Critics Choice Awards Live Blog

8:01 Auspicious Beginnings - the sound is already out of sync on the intro!
8:02 Fixed. But Ooh the reaction shots are already rough. Anne Hathaway and Sally Field don't look so happy to be there. Jessica Chastain isn't even faking it well and she usually looks so cheerful. Or maybe I'm projecting since I'm bone tired from the Oscar Nom run up and early morning.
8:04 Sam Rubin, critic, is drooling on the IMPORTANT. FAMOUS. PEOPLE. 

8:05 For some reason Henry Cavill are presenting the first award. Because when you think of Superman you always think... Best Ensemble? 

Ensemble: Silver Linings Playbook
Young Actor/Actress: Quvenzhane Wallis, Beasts of the Southern Wild (who reads her speech from an iPhone which is adorable)

8:18 Some awkward banter for Famke Jannsen where she's not supposed to know what famous action movie quotes are like "I'll be back". Um.... banter isn't supposed to make the star look bad. Do you think she's annoyed that she was a Bond girl before the currrent Bond hoopla? 

Jennifer, Jessica, Rebel and more after the jump

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BAFTA ♥ Lincoln (But Not Spielberg)

So much happening and I was seized by offsite emergencies. Apologies. In the wee hours of the morning here in the States... we'll call it "last night",  BAFTA announced their nominations and went wild for all six of the top presumed Best Picture Oscar nominees. The biggest surprise inclusion in the British Academy's list has to be the Best Actor nomination for Ben Affleck in Argo (in place of the usual suspect John Hawkes from The Sessions... though Denzel Washington was also absent since The Master was well represented in the acting categories). BAFTA's devotion to their fellow countrymen is a factor each year -- it's no surprise to see Skyfall with 8 nominations because BAFTA loves Bond (Casino Royale had 9 nominations in 2006!) . But this 'Brits first!' thing is also grossly exaggerated by the media since it's hardly an infallible formula. Supporting Actress hopeful Maggie Smith is noticeably absent - note the one nomination "British film" for The Best Exotic Marigold Hotel. And though Anna Karenina rebounded in awards season with several nominations here, Keira Knightley was not rescued from its train tracks in Best Actress where Helen Mirren held on to her default Best Actress bid --- will she do the same tomorrow with Oscar?.

The biggest oddity of the day? Steven Spielberg's Lincoln led the pack with 10 nominations but Steven Spielberg himself was not nominated for directing it. It's totally deja vu -- t'was nearly the exact Oscar nomination fate of The Color Purple (1985) with 11 nods but none for the man in the director's chair!

Full nomination list after the jump.

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Nom Nom Nom: The DGA's.

Hey, lovelies. Beau here, with the announcement of the DGA Nominees for 2013 whilst Nathaniel lunches with one of them.

• Ben Affleck, Argo 
• Kathryn Bigelow, Zero Dark Thirty
• Tom Hooper, Les Miserables
• Ang Lee, Life of Pi
• Steven Spielberg, Lincoln

And so, the open spot goes to Tom Hooper, a recent recipient a couple years back for his work on The King’s Speech. If anything must be said about Les Miserables, it is that it is indeed a director’s vision; the intimacy of the camera superseding the largeness of the story in an effort to maximize the full emotional impact of the musical.

While I have many issues with the film, Hooper’s vision does lend itself well to Hathaway’s ‘I Dreamed a Dream’, the strongest scene in the film. Observing despair and bottling it in a shot that would have made Bergman proud, his attention to detail in Hathaway makes for something profoundly intimate and personal. That the rest of the film never lives up to this moment is not really surprising; its pacing and its reticence to self-edit do it a disservice, as the film never really gives its audience a moment to breathe and take in the considerable emotional toll. 

That being said, this is the lineup many have been predicting for quite some time now, give or take Hooper in place of Russell or Tarantino.  We’ll just have to see if Oscar feels the same way come Thursday morning.

Until then, dears. xo, Beau

National Society of Film Critics Loves Amour

National Society of Film Critics is the last of the three big critics' groups to announce their annual winners and they have followed LAFCA's footsteps in giving their top prize to Michael Haneke's Amour. It's yet more fuel in the film's fire as Sony Pictures Classics awaits the Academy's nominations on Thursday, though with the voting deadline already passed, this prestigious honour will have no persuasive power on Academy voters.

As with LAFCA,  Paul Thomas Anderson's The Master came in second in the top category, but this wasn't the only place where NSFC agreed with their Los Angeles counterparts. Emmanuelle Riva and Amy Adams also topped the lead and supporting actress categories, respectively.

Daniel Day-Lewis and Matthew McConaughey were the winners in the male acting categories. McConaughey, whose award was shared for Magic Mike and Bernie, has been a critical favourite all season - he won NYFCC's prize for the same two films as well - and is still lurking right around the nomination zone despite missing out on SAG and Globe nominations.

In the nonfiction category The Gatekeepers just edged out This Is Not a Film to the top prize, ahead of a distant Searching For Sugar Man at third. Jafar Panahi's film also managed a citation for Best Experimental Film. Tony Kushner and Mihai Malaimare Jr. rounded out the winners with prizes in the screeplay and cinematography categories, respectively.

Full list of winners after the jump...

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Congratulations to the WGA Nominees

Before approaching the Writers Guild Nominations with Oscary enthusiasmbe forewarned: only guild members are eligible for these prizes which discounts a good chunk of the movies one might otherwise expect to see honored each year. Hollywood isn't nearly as averse to working with non-guild writers as they are about non-unionized actors (Beasts of the Southern Wild was the only significant "ineligible" situation when the SAG nominees were announced a month ago). One of the reasons for this is surely the prevalence of writer/directors who are often members of the DGA without being members of the WGA.

The benefit of this is that by their script eligibility rules they are forced to award films that have been largely ignored in the grand scheme of year end hoopla. The curse is that when you are nominated from a smaller field of potentials it might not feel as notable.

ORIGINAL SCREENPLAY  

• Flight, Written by John Gatins; Paramount Pictures
• Looper, Written by Rian Johnson; TriStar Pictures
• The Master, Written by Paul Thomas Anderson; The Weinstein Company
• Moonrise Kingdom, Written by Wes Anderson & Roman Coppola; Focus Features
• Zero Dark Thirty, Written by Mark Boal; Columbia Pictures (ARTICLE) 

not eligible and therefore unsnubbed so you could still see them on Oscar's list: 
Django Unchained, Seven Psychopaths, Amour, Your Sister's Sister, Take This Waltz, The Intouchables, Middle of Nowhere, Rust & Bone and The Impossible 

Typically we only here of what's been declared ineligible so it's tough to know what other films were competing although I'd feel worse for actor/screenwriter Reid Carolin's absence for Magic Mike above if he'd also played one of the Cock-Rocking Kings of Tampa. That'd be putting it all on the line for your movie!

ADAPTED SCREENPLAY 

• Argo, Screenplay by Chris Terrio; Based on a selection from The Master of Disguise by Antonio J. Mendez and the WiredMagazine article “The Great Escape” by Joshuah Bearman; Warner Bros. Pictures
• Life of Pi, Screenplay by David Magee; Based on the novel by Yann Martel; 20th Century Fox
• Lincoln, Screenplay by Tony Kushner; Based in part on the book Team of Rivals: The Political Genius of Abraham Lincolnby Doris Kearns Goodwin; DreamWorks Pictures
• The Perks of Being a Wallflower, Screenplay by Stephen Chbosky; Based on his book; Summit Entertainment (LOGAN LERMAN INTERVIEW)
• Silver Linings Playbook, Screenplay by David O. Russell; Based on the novel by Matthew Quick; The Weinstein Company

not eligible and therefore unsnubbed:
Les Miz, Beasts of the Southern Wild, Anna Karenina, The Deep Blue Sea, and The Best Exotic Marigold Hotel

The nominee list for the WGA is highly plausible as the final Oscar list in this category too, don't you think?

DOCUMENTARY SCREENPLAY 

• The Central Park Five, Written by Sarah Burns and David McMahon and Ken Burns; Sundance Selects
• The Invisible War, Written by Kirby Dick; Cinedigm Entertainment Group
• Mea Maxima Culpa: Silence in the House of God, Written by Alex Gibney; HBO Documentary Films
• Searching for Sugar Man, Written by Malik Bendejelloul; Sony Pictures Classics
• We Are Legion: The Story of the Hacktivists, Written by Brian Knappenberger; Cinetic Media
• West of Memphis, Written by Amy Berg & Billy McMillin; Sony Pictures Classics 

Sugar Man, Mea Maxima and The Invisible War continue to show real strength in the oncoming Oscar Best Documentary race.