TIFF '24: The Art of Dying in One's Own Terms

by Cláudio Alves

THE ROOM NEXT DOOR won the Golden Lion on the same day it first screened at TIFF.
Whether programmed with that intention or bonded by coincidence, one can often find films in conversation at festivals. Echoed themes and varied approaches to the same idea occur, often across sections, tying works together that were never meant to be considered in those terms. Some might disagree, but I find it to be a valuable experience, oft conducive to deeper thought, comparison and contrast. At this year's TIFF, for example, mortality was on many an artist's mind, from Godard, knowingly at the end of his rope, to the apocalyptic visions of Oppenheimer, Ostrikov, and Thibault Emin. From Cannes, there came meditations from Cronenberg and Schrader, films laden with grief, loss, and the need to take control. In documentary land, there are the recollections of an erstwhile death row inmate in The Freedom of Fierro.

Still, the most apparent conversation partners were two Spanish filmmakers, Pedro Almodóvar and Carlos Marques-Marcet, telling two euthanasia stories in The Room Next Door and They Will Be Dust…

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Three more Best International Film Contenders & Finalist Lists

by Nathaniel R

THREE KILOMETRES TO THE END OF THE WORLD © Vlad Dumitrescu

It's that time of year when countries are regularly announcing their Oscar submission. We started the week with 15 contenders but now we're at 18 and we have three new finalist lists, as well... 

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Víctor Erice's return will make you believe in miracles

by Cláudio Alves

Miracles haven't existed in movies since Dreyer.

So says a gruff film editor to his aged director friend in Víctor Erice's first feature in three decades, a work brilliant enough to make a lie of that line. Well, it was miraculous to me, though there must be some dissenters out there. Folks like Thierry Frémaux who infamously conned Erice into opening the flick at Cannes under the assumption it would play in competition. Only, Close Your Eyes didn't get to vie for the Palme d'Or, getting shafted into the newborn Premiere section. At this point, that farrago must be water under the bridge, though one presumes a big Cannes victory would have helped Close Your Eyes get to theaters sooner. For American audiences, it only now made it to screens, enjoying a limited release courtesy of Film Movement…

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A Penélope Cruz Top Ten

by Cláudio Alves

The Merry Month of May is upon us, but first, there's still some April business to attend. Specifically, Penélope Cruz turned fifty last weekend and celebrated a big party that included such names as husband Javier Bardem, auteur par excellence Pedro Almodóvar, former scene partner Salma Hayek, and many more. Happy belated birthday to the Spanish star! 

Here, at The Film Experience, the best way to mark such occasions is surrendering to list-mania, so let's consider this Oscar winner's extensive filmography and sing her praises. Excluding TV and with honorable mentions woven into the write-ups, here are my top ten favorite performances from Penélope Cruz…

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All About MY Mother and Almodóvar

by Cláudio Alves

How did you get into Almodóvar? For me, it was a matter of maternal influence. Ever since catching Women on the Verge of a Nervous Breakdown during its 1989 Portuguese release, she's been a devotee to the Spanish director. Even as her movie-going habits diminished, a new Almodóvar was always a reason to go to the theater, attend local festivals, and purchase physical media for re-watches down the road. Through those latter ones, I became acquainted with the filmmaker in my teens, learning to love his melodramas as much as my mom did. Though, of course, as a queer man, mine was a different connection to Almodóvar's cinema of complicated women and melodrama, bright colors and hot men.

To celebrate All About My Mother's 25th anniversary today, I revisited the film with the person responsible for turning young Cláudio into a fellow fan…

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