ADG Nominees: Period, Fantasy, and (Our Favorite) Contemporary

The Guilds Have Spoken! Or rather, they're beginning to speak. We've just heard from the producers and now the art directors. This time AMPAS will cut the guilds off mid-sentence since Oscar nominations are but a week away. But here are the nominations from the Art Directors Guild which includes production designers, art directors and set decorators. Production Designers are the bosses of this field and when it comes to Oscar only the production designers and set decorators and not the art directors share the Oscar nominations which is why it's a bit odd that it's always called "Art Direction" but AMPAS has finally changed the name of the category so it'll now be 'Production Design'

Anna Karenina may be dressed for grief but her bedroom sure is lusty.

Expect that the five nominated films for Oscar will be (mostly) culled from these three groups. And obviously, given that Oscar is Oscar and "Best" =  "Most" the bulk of the eventual Oscar shortlist will come from Period & Fantasy. TFE's favorite thing about the guild awards is that you can see what the craftsmen and women like best in contemporary work... which sadly rarely goes on to Oscar glory despite being difficult and creatively challenging in its own right.

Some notes on their nominees... and their nominee's past filmography glories after the jump

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The Producers Guild Nominees. Which Film Would Be The Hardest To Get Made?

I thought it might be interesting to look at tonight's Producers Guild nominations NOT as Oscar predictions -- they're always that since the industry end game is the Oscars -- but as what they're ostensibly intended to be: awards honoring producers who shepherded certain movies to the screen. The nominees...

Grant Henslov and Ben Affleck working on "Argo"

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

• Ben Affleck, George Clooney, Grant Heslov for ARGO
• Michael Gottwald, Dan Janvey, Josh Penn for BEASTS OF THE SOUTHERN WILD
• Reginald Hudlin, Pilar Savone, Stacey Sher for DJANGO UNCHAINED
• Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh for LES MISERABLES
• Ang Lee, Gil Netter, David Womark for LIFE OF PI
• Kathleen Kennedy, Steven Spielberg for LINCOLN
• Wes Anderson, Scott Rudin, Jeremy Dawson, Steven Rales for MOONRISE KINGDOM
• Bruce Cohen, Donna Gigliotti, Jonathan Gordon for SILVER LININGS PLAYBOOK
• Barbara Broccoli, Michael G. Wilson for SKYFALL
• Kathryn Bigelow, Mark Boal, Megan Ellison for ZERO DARK THIRTY

Producing is a very mysterious job from the outside looking in. Every film's producers have different jobs ahead of them based on a) what kind of project it is, b) how much fighting they'll have to do to get it made creatively and financially and c) whether they'll be separate from or very tied to the artistic decisions -- notice that only 50% of the nominated teams include the director of the film in question so some of these producers have far more influence on the final product than some of the others.

Barbara Broccoli with her Skyfall talent

No film has an easy road to movie theaters but if you remove your feelings about which of these ten films is "the best" from an artistic and/or entertainment standpoint and start thinking about what the particular challenges might have been, it feels like a different contest altogether, right? more...

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Holy Christmas Eve. It's More Critics Prizes

Argo is still soaring as precursors go...Tis the Season to Hear from Film Critics Circles and Orgs and Societies. The big news today – if you can call anything Off-Christmas news on Christmas Eve -- is that the Online Film Critics Society have announced their annual nominations with a parade of accordion accompanists on the streets of Chicago, New York and Los Angeles. Or at least that’s what I wish they’d done since they nominated Holy Motors for four prizes instead of the typical requisite runner up position here or there or nowhere. Instead of an accordion parade they just posted their nominations online…as societies are prone to do.

But they’re definitely worth mentioning this year as they seem to be sort-of-maybe a-little-bit-kind-of thinking for themselves beyond the standard pet-peevish traps -- there's plentiful category fraud (even though it doesn't really make sense for critics groups to do that unless they think of themselves as oscar pundits first in which case they might want to check their purpose and/ormission statements!) and the dismissals of Hugh Jackman and Matthew McConaughey, awardage impulses which tend to strike me as genre and gender-norms bias, respectively.

BEST PICTURE

• Argo
• Holy Motors
• The Master
• Moonrise Kingdom
• Zero Dark Thirty

lots more after the jump including weirdly formatted lists (i can't deal today. it's christmas eve) and three more regional critics prizes.

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The Perks of Being Logan Lerman: Son of "Noah"

"Wallflower" is probably not the right word to define Logan Lerman. Though he describes himself as "quiet" and makes more than a few self-deprecating comments, he isn't exactly a bundle of shy neurosis. Instead the twenty-year old actor has the kind of chill demeanor that comes from unfussy professional confidence. Once you stop to do the math, you realize he's already in his twelfth year of professional acting (his first screen role was one of Mel Gibson's kids in The Patriot , 2000).

Twelfth year!

Logan Lerman, photographed for Flaunt Magazine

So it's something of a perfect coincidence that his "senior year" in the public eye, if you will, would so perfectly coincide with a starring role in one of the best high school movies in ages. "Wallflower" doesn't describe him but The Perks of Being a Wallflower is the best illustration yet of his gifts as an actor. His soulful turn as the troubled young writer at the heart of the film won Lerman fine reviews and a well deserved nomination for "Best Young Actor" at the Critic's Choice Awards. 

This, you might say, is graduating with top honors. 

Interview after the jump...

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10 More Critics Prizes: "Argo" & "The Master" Fight For "Zero Dark" Scraps

I haven't done the math but why count with my fingers when The Wrap is a born calculator and reveals that as the critics prizes have shaken down Zero Dark Thirty leads the race with 8 while Argo is in second for Best Picture prizes with half as many triumphs thus far. The Master is the only other film that's managed multiple "Best Film" gongs (3) in this thankfully divided year. Licking the crumbs off the critics awards plate we have Amour, Life of Pi, Lincoln, Silver Linings Playbook and... Safety Not Guaranteed? Well, ok, Indiana! You go your own way.

Zero Dark Thirty, Argo, and The Master are the critics win leaders

Les Misérables is the only film from Oscar's presumed big five that hasn't managed a Best Picture win from a critics group though it's surprising to realize that Lincoln hasn't done much better in terms of taking the top prize. Another casualty is Beasts of the Southern Wild. That gloriously original moving indie has recovered from its first weeks in the precursors where it couldn't win "first film" or "breakthrough performer" prizes with the unexpected strength of How to Survive a Plague and Middle of Nowhere blocking its pathway with critics or at the Gothams respectively. It's won a few things here and there. But I'd argue it's the biggest casualty of the critics weeks since it hasn't managed even one Best Picture win. It deserved and needed them so it's no surprise that it's outsider shot at a Best Picture nomination which once seemed totally doable now looks like a true long shot.

Supporting Actor Disappointments and more after the jump...

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