The Furniture: Wednesday Addams Sets Thanksgiving on Fire

"The Furniture" our weekly series on Production Design. Here's Daniel Walber

Happy Thanksgiving! In three days, Americans will gather together to cook, feast and argue. The acrimonious presidential election has launched a multitude of think pieces on the subject. How do you talk to your relatives who voted differently than you? The classic stereotype of the young, liberal, usually-white urbanite going back to conservative “middle america” for turkey is certainly more fraught this year than it’s ever been. Does that scenario now come with the moral obligation to speak up?

This may seem like a weird way to begin a column about Addams Family Values, a comedy sequel without an overt political message. But there's some Thanksgiving advice to be found in the Oscar-nominated design of legendary production designer Ken Adam (The Spy Who Loved Me) and set decorator Marvin March (Annie). Beyond the social satire of the early 1990s ("But Debbie...pastels?"), a blunt clash of historical narratives is built into the sets for Camp Chippewa...

Click to read more ...

Happy 23rd Anniversary, Michelle & David!

On this day in 1993 the iconic Michelle Pfeiffer, then at the peak of her career, wed her very new boyfriend, TV powerhouse David E Kelley (who had three series on air at the that time - LA Law, Doogie Howser MD, and Picket Fences). Fun trivia notes and a few clips after the jump...

Click to read more ...

Noirvember: L.A. Confidential (1997)

It's Noirvember. Here's Lynn Lee...

For a film set in the ’50s, L.A. Confidential (1997) looks and feels surprisingly contemporary.  Maybe it’s because so many of its themes still resonate today: police brutality (especially against racial minorities), broken Hollywood dreams, and the addictiveness of celebrity and power.  Maybe it’s because so much of the film is shot and lit in a more naturalistic, less stylized manner than your typical hardboiled crime movie, which makes the more obviously noir-ish sequences really pop by contrast.  But I think what distinguishes it most from its classic forbears is that it ends up being less memorable for its atmosphere or its plot twists than its character development of not one detective-protagonist but three, whose parallel narrative lines end up converging over the course of the film.

Click to read more ...

Swing Tarzan Swing: Disney's 1999 Animated Take

We've reached the penultimate episode of our Tarzan series. Now sailing into Disney wilds...

by Nathaniel R

For over half a century in film and television storytellers didn't think Tarzan needed an origin plot but when the movies told it (Greystoke, 1984), it was as if everyone had always wanted to. Why not Disney then? Disney hadn't quite run out of classic fairytales to adapt by the mid-nineties but they were shifting their focus to boys. This was arguably due to their gargantuan back-to-back biggest-ever successes of Aladdin (1992) and The Lion King (1994), two animated features that deviated from their princess focus. Enter Hercules and then Tarzan. Neither were girly fairytales but both were still firmly embedded in fantasy and heightened enough for musical numbers.

Sort of.

By the time Tarzan rolled into town, Disney executives had clearly begun to wonder if audiences were done with the musical part of their Animated Musicals because Tarzan is only a musical in the sense that non-diegetic adult contemp ear worms keep popping up. They arrive without warning, with all the subtlety of a slasher movie jump scare.

Click to read more ...

Tweetweek: ABBA in a White Room, Carrie Gifs, 1999 Supporting Actress

In today's tweetweek, the 1999 supporting actress race, mindy project A+ joke, ABBA, Lindsay Lohan's new accent, and the last few days of political anxiety (in this phase at least). It's all after the jump...

For Toni Collette's birthday, I broke into Angelina Jolie's home and retrieved her Supporting Actress Oscar. It's the very least I could do.

— Matthew Eng (@Eng_Matthew) November 1, 2016

Click to read more ...