Tim here. Every December, Tim's Toons preps for the upcoming Oscar nominations in January by looking at some of the smaller and more easily overlooked films that have thrown their hat in the ring for the Best Animated Feature Oscar. It's a slim list of 16 titles this year, which means that if even one of them fails to meet the eligibility requirements (they don't all appear to have had their qualifying theatrical run yet), we wouldn’t have a year with five nominees. Something to think about as you all work on your nomination predictions.
Let’s turn now to one of those films that almost certainly won't make the cut no matter how many nominees end up happening, through absolutely no fault of its own. Moomins on the Riviera is a slight, charming, and deeply silly comedy adapting an iconic Finnish comic strip and children’s book series, quite obscure in America, about a family of trolls that look rather like hippopotamuses with no mouths. The film itself is a French-Finnish co-production, and it feels like both of those nationalities are in play; the music and coloring feel significantly gallic, the story and designs have a definite Nordic tang (director Xavier Picard and co-director Hanna Hemilä are from the two respective countries, uncoincidentally).
The story, meanwhile, taken from Swedish-speaking Finn Tove Jansson's comics, is pure uncut childish frivolity (the Best Animated Feature category as a whole is distinctly juvenile this year). The Moomins – Moomin (Russell Tovey in the English dub), Moominmamma (Trace Ann Oberman), Moominpappa (Nathaniel Parker), and Moomin’s girlfriend Snorkmaiden (Stephanie Winiecki) – have an extraordinarily low-key run-in with some pirates, after which they rescue the tiny, bratty human girl Little My (Ruth Gibson). With one sea adventure having gone well, the gang agrees to another, and in no time at all they're battling storms and taking a tiny sailboat across the ocean to the Riviera. There, they have run-ins with haughty celebrities, snooty hotel staff, daffy artists and oblivious art collectors, and generally move with gentle, deliberate slowness through one of the kindest fish-out-of-water comedies I have ever seen.
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