Review: "Total Recall"

This review originally appeared in my column at Towleroad

It's hard not to feel sympathy for Colin Farrell. His secret movie star weapon is those long, thick unmistakable eyebrows. When he's in distress his brow lifts and pulls them up into a converging point, creating a perfect triangular frame for big brown orbs of boyish angst. "Help me!" is written all over his eyes. That same furrowed brow expression with just minor flickering shifts can also say "Please love me!" and "Aren't I funny?" and "..." His capacity for impish excitement and moral confusion were a perfect match for his best star turn to date in the hitman seriocomedy In Bruges (2008) and it helps the TOTAL RECALL do-over more than it should.

Farrell plays everyman Doug Quaid who doesn't realize he's actually someone else because his memory has been erased. A trip to the fantasy memory banks of "Total Rekall" (a reversal of Eternal Sunshine's "Lacuna Inc" since the company aims to give you false memories rather than take real ones away) upsets his reprogramming and suddenly he's killing soldiers with the trained might of a futuristic Jason Bourne. Returning home his formerly loving wife (Kate Beckinsale) tries to kill him.

Quaid realizes he's completely lost in a false life with no memory of the real one. Cut to: plentiful moments of Farrell Furrowing!

But you shouldn't have time to think about the magic and mystery of physiognomy while you're watching an action movie. If you do your mind wanders and questions come cascading in like...

"When did Kate Beckinsale's Hair becomes self-aware like SkyNet?" When?!?

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Take Three: Barbara Steele

Craig here with this week's Take Three: Barbara Steele

Barbara Steele in Federico Fellini's immortal 8 ½

Take One: Black Sunday (1960)
In Mario Bava’s Black Sunday (also known as  La maschera del demonio or The Mask of Satan) Steele plays Princess Asa Vajda, a woman put to death by her brother in Moldavia, 1630 only to be resurrected 200 years later as a vampire-witch. Steele also has a second, key role, as local woman Katia Vajda. Princess Asa’s eager to wreak the long-promised revenge upon her descendants – thus proving Sunday is far from a day of rest for the undead. Black Sunday, highly influential and memorable to future horror like Bloody Pit of Horror, Bram Stoker’s Dracula and Sleepy Hollow, features some of Steele’s best work.

That's particularly true in the film's gory opening prologue where she meets her first death. Many horror fans recall with wicked grins this moment that most likely lead to Steele favouring the horror genre throughout much of the ‘60s. (See also 1965’s Nightmare Castle where she also played dual roles and 1966’s The She Beast, where she’s memorably possessed by the titular lady-ogre.) She conveys an immense sense of terror with impeccable assurance. More crucially, she does so with formidable levels of hysteria apt for a future grande dame of horror cinema. Her cries resound in the prologue like guttural shrieks from beyond the grave, but she manages to rattle off a thrilling, yet oddly wordy, pre-death warning to her condemners

My revenge will strike down you and your accursed house!”

[Two more takes, one of them Cronenbergian, after the jump...]

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Kiki's Melancholia (& Other Saturn Triumphs)

Though I haven't yet seen any photographs of the Saturn Award event, held in Burbank this week and the last of the 2011 Film Awards -- arriving even later than the MTV Awards each year  -- we must rush to congratulate the one and only Kiki for her Best Actress win for Lars von Trier's apocalyptic arthouse amazement Melancholia. You may recall we also honored her right here in our Best Actress list. The Saturn Awards don't have anything like a prestigious reputation (often a problem with awards organizations voted on by fans) but they do have a long history (38 years!) which counts for something and you have to hand it to them this year that they're the only large non-critics awards group to honor Kirsten Dunst for her indelible embodiment of Planet Sized Depression though she did win the top Actress prize at a few film festivals (including the very definition of Prestige Reputation: the Cannes Film Festival) and was also honored by two critics orgs one minor and one major: Kansas Film Critics and the National Society of Film Critics. 

A complete list of winners after the jump but if you're too lazy to click, please note that they seemed to love Super 8 best even though it didn't win any of their four Best Picture prizes. Wins and commentary if you...

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The Link Squad

The Film Stage Gangster Squad, with its machine gun in the movie theater moment -- already revealed in the trailer --  may be delayed or reedited now in the wake of Aurora Colorado tragedy. (I figured this was coming)
i09 Lt Ellen Ripley and Child, painted. Other sci-fi women also iconized. 
Telegraph RIP Actor Simon Ward of The Tudors, Three Musketeers, Supergirl, and Young Winston fame. He was 70 years old.
Rope of Silicon is wondering about the Oscar chances of Beasts of the Southern Wild now that it's expanded well.

My New Plaid Pants Quote of the Day via The House of Kermit
Pajiba Dustin recounts his single most humiliating experience as a critic. Curse you, Taylor Lautner!
The Broadway Blog celebrates musical theater's belters: Sutton, Babs, Lupone and more
Hollywood Elsewhere has lunch with the Criterion Blurays of Rosemary's Baby and Sunday Bloody Sunday
Vanity Fair says goodbye to The Dark Knight Trilogy with a behind the scenes slideshow 
Vulture looks at the dissolution of the TomKat marriage
NPR this is sweet, actor Donald Faison (Clueless, Scrubs) on the movie he has seen a million times: The Empire Strikes Back
The Film Doctor discusses The Dark Knight Rises with a film major at Waffle House. Cheese, eggs, raisin toast, and spoilers.

P.S. Yes, yes. I did start a review myself and I hope to have it up today but I'm moving in slo-mo this week.

Monologue Monday: "Time To Die"

Today marked the 30th anniversary of Blade Runner, one of the most influential movies of all time. The last time I saw the picture was  5 years ago for its restored 25th anniversary . T'was quite a mindfuck to see a movie so clearly 80s looking like it just came from the lab. For the anniversary I thought I'd share this previous article on Roy Batty's famous final monologue...

Blade Runner's perfect opening shot. Human but abstract

I've lost track of the times I've seen people steal from it, particularly in the art direction/ production design world (the world that spawned auteur Ridley Scott, don'cha know?). Roy Batty (Rutger Hauer), the leader of a freethinking band of androids known as "replicants" is the best character in the movie. He's scary yet soulful and sympathetic... like a 21st century Frankenstein monster. [More after the jump]

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