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Entries in politics (406)

Monday
Jul122021

Cannes at Home: Day 7

by Cláudio Alves

Last year, while the Cannes Film Festival did not occur, the organizers revealed a list of titles selected. Wes Anderson's The French Dispatch was among them, and, unlike many other films slotted for the 2020 Croisette, it rescheduled all release plans so it could still premiere at the festival. After a one-year delay, it's finally upon us, and the reviews skew positive. Let's hope it's worth the wait. Another main competition title to take its bow today was Kirill Serebrennikov's Petrov's Flu. It's the Russian director's second film to compete for the Palme d'Or and his first release since a controversial conviction for embezzlement. Still banned from leaving Russia, he attended the festival by FaceTime. More on that later. For now, let's look back at these directors' previous successes – a bittersweet comedy on dysfunctional families and a galvanizing political allegory about modern Russia…

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Saturday
Jun192021

Juneteenth is finally an official US holiday. Will we get more movies about it?

Following recent voting in Congress, Juneteenth is finally a federal holiday. It's been too long in coming. And speaking of since this is a film site ... Have you caught up with last year's Miss Juneteenth yet? It's so good and Nicole Beharie is just perfect in the leading role, as a former beauty queen who has to learn to let go of trying to strictly mold her daughter into a new version of herself. She won the Gotham Award and was a medalist here at TFE as well. For our money she was better than the bulk of Oscar's acting nominees last season...

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Wednesday
Apr212021

4 days til Oscar. With 4 nominations let's talk "News of the World"

by Nathaniel R

News of the World is the only movie with exactly four Oscar nominations this year. That quartet of nods for Best Cinematography, Best Production Design, Best Sound, and Best Original Score, places the movie squarely in the greatly admired but not-quite-loved camp we see each year. Ma Rainey's Black Bottom met a similar fate with five nominations; both movies stood a reasonable chance in a few other categories but missed suggesting solid support but perhaps not passion. We'd argue that Paul Greengrass' western is easily the least discussed of the dozen most nominated movies this year (that would be the 8 Best Picture nominees plus News, One Night in Miami, Ma Rainey and Soul). That's true even here despite the film landing in my personal top 20. Why was that exactly?

We'd guess there are probably three reasons...

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Wednesday
Mar172021

SXSW: The dystopian visions of Executive Order & Witch Hunt

By Abe Friedtanzer

 

It’s sadly not all that difficult to imagine our society slipping into dystopian territory, and while that might have seemed impossible here in America, recent events have suggested we’re not that far away from authoritarian misery. Cinema has long explored such inevitabilities, and it’s those “very near future” concepts that don’t look so different from what we know today that can be especially terrifying. They can also be insightful, strong pieces of filmmaking, and SXSW has two this year that are indeed frightening and thought-provoking...

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Thursday
Jan142021

Review: One Night in Miami

by Matt St Clair

Regina King’s directorial debut One Night in Miami is a wonderful departure from the traditional biopic formula. Instead of focusing on key events from the lives of the famous, One Night in Miami  gives us a fictionalized, night-long conversation four iconic men might have been having at that exact moment in history. The titular night is February 25th, 1964, just after Cassius Clay’s boxing match with Sonny Liston and just before the famous athlete changed his name to Muhammad Ali.   

Malcolm X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), musician Sam Cooke (Leslie Odom Jr.), and former NFL player Jim Brown (Aldis Hodge) gather together in a motel room to discuss the weight they carry as celebrities to help create social change through the Civil Rights Movement. Thanks to the lead actors, along with genius writing by Kemp Powers who adapted his own  play for the screen, we’re able to get a glimpse of the real people behind the iconic personas...

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