Sandy Powell ❤️ plaid

Powell on the set of "The Irishman"by Cláudio Alves

Some auteurists would have you believe that only directors among filmmakers have a distinctive style, a visual language transversal to all their projects. People like Sandy Powell, one of AMPAS' favorite costume designers, defy this logic. Her films share an aesthetic ethos and her taste is ever-present. Notice, for instance, how Powell has a penchant for saturated contrasting colors and bold patterns, often filling the frame with a cacophony of clashing prints. Her approach is so characteristic, in part, because busy textiles aren't something that normally works on camera.

Too much visual information can often distract the audience, dispersing the focus instead of guiding the eye with careful purpose. Powell, however, is capable of making it all work and her films are always bursting at the seams with complicated motifs, be it moiré silks or paisley wools, sequined brocades or floral cotton. Most of all, Powell loves plaid...

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YNMS: The Glorias

From guest contributor Matt St Clair...

Oscar Winner Julianne Moore stars in the latest entry of what’s suddenly become the Gloria Cinematic Universe. Mrs America starring Rose Byrne as Gloria Steinem is still fresh in the memory (and competing at the Emmys on Sunday). And after playing the titular heroine in Gloria Bell, Moore now plays the iconic Gloria Steinem in the upcoming biopic The Glorias, which once again has Moore playing a Gloria in glasses, and has a “glorious” new trailer. Let’s give this preview the Yes No Maybe So treatment and see whether you think it’s bound for “glory.” (Sorry)

The official IMDB synopsis:

The story of feminist icon Gloria Steinem's itinerant childhood's influence on her life as a writer, activist and organizer for women's rights worldwide.”

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Atwood vs Powell: Battle of the costuming titans

by Cláudio Alves

Our look back at the cinematic year of 2005 and its Academy Awards continues. This time, we're examining the work of two titanic talents who battled for the Oscar in the Best Costume Design category as they were prone to do. We're talking about the magnificent Colleen Atwood and the sublime Sandy Powell…

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Sandy Powell as an auteur and the splendor of 2002

by Cláudio Alves

Auteur theory may be important, but it has clear limitations. Cinema is an intrinsically collaborative art form and the creation of the cinematic object often involves the work of numerous artists brought together by a common creative mission. To point at one of those minds as the singular visionary of a film is, in part, to erase the authorship of the others. Over the years, scholars, critics, and casual cinephiles have argued for the auteur description to be expanded beyond directors, often signaling actors and writers as good candidates for that same validation. I'd argue that all sorts of contributors to the construction of cinema can be seen as artists who bring their authorial voice to their filmography.

For example, costume designers like Sandy Powell may putatively work for their director's grand vision. However, if you look at their filmography, you see recurrent obsessions and mechanisms, repeated themes, and the development of a personal aesthetic that transcends the limits of directorial intent. Since we're celebrating the year of 2002 because of the impending Supporting Actress Smackdown, I invite you all to consider Powell's authorship as we explore her fabulous designs in Gangs of New York and Far from Heaven…

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Would you rather?

Would you rather...

• share rosé with Tom Mercier?
• donate plasma with Rita Wilson?
• touch up each other's roots with Sandy Powell?
• do cartwheel flips with Margaret Qualley?
• sing along with Simu Liu's one-man boy band?
• listen to Streisand records with Billy Porter?
• quote Withnail and I (in full) with Richard E Grant?
• play various sports with Emma Roberts?
• garden with Naomi Watts?
• take an ice bath with Joel Kinnaman?

Pictures are after the jump to help you decide...

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