Monday, February 1, 2021 at 8:00AM 6 random things that happend on this day, February 1st, in showbiz history
1929 One of the earliest movie musicals Broadway Melody premieres in Los Angeles. The following year it would win Best Picture at the 2nd annual Oscars, the first sound film to do so...
Tuesday, September 8, 2020 at 11:59PM 
AMPAS has been busy these past ten years or so dealing with rapid cultural changes and political pressure as well as, let's be honest, fallout from their own various blindspots. Though I know I pissed off many people back in the day when I argued that the Academy was taking more of the blame for #OscarsSoWhite than they perhaps deserved (in that they can only vote on the movies that are made), people who pushed back had a solid point: the Academy is the face and reputation of the American film industry. So even though the Academy isn't an organization that makes movies, their success as the symbolic representation of THE MOVIE INDUSTRY means they are culpable. Starting with the smart diversity initiatives set in place by Cheryl Boone Isaacs's terms as AMPAS president, they've made significant strides at being more inclusive. Today the Academy took a much more specific step forward. They've set up rules of representation and inclusion in order to be Oscar eligible in the first place starting with the 96th Oscars (2023 film year / 2024 ceremony).
You can read the whole press release at their official site but it boils down to this...
Tuesday, April 28, 2020 at 10:27PM by Nathaniel R
Is the Academy being proactive or panicky? That's up for debate but they've made a big announcement. Though the Oscar ceremony is almost exactly 10 month away (February 28th, 2021) -- practically a full year -- AMPAS is planning for the worst with the coronavirus pandemic and adjusting accordingly. The biggest news might well be a 'letting the genie out of the bottle' rule change. They will now allow streaming films without theatrical releases to compete for Oscars.
From their own mouths:
“The Academy firmly believes there is no greater way to experience the magic of movies than to see them in a theater. Our commitment to that is unchanged and unwavering. Nonetheless, the historically tragic COVID-19 pandemic necessitates this temporary exception to our awards eligibility rules. The Academy supports our members and colleagues during this time of uncertainty. We recognize the importance of their work being seen and also celebrated, especially now, when audiences appreciate movies more than ever.”
We've assumed this was going to happen eventually though the notion frightens us for what it portends, not for its arguable necessity at the moment. This change makes a lot of sense in this extremely unprecedented situation BUT, and here's the nuanced bit of our feelings that's hard to sell in easy sound bites....
Wednesday, April 15, 2020 at 12:45PM by Nathaniel R
Regular readers know that we put our Punditry hat on and whip out the foggy crystal ball each year about this time. The reason is an attempt to predict the Oscar nominations nearly a full year in advance each season. We tend to do alright at this admittedly silly endeavour (silly because 90% of the films haven't yet been seen.) But 2020 is different. Perhaps you've noticed that movies haven't been opening for a full month now and all filming stopped in Hollywood. Some pre and post-production business is still happening in Hollywood but in very limited work-from-home capacity. In the twenty years of running The Film Experience we've truly never seen anything like this!
However, we wish to sound a note of optimism that you generally won't get elsewhere on the web due to the click-bait happy tone and echo chamber hysteria so many sites opt for. We don't feel there's any reason to assume that the Oscars will be cancelled. Here's why in five reasons...
Friday, April 10, 2020 at 11:30PM 
The Academy loves transformative performances, ones where an actor's chameleonic abilities are on full display. While the recent avalanche of biopics winning acting Oscars may suggest such dynamics are a recent phenomenon, it isn't so. Since the 20s, we've seen it happen regularly. Just look at Warner Baxter who won the second-ever Best Actor Oscar for putting on brown face and playing the Cisco Kid in In Old Arizona. That particular example also brings up another favorite bit of acting work that the Academy seems to adore beyond reason – accents. Bad ones at that.
Some performers, like Meryl Streep, are brilliant at mimicking regional and personal accents, doing them so naturally that one forgets the artifice. Many others, can't be helped and often fail at the task. To be perfectly frank, I'm not a person that's much annoyed by bad accents onscreen. Nicole Kidman's American accent in The Portrait of a Lady is quite unconvincing, for instance, but I still consider it one of the actress' best works. That said, sometimes there are levels of incompetence too flagrant to ignore.
Such is the case of some Oscar champions, including a Best Actor winner whose efforts are cringe-worthy…
