London Film Festival: Roundup and Oscar Chances

Pivotally positioned in October, the BFI London Film Festival boasts the distinction of having some of the most feted films of the year, champions newcomers and not without its stalwart festival curiosities. On the ground this year was Film Experience contributor Seán McGovern who saw only a fraction of the films on offer, but nonetheless a taste of potential Oscar contenders.

Call Me By Your Name
Worried that I would be tranquillised by the hype, I nonetheless could not resist it. Yes, it's a film about gorgeous people of immense privilege, but who can dismiss how hard it is to successfully capture the furtive horniness and confused intensity of young love? Timothée Chalamet's Elio teeters between brazenness and vulnerability, and Armie Hammer captures a strange aloofness that is hard to do on screen. It actually made me want to have children - just so I could grow up and be Micheal Stuhlbarg.

Oscar chances: Director, Picture, Best Actor (Chalamet), Supporting Actor(s) (Hammer, Stuhlbarg), Adapted Screenplay, Cinematography, Original Score. Whether Academy voters embrace two LGBT films in a row is another thing.

 Six more films after the jump...

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Mysterious, Adorable, Purrfect "Kedi"

by Nathaniel R

As a self-confessed crazy cat lady, I'm not sure why it took me so long to see the Turkish documentary Kedi. But it's fitting that I finally saw it late last night. I didn't even realize until this morning that I had ushered in National Cat Day with the streetcats of Istanbul. Since I am not a frequent documentary-watcher (unlike Glenn) I tend to only see them when the subject matter really intrigues me or if awards season comes calling...

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170 Documentaries to Compete for the Oscar (Yup, That's a Lot!)

By Glenn Dunks

Turkish cats, white supremacist terrorists, underground artists, climate change activists, controversial politicians, hackers, ballerinas and YouTube celebrities. These are just some of the subjects of the ONE-HUNDRED-AND-SEVENTY films that have been submitted for the Best Documentary Feature Academy Award. Yes, that 170 figure is a record and no, you probably haven't heard of a lot of them. Not even I had, and I write a weekly column on the subject.

We have tried to cover as many as possible, but trust me there's only so much we can do! Of course, on one hand, the number of titles listed here is daunting and massive. On the other hand, I must admit that a number this large actually somewhat puts my guilt at not covering enough to rest. It's simply too many! And it ought to be even longer! It's disappointing to see award season-worthy titles like In Transit, All This Panic and Antarctica: Ice and Sky not even submitted, but that's how this thing always goes.

I have included links to any TFE reviews, but also included bite-sized snippets to give you a snapshot and even a few one-sentence reviews for films I have seen and will not be doing a full write-up on. Nobody can say we don't attempt to cover as many as possible!

The Academy's doc branch will soon whittle this list down to 15 soon before we find out, as always, what the five nominees will be on Oscar Nomination Morning...

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La Pfeiffer and the Original Song Oscar Race

by Nathaniel R

Here's some rather surprising news: Michelle Pfeiffer sings the closing credits song of Murder on the Orient Express. The song is called "Never Forget" which we never in danger of doing for anything Pfeiffer. Though opinions vary about how well the goddess sings, we personally love it when she croons. Case in point: Grease 2 (1982), The Fabulous Baker Boys (1989), The Prince of Egypt (1998), and Hairspray (2007). Listen it's not her fault that her character in Up Close and Personal (1996) was supposed to be a bad singer or that "Miss Baltimore Crabs" is Hairspray's worst song!

"Never Forget" is written by two-time Oscar nominee Patrick Doyle, a regular on Kenneth Branagh films, who also composes the score. La Pfeiffer is, of course, not the sort who would deign to sing in front of the whole world on Oscar night so they will reassign the vocals if the song is nominated.

Regardless the Original Song category is beginning to show its possible contenders so we've updated that chart and still suspect the leader is The Greatest Showman's catchy "This Is Me" - which was recently performed in NYC by Keala Settle & Darren Criss.

We eagerly await the full eligibility list of 80ish songs we've never heard from 40 movies we've heard of and 20 movies we didn't know existed before this always surprising list hits. 

Best Picture... Settled Contenders or Confusing Vacuum at Top?

Nathaniel R

In the absence of a Best Picture frontrunner, something I think we all can agree on at this particular juncture in time, does that mean anything could happen with Best Picture nominations? OR does that mean the Best Picture competition is fairly settled but that the films (i.e. campaigns) have yet to sort out who is the most formidable?

I'd argue, perhaps foolishly, that it's the latter. I see a fairly clear situation ahead where these seven films (and maybe only these seven) are going to be nominated. A winner will emerge but none have yet made a clear case that they're "the one".

Call Me By Your Name | Darkest Hour | Dunkirk
Get Out | Mudbound | The Shape of Water
Three Billboards outside Ebbing, Missouri

Since Academy rules allow for 5-10 nominees in a given year in the top category and since we've usually seen the final size of the list land at 8 or 9 that leaves us with only one or two super competitive slots. With rumors (take 'em or leave 'em since it's only hearsay) starting to swirl that the four big remaining unseen films (Phantom Thread, Greatest Showman, The Post, All the Money in the World) aren't all that, perhaps we know the field fully? Methinks The Florida Project  (a little picture that could), I Tonya (*shudder* but easy to picture for counterprogramming vote which also helped it at serious festivals) and Last Flag Flying  (meh but easy to picture as the #1 choice for the manly side of Oscar voting) are next in line should there be enough room for them. It's tough to say but there are several films with pockets of support that are in play for one of those coveted spots if the precursors and media are especially kind to them in the next month or two -- yes, even Wonder Woman.

P.S. Comedy at the Globes?
The comedy category is as wide as the Grand Canyon IF a number of the 'could go either way' films choose drama instead. Three Billboards, rumored to be choosing drama for example, is basically a tragicomedy so you can call it either safely! Films that could theoretically be up for COMEDY OR MUSICAL at the Globes (should they choose to campaign this way) are... 

Baby Driver | Battle of the Sexes | Beauty & The Beast
The Big Sick | Disaster Artist | Downsizing
Get Out ??? | Girls Trip | Greatest Showman
Guardians of Galaxy vol 2 | I Tonya | Lady Bird
Last Flag Flying ??? | Victoria and Abdul 

And theoretically that high profile boost could really help them. As would a Producers Guild or SAG shoutout.  How do you think this will all pan out?

UPDATED OSCAR CHARTS ARE HERE  and  GURUS OF GOLD ALSO UPDATED