1987: Karen Allen in "The Glass Menagerie"

Each month before the Smackdown, Nick Taylor considers alternates to Oscar's ballot...

Remember way back when this Smackdown season started with 1981, and I mentioned Karen Allen as someone who somehow missed out on a well-deserved Supporting Actress nomination despite how few films Oscar bothered to recognize that year? Her barnstorming performance in Raiders of the Lost Ark is one of that adventure classic's secret weapons, building on the potential in Marion Ravenwood and delivering a tangible, electrifying character even when the script lets her down. In truth, I sometimes think of Allen alongside contemporaneous stars like Jessica Harper and Brooke Adams: singular, charismatic screen presences you could never mix up for one another despite their similar appearances, all of whom starred in some of the best, most idiosyncratic films of the ‘70s and ‘80s. 

I’d also wager that Harper and Adams’ personas would suggest themselves for the role of the shy, undemonstrative Laura Wingfield in Tennessee Williams’ The Glass Menagerie more than Allen’s would. Who’d pick Marion Ravenwood (!) for a part given to Jane Wyman in 1950? Yet it was Allen who played the role onstage opposite Joanne Woodward, John Sayles (!), and James Naughton at the Williamstown Theatre Festival in 1986, and Paul Newman was so impressed by their performances that he decided to make a damn movie...

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Did Paul Newman win for the wrong movie?

by Cláudio Alves

Throughout the history of the Academy Awards, many a winner conquered their statue not because they were the best of the year, but because they had a grand filmography in need of golden recognition. Career Oscars are a bittersweet sort of honor, though. On one hand, it feels just to see living legends rewarded with Hollywood's most coveted trophy. On the other, the win sometimes comes from such a minor work it doesn't feel representative of the artist's true genius. In terms of acting prizes, Paul Newman is one of the most flagrant cases of a winner that was rewarded for his career rather than the merits of one performance. By the time he won a competitive Oscar, he had been nominated seven times already and had even won the first of two Honorary prizes. He might have agreed with those judgments, considering he wasn’t even present to receive the statuette.

At least, that's what most people seem to believe about the great star's Best Actor trophy for 1986's The Color of Money…

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Almost There: Paul Newman & Robert Redford in "Butch Cassidy and the Sundance Kid"

by Cláudio Alves

From 1944 to 2008, we had a five-wide Best Picture race in the Oscars, as well as four acting categories. During those years, it became rare for a movie to score a Picture nomination without also nabbing some sort of acting nod. It was especially unusual for the majority of a given line-up to be devoid of acting nods, happening only three times during those 65 years. One of those times was the 1969 Academy Awards, when Z, Hello, Dolly! and Butch Cassidy and the Sundance Kid didn't get any love from the acting branch. Considering the general bias against "foreign language" performances and the horrible reviews of a certain musical, it's easy to understand why the actors of Z and Hello, Dolly! went unrecognized. But what about the revisionist western in the bunch?…

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Over & Overs: The Hudsucker Proxy (1994)

by Mark Brinkerhoff

The Coen Brothers have no shortage of veritable classics on their résumé (Fargo, No Country for Old Men, Raising Arizona, etc.), but somewhat overlooked within their filmography are the quirky, sweet (read: non-violent, still absurdist) little diversions into optimism, vs. their patented nihilism. And so, sandwiched between the critical and commercial triumphs Barton Fink and Fargo, arrived The Hudsucker Proxy, the Coens’ mid-‘90s (25th anniversary, y’all!) ode to the zany, screwball comedies of Hollywood’s Golden Age.

They had me at "You know, for kids.”

I was one of the few who saw The Hudsucker Proxy in theaters—it bombed…hard—at the mall where I worked as a teen (at Subway in the food court, natch). In fact, it wasn’t by chance that I saw The Hudsucker Proxy; I actually sought it out, for reasons I can’t totally recall. But loved it I did, from the very first watch... 

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2 days til Oscar. Offscreen Oscar pairs

by Nathaniel R

With just 2 days to go until Oscar let's talk famous couples who've both been Oscar blessed. This year we have loved the offscreen symmetry of A Star is Born's Sam Elliott finally having an Oscar nomination to match his beautiful wife's; Katharine Ross was nominated for Best Supporting Actress for The Graduate (1967) and now Elliott has a matching nomination in Supporting Actor just before their 25th wedding anniversary. They were married around the time Elliott started work on Mask (1985) and Ross started work on the Dynasty spinoff The Colbys (1985-1987). They co-starred together just last year (albeit briefly) when Ross played Elliott's character's ex-wife in The Hero (2017).

It's fairly rare for two members of a couple to win or be nominated for Oscars while they're together (lots of Hollywood relationships being short-lived) but the gold standard is surely Paul Newman and Joanne Woodward...

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