The Decline of Skywalker

by Ginny O'Keefe

SPOILERS AHEAD!!!! 

I’ve been a die-hard Star Wars fan since I was four years old. I had been eagerly awaiting the release of Episode IX: Rise of Skywalker since 2017. With the film rapidly losing screens now in its 9th weekend and approaching a final box office tally that's significantly less than its predecessor, I began to think about my own enormous disappointment. I must not be alone. To preface my reaction I should say that I have seen EVERY SINGLE Star Wars movie that has been released since I was born more than once in theatres. Until now...

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"Bad Boys for Life" and audiences check out those BP nominees

The box office report comes real late this week since it takes a while for the coins to settle after holiday weekends. But here we go with the long weekend estimates (which probably aren't all in).

Will Smith and Martin Lawrence are both in their 50s but there's no aging out of action franchises (as we saw with Hamilton & Schwarzenegger last summer in Terminator Dark Fate). The first Bad Boys arrived in 1995 as an instant smash and its sequel waited until 2003 but audiences haven't fallen out of love in the long gaps. They came back in droves 17 years later for round three.

Since this was the first weekend after the Oscar nominations and most of the Best Picture nominees (re) expanded their screen counts, let's check in with EVERYTHING in wide release... and their counterparts in platforming.

Weekend Box Office January 17th-20th (ESTIMATES) 🔺 = new or expanding / ★ = recommended
WIDE RELEASE (800+ screens)	PLATFORM TITLES
1 🔺  BAD BOYS FOR LIFE  $73.4 *NEW*	1 🔺   WEATHERING WITH YOU $1.7 on 486 screens *NEW* REVIEW  ★

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What's next for the cast of "Star Wars"?

by Cláudio Alves

For actors, franchises can be a gift and a curse simultaneously. Money is a plus, certainly, and so is the newfound fame and recognizability. However, such treasures often come at the cost of artistic risks and availability to do anything other than the series they're then chained to. Long preproduction, long shoots and even longer reshoots fill the calendar and then there are endless promotional tours. In the end, the victims of the franchises are the performers' fans.

With the "end" of the Skywalker saga, it's a good time to ponder what comes next for the stars of the third Star Wars trilogy. Will these actors be able to ride the wave of popularity into exciting careers or will they forever be tied to these Disney-owned characters? We'll see…

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Year in Review: Mainstream Box Office (feat. Lupita, Queen Elsa, and lots of Superheroes)

Our Year in Review party is getting off to a bit of a slow start (we launched with 50 biggest documentary hits) but we hope to speed up now and what better festive topic during the holiday moviegoing season than an audience participation one? Herewith six "top ten-to-twenty" box office hit lists regarding various subgenres of the mainstream and what we can learn from them... at least in terms of moviegoers today.

We're starting with female-led pictures because this should not be regarded as a minority or special interest topic given that half of the world's population is female! Little Women was a major late-breaking success in this arena but it wasn't the only success from 2019. Let's look at that chart first.

🔺= the movie is still in over 100 theaters. Figures are as of February 23rd

1. TOP GROSSING (LIVE-ACTION) FILMS WITH A FEMALE LEAD
(Excluding films where a male lead is just as prominent as his female co-star)

Captain Marvel

01 Captain Marvel $426.8 (Disney/Marvel, March 8th) starring Brie Larson
02 Us $175 (Universal, March 22nd) starring Lupita Nyong'o
03 Maleficent Mistress of Evil $113.9 (Disney, Oct 18th) starring Angelina Jolie
04 Little Women $107.1 (Columbia, Dec 25th) starring Saoirse Ronan
05 Hustlers $104.9 (STX, Sept 13th) starring Constance Wu & Jennifer Lopez...

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Best Animated Feature Contenders: How to Train Your Dragon 3

by Tim

Only time will tell which five movies are going to receive nominations for the Best Animated Feature Oscar in January, but I can tell you this much with absolute certainty: there are going to be a lot of sequels in the mix. Each of the four biggest American animation studios released a single film in 2019, and each one of those was a franchise entry. Disney had the blockbuster hit Frozen II just a month ago, and their corporate cousin Pixar released the slightly smaller hit Toy Story 4 over the summer. Illumination Entertainment had a rare flop with The Secret Life of Pets 2. Before any of these, though, came my pick for the best major studio animated feature of the year, and a film we really haven't talked about very much at the Film Experience: DreamWorks Animation's How to Train Your Dragon: The Hidden World, third and final film in a trilogy that started in 2010.

The film was greeted without much enthusiasm, whether from critics, fans of the series, or audiences more generally; this seems horribly unfair to me. While it is more than a little bit of a retread of 2014's How to Train Your Dragon 2 in its plot and especially in its generic, forgettable villain (and one should never think "unforgettable" when watching a character played by F. Murray Abraham, but here we are), the emotional stuff is all new...

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