knight Rises Oscar hopes
Awards Daily breaks down the Tony nominees who made it to Oscar nominations 
Pajiba would like you to think about all the brunettes in Chris Nolan films. It's always brunettes.
/Film manages to dig up a tiny bit of info about the Coen Bros Inside Llewyn Davis 
Awards Daily breaks down the Tony nominees who made it to Oscar nominations

  

Obits
is it just me or are people dropping like flies... I'm a bit freaked out :( 
Studio Briefing Mr Cyd Charisse, singer/actor Tony Martin (1913-2012), has died 
The Guardian pays final respects to Chris Marker (1921-2012), the experimental filmmaker of La Jetée fame (which inspired 12 Monkeys)
New York Times the ever fascinating Gore Vidal (1925-2012) 
Fresh Air remembers Lupe Ontiveros (1942-2012) of As Good As it Gets and Selena fame. I loved it when NBR handed her Best Supporting Actress for Chuck and Buck (2000). Remember that? That's my favorite Lupe turn.

Finally, in much happier news...
Have you heard that Nina Arianda (Midnight in Paris, Win Win) is signing projects left and right. Looks like that Tony Award for "Venus in Fur" really did it. Nina, who has previously really had bit roles in movies, has surely arrived.

She recently signed on to play the great Guilieta Masina in Fellini Black and White the story of two missing days in the life of Oscar magnet Federico Fellini right before the Oscars in 58. Are they making this movie just for us? Seriously! She's also set to play Janis Joplin in another upcoming bio with Martha Marcy May Marlene's Sean Durkin helming after approximately a million years of rumors of this actress and that actress and sometimes more than one at once, playing her in a biopic. Hollywood apparently just can't let  The Rose (1979) be the last word. Tina Fey and Jane Krakowski even sent up the development hell of Janis Joplin biopics in an arc of 30 Rock. Nina also joins a huge cast of recognizable actors in the fascinating sounding The Disappearance of Eleanor Rigby which is reportedly a two-part film told from the husband (James McAvoy) and wife's (Jessica Chastain) perspectives.

This is all a long way of saying learn Nina's name and expect her on an Oscar shortlist in 5...4...3...2....1

Saturday
Jul282012

Belated Review: "The Dark Knight Rises"

Though it's normally best to get straight to the point with reviews The Dark Knight Rises (hereafter refered to as TDKR) presents something of a quandary. How do you jump right in to speaking about this particular film when Christopher Nolan's last Batman film has so long ceased being "just a movie". So we begin with a three part preface... 

What?!? Nolan can blow seven reels of a non-origin Batman film before Bruce suits up and you object to me blathering on for three paragraphs before I review the movie? Double standards!

First, I believe that Michelle Pfeiffer's performance as Catwoman is one of the greatest performances of the 1990s, the very definition of what an actor can do when they understand their auteur's vision, get the heightened play of specific entertainment genres, and are capable of imaginative stylization. It pissed me right off that people tried to pretend that no one before Heath Ledger had ever delivered Oscar worthy work within the comic book genre. So Batman Returns is my favorite Batman movie (yes, I know it has flaws. Shut up) and I entered the movie naturally resistant to Anne Hathaway's Catwoman.

Second, I saw the movie alone on Saturday, the morning after it opened. I failed to convince any of my friends to go with me and wasted my second ticket. To my great shame even though I think it's stupid to let fear change your routines (I was on a plane exactly a week after 9/11 as scheduled) I did briefly find myself thinking about where the exits were* against my will and flinched at the frequent gun battles in the movie. When I returned from the movie a friend snarkily asked me "So was is worth risking your life?" and I wanted to punch him. In a non violent way. See, every movie is worth risking your life for because movies are totally safe. Movies do not kill people, people do. People with access to firearms especially which is a lot of people given our nation's embarrassingly pro-tragedy gun laws.

*I'm super happy to report that I've been to the movies twice after this and never once thought of this.

This is a LOT of baggage to take into a movie already. I get that. And then there's the small matter of my teflon resistance to understanding the genius of Chris Nolan and residual frustration with fanboy culture that demands that I do. I was discussing the push and pull between mandated blockbuster movie culture and blogging demands last week with Rob, a reader, on facebook who paid me the nicest compliment:

I like the balance you strike. Sorta: this is here, can't ignore it, we're all gonna see it, Christian Bale is gonna sound funny, and we move on.

Rob nailed it. Yes. Yes. Yes. Hee. And we move on... finally, to the [spoiler heavy] review

Click to read more ...

Saturday
Jul282012

Two Animated Films I'm Excited About (Will Oscar Be, Too?)

This year I had made a silent goal to myself to talk about animated films more often at The Film Experience since I sometimes really enjoy them even if I don't say so and you definitely enjoy them but we tend to not cover them. So far so getting better. Here are two films I'm looking forward to that I didn't even realize I was excited for because I almost forgot they existed.

1. Me and My Shadow (2014) 
This upcoming effort released a teaser poster a few days ago and has a cute concept. It will reportedly be a blending of traditional animation and CG animation with the traditional being the shadow world and the CG being for the "real" world. From the official synopsis...

Stan (Bill Hader), our hero's shadow, yearns for a more exciting life but happens to be stuck with Stanley Grubb (Josh Gad), a timid guy with an extreme aversion to adventure. When a crime in the shadow world puts both of their lives in danger, Stan is forced to take control of Stanley...

 My mind immediately lept to Steve Martin's body controlled by Lily Tomlin's spirit in All of Me (1984) and Linguini's body going all marionette for Remy in Ratatouille (2007) so the concept is just rich for potentially golden physical slapstick and awkward charm. Not that it's easy to be as good as either of those pictures!

More after the jump including Oscar potential...

Click to read more ...

Saturday
Jul212012

Yes, No, Maybe So: "The Master"

Hot on the heels of this beautiful new teaser poster for The Master, movie poster as chilled wine, we get the full trailer! P.T. Anderson's long awaited big screen return teaser post recalls the also evocative and text-focused teaser poster for There Will Be Blood which will be a very tough act to follow.


Even the Academy, which had resisted his sometimes challenging, defiantly eccentric and untraditional melding of epic treatment to non-traditionally-epic subject matter got into There Will Be Blood. But if anyone can live up to that film, wouldn't it be P.T.? He's never made anything less than a good movie and quite often he manages instant classics: Hard Eight, Boogie Nights, Magnolia, Punch Drunk Love, and There Will Be Blood. (Good luck finding anyone else with a filmography that consistently fine!)

Trailer and Yes No Maybe So breakdown follow...

Click to read more ...

Wednesday
Jul112012

From Here to the Oscars and Back ♫

This morning this sweet ballad popped into my head again -- I recently finally got around to Joyful Noise -- so I thought I'd share it. I hope Dolly Parton gets to sing this at the Oscars to the tune of her third nomination... provided it's declared eligible of course.

If the Academy would ever get their music branch in order, can you imagine how much fun the Original Song category could be? I mean this year alone we could have Paul Williams, Dolly Parton, Taylor Swift and Hugh Jackman singing at the Oscars.

But we've learned not to hope for too much. If you have legacy artists like Bruce Springsteen and Cher and Madonna and whomever singing on stage, you just won't have time for those this-has-nothing-to-do-with-movies-but-we-the-producers-like-it performances from the likes of Cirque du Soleil.

Oscar Trivia / 2012 Original Song Category after the jump...

Click to read more ...