Visual Index ~ Paris is Burning's Best Shots

For a film that's less than 80 minutes long, Paris is Burning contains at least that many worthy topics of discussion presenting quite a challenge for Best Shot participants. You could write 80 articles on it on entirely different subjects. The documentary was an instant sensation winning the Sundance Film Festival in January 1991, and opening that summer to big box office ($3.7 million... which was quite a lot for a documentary). It landed on top ten lists, won critics prizes and generated yet more press when it was horrifically snubbed by Oscar in the Best Documentary Feature category. The film documents NYC's ball culture in 1987 with a few scenes from 1989. By 1989 you can already feel the scene changing, being coopted, and about to be appropriated for one of Madonna's biggest hits. 

My choice and a few more words on this landmark film after this gallery of incredible images. PLEASE NOTE: Next week's topic for Tuesday March 17th (St. Patrick's Day) is the classic THE QUIET MAN (1952) set in Ireland starring John Wayne and Maureen O'Hara. Like Paris, it's available on Netflix Instant Watch so I expect y'all here Tuesday night with your choices.

PARIS IS BURNING (1990)
Best Shots according to 21 Fine Cinephiles Round the Web

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We Are the Link

Fistful of Film a wonderful personal take on We Are the Best from a father of girls 
Section Eighty a composer discusses the Oscar-nominated film scores
Coming Soon Milla Jovovich confirms she's about to make another Resident Evil movie, supposedly the final one. She turns 40 this year and started this series when she was but 25.
KCRW Actor Craig Chester believes he's haunted by the ghost of Montgomery Clift 
Out Alexis Arquette taking no prisoners in an interview. But bizarre that she didn't know her own sister was up for an Oscar! 

 

Indie Wire the lineup of New Directors New Films this year The Tribe and White God are both featured. They feel like anything but "new" to me after a whole year of festivalling but I still haven't had the chance to see either - will they ever open theatrically or just keep doing festivals like this one for a second year?
In Contention most anticipated films of Sundance 
We Recycle Movies you should check out Anne Marie's rainbow countdown to the Oscars
The Carpetbagger welcome to Phase 2 of the Oscars. Also: Mark Schultz changes his tune again on Foxcatcher. I am not saying this snarkily but with concern: this is why we need universal health care and easier access less stigma for mental illness treatment. Something is seriously wrong with this guy 

American Sniper Mania
Grantland excellent piece by Mark Harris on why American Sniper's box office won't help its Oscar run ... "success breeds scrutiny"
Rolling Stone on American Sniper's stupidity - they use a similar comparison to Forrest Gump like the one I tweeted icymi
Movie City News David Poland doing some train of thought hand wringing on the extreme combativeness of theAmerican Sniper and Selma Oscar battle... that isn't really a battle but that people have suddenly made it into one 
Playbill ...but perhaps the worst American Sniper news is that its leading Broadway's Elephant Man revival to cancel several performances due to Bradley Cooper's awards schedule 

Off Cinema
Pajiba the one reason to keep watching Girls 
NYT John Cameron Mitchell returns to Hedwig, the role which made him and also, not so incidentally, brought us a brilliant film director. Make another movie, Mitchell! All three of yours are heaven.
i09 looks at lesser known characters in the public domain. Will any of them be revived? 
i09 they also look at the case of James Bond, now public domain in Canada! But not in the US or Europe.
Towleroad's the story of Björk's new album, released two months early. Sad she broke up with Matthew Barney. They seemed like such an iconoclast match

Who you gonna call? Linkbusters

Vanity Fair Melissa McCarthy and other funny ladies in talks for Ghostbusters reboot. I'm rooting for Jillian Bell myself who is mentioned. Yay.
Buzzfeed a definitive ranking of Disney Prince butts - as great as it sounds though I'd place Prince Phillip higher because my imagination works (I love that former Prince BD Wong even replied to his ranking on Twitter)
Vulture let us all worship Charlize Theron who has demanded (and been given) equal pay to her male co-star for The Huntsman. It's not like people went to the first movie for Hemsworth...Insane. Sexism by the numbers.
The Film Grapevine Birdman and the unexpected virtue of Contrivance
A Socialite Life Andrew Garfield and Emma Stone photobomb someone actually trying to take a photo of them

Slate on why Wes Anderson movies have never been popular with the Academy Awards before (presumably) now. Fairly good reasoning
MNPP Wet Hot American Summer will become a Netflix series and the original cast is all returning
RogerEbert.com on the women in Selma: the unsung heroines of the movement
THR Samuel Goldwyn Jr dies 
Theater Mania The Color Purple is coming back to Broadway (already?) with Jennifer Hudson as Shug 

Good Long Reads
IndieWire great piece on the definitions of patriotism and exceedingly pro-gun messaging of American Sniper. Please do not let this film be nominated for Best Picture. It's just not what we need right now...especially given how many people have been killed by guns lately in the States...and still no gun reform.
Grantland Wesley Morris on Selma. Love this sprawling, provocative review / thinkpiece. I've been totally appalled and confused myself at the way the media has latched on to the Lyndon B Johnson depiction but Morris makes a great point here that helps clarify, for me, the anger and nitpicking:

A quick survey of film history suggests that the depiction of racial themes in America has always been the province of white directors, whether it’s something as spectacularly diabolical as D.W. Griffith’s The Birth of a Nation or the antebellum revenge of Quentin Tarantino’s Django Unchained. These great-man movies tend to reflect the aspirations and identities of the people who make them, which is how so many stories ostensibly about black life wind up with white interpolators. DuVernay understands the fraught, imbalanced legacy a film like this pulls her into, and she’s been as fair as she needs to be. This is not a film that undermines or questions Johnson’s ultimate contributions to the improvement of black life in this country. (It very easily could have mentioned the two decades in Congress he spent opposing civil rights legislation.) Inasmuch as there are villains, they are Wallace, Hoover, and Selma’s sheriff, Jim Clark. But because this isn’t Johnson’s story, those accustomed to seeing the president as hero (or protagonist) ultimately seem dismayed by how little of the president there is here.

The bold is mine, not Morris's. People who are angry about Lyndon B Johnson's depiction really ought to look beyond the myth and think about reality. And once they do, rather than be disappointed, they should be as generous as DuVernay is who depicts him as an imperfect man who makes a great progressive decision which changes history.

The Heroes of "Pride" Wouldn't Stand For Their DVD Packaging!

I accidentally got two copies of the Pride DVD in the mail for Christmas. I had bought one not knowing that I'd be sent one from the studio. But no matter. Now I have one to gift and just about anyone would love to receive it. I recently talked to my best girlfriend from high school and I can't remember if I've shared this story but it's worth repeating even if I have. 

She and her husband had accidentally gone to see it at a movie theater in Michigan (I didn't interrogate the accidentally part) and liked it so much that they went again the following week and brought another married couple with them. Isn't that great? A decade ago when the theatrical window was longer the movie could have surely found a much larger audience.

About that DVD though...

A scoop from Pink News  today alerted me to the fact that I should pay closer attention to DVD packaging. It seems that Sony Pictures has removed all mention of "gay" or LGBT" from the packaging and official synopsis. If you look at the photo above you'll see that they've even photoshopped out the "Lesbians and Gays Support the Miners" banner in the background of one of the film's two Gay Pride marches.

"Lesbians and Gays Support the Miners" or LGSM  is the official name of the collective protagonist organization and exactly what the film is about. They made a huge difference not just for striking miners in the 1980s but for Union nondiscrimination laws thereafter. The synopsis now refers to the group only as "London based activists".

To put all these feisty gays and lesbians back in the closet when the entire movie is about people, gay and straight, who refuse to be bullied into submission by homophobes or Thatcher's horrible dehumanizing rule is every kind of wrong. The LGSM in the movie even questions whether they should work anonymously because of homophobic thinking and their own fear and decide that it wouldn't be right.

What was Sony thinking?!?

In Happier News
To not end on sour note I urge you to visit Nick's Flick Picks for this glorious long read celebrating "collaboration" in 2014. It's a particularly fresh angle for a year in review piece, and yet more wonderful for this film year when so many of the finest movies were about solidarity (Two Days One Night, Pride, Selma, etcetera) or, if they weren't, focused on small duos or trios with gripping connections. If you don't have time to read all pieces of this today visit a few times until you've absorbed them. I particularly enjoyed the write-ups of We Are the Best!, Happy Christmas, Lilting, Pride and Reese Witherspoon & Laura Dern for Wild. 

The Interview Cancelled. And Other Outrages.

If you slept through the day yesterday what you missed is that Sony pulled the Christmas day release of the comedy The Interview (starring Seth Rogen & James Franco) after major theatrical chains refused to show it after mass murder threats on movie theaters showing it. Naturally the outrage machine revved up with infinite "the terrorists have won" responses (from both liberals and hard righters), snarky tweets, and lots of 'what would happen if' warnings and truly unfortunate comparisons.

Response to the removal of the movie registers strongly for future unearned martyrdom / canonization probability which is more annoying than it is terrifying. [More...]

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