Link Rising

Vanity Fair are big changes ahead for HBO's original programming? Will they make the right calls?
Film School Rejects 38 things we learned from writer/director Robert Eggers' commentary track on The Witch 
Oscar Dances a new twitter account is replaying that Ex Machina dance scene with Oscar Isaac getting down to every song imaginable
Variety Owen Gleiberman has a smart take on the comic rise of Zac Efron in Neighbors and Neighbors 2

Comics Alliance has a fan and staff generated list of the 100 greatest X-Men of all time. Another reminder that that movies just aren't doing right by this breadth, diversity, and queerness of this team. Only 2 of their top ten (Jean Grey & Magneto) have been reasonably well served by the movies.
Antagony & Ecstasy remembers Hedwig and the Angry Inch with a stellar review
Business Insider the new practice of teasing the trailer you're actually watching online before you watch it
Forbes underperforming sequels can still generate profits if the production is smart
Pajiba Lionsgate admits that the Divergent series is a mess but shows no signs of having learned from it
Slate on the "dark future of whitewashing" in regards to Asian-American actors 
MTV "We still don't live in that kind of world" - we weren't the only ones remembering the still resonant Thelma & Louise this week 
NY Times has a fascinating report on the death of the office dress code. Love that they illustrated with Working Girl.  

Lukewarm Off the Presses: Beyond Ragnarok & Huppert Fever

Reheating some news we never got around to! But perhaps it's news to you...

Cate Blanchett will be playing Thor's next big bad "Hela". We assume she's the antlered one in this concept art so we cautiously look forward to that costume. But confession: I don't trust Blanchett in villainous mode (*dodges tomatoes*) since she overdid it in both Kingdom of the Crystal Skull and Hanna and nearly so in Cinderella and I don't mean overdid it in a fun comic-book kind of way but just too much overall. Plus the Thor movies are easily the worst part of Marvel Studio's work to date. Other new players in Thor: Ragnarok will be Jeff Goldblum, Karl Urban, and Tessa Thompson as Valkyrie (a character I loved as a kid so yay, Tessa). And of course Mark Ruffalo as the not jolly green giant and Chris Hemsworth as the guy with the hammer. For some reason they are forcing Sir Anthony Hopkins' Odin back on us (I thought he died in the ssecond movie?) and Tom Hiddleston is back under Loki's horns which is a pity because he deserves to use his time on other things, now, come on. They've wrung that character dry, they've leaned on him so much. 

Apparently the villain in Star Trek Beyond looks like this. It's actually Idris Elba underneath all that makeup. LOUD SIGH. First Oscar Isaac gets buried in ugly latex for Apocalypse and now Idris? Idris Elba is, and I think the internet will back me up on this assertion, one of the most attractive people on the planet. So why won't Hollywood show us his face? It is really pissing me off. This year he's onscreen as a tiger (Jungle Book) a buffalo (Zootopia), a sea lion (Finding Dory), and this alien but not as a human man you can actually look at. As a pasty white boy I am fully aware that there are people who think I shouldn't talk about race... but as a human person stuff like this is really getting to me. I am not one to jump on every perceived racial slight and proclaim racism (As I said much to the internet's displeasure this past season, I think #OscarsSoWhite was oft-misguided because the actor's branch is not the correct target for such things given both Hollywood and Oscar history) but I can't look at Idris Elba's career, and Zoe Saldana's career (note how she's always blue or green in her movies... until she was a black woman doing blackface -yikes!) and Lupita Nyong'o's career post Oscar (a CGI alien and a CGI wolf so far, but not an actress you can gaze at despite her considerable beauty) and not KNOW that Hollywood's race problem is dire and also, I'd wager, subconcious.

This is not complicated, really, if casting directors, directors, agents, executives, managers, and maybe even the actors on occasion would just think decisions through a little more, especially in regards to the optics. FACT: People like to look at beautiful actors. They always have. Stop hiding them from us! 

Isabelle Huppert is having a good year. I missed a lot of articles on Elle and Isabelle Huppert's time in front of the press at Cannes. In a new interview at the Guardian about Elle and her latest stage performance in Phaedra there's a lot of fascinating tidbits including her repetitive unwillingness to talk about other famous actors but her chatterbox response to questions about directors. She also wants to do more comedies...

Viewers do tend to think of her on-screen persona as a full-on neurotic, steeped in psychosexual anguish.

“Yes, but you can be a comic neurotic too.” So does she feel underrated doing comedy? “I certainly do feel…” she hesitates a moment; I take that as a yes. “That’s why I’d love to work with Woody Allen or Noah Baumbach – to do comedy in that New York vein.” But her serious roles, she insists, often contain more humour than is apparent. “Even The Piano Teacher – although I wouldn’t try to persuade anyone that was an out and out comedy…”

Whew. I was worried for a second. That film is not a knee slapper. As for Huppert in comedy. Can you handle that? I liked her in I Heart Huckabees and especially in 8 Women but in both she was working with or riffing on that dramatic neurotic performance so her comedy was stemming from perceptions of her as an actor, just as much if not more than her actual performances.

Two Must Reads: Asian Actors Speak Out, and Method Acting's History

After two hit TV shows Daniel Dae Kim is Broadway's new King of SiamTwo Must Reads today that are a pleasure to highlight

The Hollywood Reporter published a piece called "Where are the Asian-American Movie Stars?" that's definitely worth a look. Kudos to fine actors like Maggie Q, Daniel Wu, Daniel Dae Kim, Ming-Na Wen and others for forging and holding down careers (it can't have been easy) and speaking out about the white-washing. The problem is not just that Hollywood doesn't get it but that they also don't make use of what they already have. There is plentiful camera-ready talent out there, but Hollywood mostly ignores Asian Actors.

The white washing is so egregious lately that even an upcoming animated film from China called The Guardian Brothers has an all non-Asian voice cast for its US release! What the holy f***? That cast includes Meryl Streep and Nicole Kidman, and quite frankly that pisses me off. They should know better. Neither of those perpetually working  Oscar winning goddesses need the exposure, the work, or the money that that job will offer.  

[More after the jump on this topic and Method Acting, too...]

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The Unexpected Racial Politics of The Craft

Kieran, here. This past week, Andrew Fleming's 90s teen witchcraft flick The Craft celebrated its 20th anniversary. If you haven't already done so, do yourself a favor and check out the terrific piece over at Decider about the cult classic's enduring power, written by fellow Team Experience member Chris Feil. 

One thing that I've always found interesting about the film, something that I've rarely seen discussed, is its racial politics and how they stand out among other movies released around the same time. The dynamic of "the black friend" is one not entirely alien to teen films and television, especially in the 90s...

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Which actors will Oscar celebrate this year?

We've discussed Best Actress and the overall April Foolish Predictions so let's talk Best Actor & Supporting Actor

First, we have to wonder what it will take to get Tom Hanks back in Oscar's shortlist. His last two acclaimed hits have wound up with Best Supporting Actor & Best Picture nominations but Hanks was passed over in both cases. If the same thing happens with Aaron Eckhart in the co-pilot seat of Sully, the famous story of the pilot who successfully crash landed a plane on the Hudson, we'll have a bonafide trend and not just a coincidence. That's what I'm currently predicting though of course it's all fun and games now before we see the films. And before we even know about several competitors as the year doesn't really get going until the fall according to Oscar voters.

The pressure is off Birth of a Nation... at least a little bit. Several films with actors of color look promising this year, so it needn't be the sole standard bearerIn other acting category predictions, I feel confident in saying that we'll see the end of the dread #OscarsSoWhite controversy. Or, rather, the issue will persist (Hollywood having white male imbalance problems) but it will take a different shape, less focused on the Oscar's acting branch which was an easy but unfortunate scapegoat of a much larger Hollywood problem. The Acting branch has always been the most inclusive and diverse of any Oscar branch but the uproar and embarrassing photo ops of the past two years -- as well as, yes, too-defensive quotes from some famous actors themselves -- have convinced the public otherwise. With more racially diverse dramas being released this year (Fences, Birth of a Nation, A United Kingdom, Loving, Lion and possibly more)  it should be an easy fix; AMPAS members can only vote for films and performances that are eligible. My sincere hope is that we see a few Latino or Asian nominees in the mix soon so we can move past this idea that racial identity and diversity are binaries. But first people will have to start actually casting Latin and Asian actors in movies. Wouldn't that be nice. It's especially rough for Asian actors since they nearly always change their characters to white characters between source material and production.

[Tangent for Hard Core Fans: Despite the difficulty of predicting a full slate of nominees this far in advance I don't actually do a poor job of it. Even in the below the line craft lineups I tend to score two of five before we've seen any films. This sounds easy but I assure you it's not. Try it one year in April and save your list with no changes ever each time you hear news or release date shifts thereafter and see how many remain at the end of the year. Best Actor remains my best category in terms of flying that blind. In 2013 and 2015 I correctly guessed 4 of the 5 nominees this early which is really something. And in 2001 and 2008 the scores would have also been that incredible but for the business of men being nominated the next year instead. - Nathaniel]